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(vía medusa.jpg (Imagen JPEG, 700 × 698 píxeles)

Arnold Bõcklin. Medusa. Symbolism.

#arnold bocklin #medusa #symbolism

(vía vision.jpg (Imagen JPEG, 939 × 1115 píxeles) - Escalado (84 %))

Odilon Redon c. 1883. Symbolism. Media: charcoal, paper. Baltimore Museum of Art (BMA) , Baltimore , MD, US.

#odilon redon #vision #symbolism #charcoal on paper #baltimore #BMA

(vía The Redemption of Saint Anthony — The Public Domain Review)

“The Crying Spider” (ca.1881) by Odilon Redon

#odilon redon #the crying spider #symbolism

(vía The City That Fell Off a Cliff — The Public Domain Review)

Photograph of the last of All Saints’ Church, on the Dunwich coast, ca. 1919 — Source.

#unknown author #photography #all saints' church #dunwich coast

(vía The City That Fell Off a Cliff — The Public Domain Review)

J. M. W. Turner, Dunwich, Suffolk, ca. 1827 — Source.

watercolour, gouache & chalk on paper

#Turner #watercolour #drawing

(vía “Here I Gather All the Friends”: Machiavelli and the Emergence of the Private Study — The Public Domain Review)

Intarsia in a studiolo originally from the Ducal Palace in Gubbio, Italy, now housed at the MET, ca. 1478–82 — Source.

#intarsia #studiolo #ducal palace gubbio #italy #MET

(vía “Here I Gather All the Friends”: Machiavelli and the Emergence of the Private Study — The Public Domain Review)

Giorgio Vasari, Six Tuscan Poets, ca. 1543, featuring Dante (seated), Petrarch (to his right, holding the green book), Boccaccio (the laurel-headed man between Dante and Petrarch), Cavalcanti (far right), and two other later poets: Cristoforo Landino (far left) and, next to him, Marsilio Ficino — Source.

#giorgio vasari #oil on panel #francesco petrarca #boccaccio #dante #cavalcanti #landino #marsilio ficino

(vía A man covering his mouth with a handkerchief, walking through a smoggy London street. Coloured aquatint. | Wellcome Collection)

#wellcom collection #smog #coloured aquatint

(vía Olaus Magnus’ Sea Serpent — The Public Domain Review)

A version of Sebastian Münster’s sea monster chart (1544 and after), composed from copies of the vignettes found in Olaus Magnus’s Carta Marina from 5 years earlier. (Note the blue Sea Orm curling round the boat in the top right corner)

#sea serpent #carta marina #olaus magnus

richardanarchist

Cascades (Quiet Solitude)

Maxfield Parrish

#maxfield parrish #paintings #illustrations

(vía Colonizing the Cosmos: Astor’s Electrical Future — The Public Domain Review)

“The Combat of the Dragons”, by Daniel Carter Beard, for John Jacob Astor’s A Journey in Other Worlds (1894) — Source.

#illustration #daniel carter beard #john astor #a journey in other worlds #19th century

(vía Divining the Witch of York: Propaganda and Prophecy — The Public Domain Review)

Illustration from Mother Shipton’s Wheel of Fortune; By Means of which you may Learn your Future Destiny (ca. 1838) — Source.

#illustration #mother shipton #wheel of fortune #19th century

(vía Roma Lister, Aradia, and the Speculative Origins of a Witchcraft Revival — The Public Domain Review)

Title-page of Charles Godfrey Leland’s Aradia, or, The Gospel of Witches (1899) — Source.

#charles godfrey leland #aradia #the gospel of witches #19th century

(vía Pin en Engravings and Prints. From 18oo until now.)

Ernst Fuchs Architectura caelestis — DOP

#ernst fuchs #engraving

(vía CLAWMARKS)

Chateaux de France des XV et XVIe siècles - Victor Petit - 1860 - via Internet Archive

#victor petit #19th century

(vía Адам и Ева. Сотворение мира и грехопадение. Графика.)

Lucas van Leyden

#adam and eve #lucas van leyden #engraving

(vía Sorcerer's apprentice: Photo)

19th-century coloured engraving of Burj al-Rus, a tower built in Tunisia by the Ottomans with Christian skulls (mainly Spanish: about 5,000) after the Battle of Djerba in 1561 • via Bibliothèque Infernale on FB

#engraving #19th century

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