-Seeing this beauty in the sky is something you can only do once in a lifetime- 🌟🌙
Stranger Things

@theartofmadeline
Jules of Nature
almost home

shark vs the universe
Sade Olutola

PR's Tumblrdome
Monterey Bay Aquarium

★
One Nice Bug Per Day
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Game of Thrones Daily

#extradirty
Three Goblin Art
Sweet Seals For You, Always

izzy's playlists!

Kaledo Art

Andulka
"I'm Dorothy Gale from Kansas"

titsay
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@dpenguinmyatwork
-Seeing this beauty in the sky is something you can only do once in a lifetime- 🌟🌙
"Close friend (2026)"
Your nights won't be so sad when you know you have company.
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I remember reading a curious creepypasta somewhere that left me so intrigued and curious, and that's where the idea for doing something similar came from, only that one involved a dinosaur.
WIP #3 The "Virgen Maria" has a very prominent presence...
WIP #2 - I almost felt claustrophobic.
"Eternal rest (2026)"
A four-part composition that forms my true resting place for posterity, in which each part has its own central theme and thematic conception, giving the work a more introspective dimension.
Main idea in each panel, from left to right, top to bottom:
The transcendence of the earthly plane
The inevitable end of creation
The artist who perceives his own insignificance amidst the multitude
Works that will inevitably be lost to time
I don't remember how I came up with the idea of dividing the concept into four parts, but I wanted it to look a bit more detached from my own experience, since I had intended to make the composition much simpler, with myself in the center, alone, with the penguins around me. Therefore, I felt the work needed a bit more structure in its construction, so I challenged myself to try to tell the story from different points of view, not only within the same panel, but even to make each panel readable on its own, regardless of whether it's connected to the other parts—undoubtedly one of the most laborious painting projects I've ever undertaken.
WIP #1 Ahhhh, to form this "monstrous bird in the corner of the wall (in the dark)", I need to use multiple references.
I hope this concept works out well for me.
music taste
(acrylic markers on panel)
WIP 🐧🌎🔚
Here's a preview of one of my most elaborate compositions, which I've been working on for months. It's the first time I've thought of composing a scene in four parts, each with its own point of view. I wanted to practice with an idea but diversify it in the process; I wanted to see what it's like to create a painting that can be read in its individual parts.
You're still alive? (2021)
Another old piece, again, there are a few anatomical errors, and the lighting could have been much more impactful, but here I was very focused on composition. And I did like that aspect, as well as the increased work on the hair. I'll probably remake it in the future.
And as for the concept, since I wanted to reflect the image or bodily purity in a pure state like water, as basic as that, well, I wanted to practice a little with anatomy and nudity.
Les yeux sans visage (1960)
The design of Christiane Génessier's character in Georges Franju's 1960 film, "Eyes Without a Face," has always fascinated me. Her design, in itself, speaks volumes despite its lack of expressiveness, revealing the fragility of human beauty and prompting us to question what truly defines us as people. And that's when you realize that the eyes—"those eyes"—are, as some say, "the gateway to the soul." I highly recommend it; it's one of those horror films that's truly worthwhile.
Cabaret (2021)
An old piece that I liked at the time. Personally, I have a taste for the classic style, although to be honest, I think it was more the face that satisfied me than the composition, since it was one of my first exercises in detailed faces, which I based on the face of the famous actress Marilyn Monroe.
im here for you
A gift for Beanie, one of my incredible discord moderators! They requested something with critters and something spaced themed, so it naturally followed that I had to draw space raccoons.
One of my first exercises in scene composition
with a noticeable influence from cinematography
John Atkinson Grimshaw - "Reflections on the Thames, Westminster (detail)" (1880)
Albert Bierstadt - "Island in the Lake"
Karl Kaufmann - "Night in Antwerp Harbor" (1889)