the Great Perhaps

[newloverofbeauty]

Ryan Mc Ginley:  Kuzdu  (2014)

[lionfloss]

Vladimir Ryabkov

[m14a]

scan 5

[soracities]

“All through autumn we hear a double voice: one says everything is ripe; the other says everything is dying. The paradox is exquisite. We feel what the Japanese call ‘aware’—an almost untranslatable word meaning something like ‘beauty tinged with sadness.’”

— Gretel Ehrlich, from The Solace of Open Spaces (Penguin, 1986)

[doublism]

[thoodleoo]

the feminine urge to pursue the divine in the woods

[iiwaken]

❀✿ spring is here ❀✿

[metamorphesque]

— Susan Sontag, Death Kit

[text ID: How can I describe my life to you? I think a lot, listen to music. I’m fond of flowers.]

[dispone]

bouquet vending machine in korea.

[petitworld]

[memoryslandscape-deactivated202]

“All through autumn we hear a double voice: one says everything is ripe; the other says everything is dying. The paradox is exquisite. We feel what the Japanese call ‘aware’—an almost untranslatable word meaning something like 'beauty tinged with sadness.’”

— Gretel Ehrlich, from The Solace of Open Spaces (Penguin, 1986)

[evanmcohen]

Comics I’ve made this month for Its Nice That.

[weltenwellen]

Heather Havrilesky, How to Be a Person in the World

[naturaekos]

“The ones who notice the storms in your eyes, the silence in your voice and the heaviness in your heart are the ones you need to let in.”

—

[weltenwellen]

Leah Umansky, from “Unleashed”

[weltenwellen]

Margaret Atwood, from “The Woman Who Could Not Live With Her Faulty Heart”, Selected Poems II: 1976 - 1986

[michaelnordeman]

On the way down from Östertangen in Dalarna, Sweden.