S&M Sniper Magazine 1979 - 2009
PUT YOUR BEARD IN MY MOUTH
hello vonnie

Kiana Khansmith
he wasn't even looking at me and he found me
YOU ARE THE REASON
Sweet Seals For You, Always

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Game of Thrones Daily
let's talk about Bridgerton tea, my ask is open
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Kaledo Art

Janaina Medeiros

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will byers stan first human second

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S&M Sniper Magazine 1979 - 2009
Splendor solis, c. 1582
Boy holding kittens. Naga; India, 1937. Christoph von Fürer-Haimendorf
Orpheus in the Underworld. by Pierre Amédée Marcel-Béronneau (1869–1937)
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Ibrahim Mahama (born 1987 in Tamale, Ghana) is a Ghanaian contemporary artist known for his large-scale installations, sculptures and architectural interventions that explore global trade, commodification, labor, economic inequality, migration, and the socio-political legacies of colonialism in Africa.
Ibrahim Mahama produces large draping surfaces by carefully assembling sacks imported by the Ghana Cocoa Board and repurposed by charcoal sellers. The sacks present patches, markings and traces of traders’ names and locations on their rough brown skin, which map out the many transits they endure as vessels of commodities. The artist occasionally decorates them with the insertion of mass-produced Chinese–African print patchwork adding yet another layer of interpretation of the global movement of goods. The fact that fabric constitutes a marker of identity as well as a sign of particular occasions in the African context turns these insertions into a kind of portraiture of the wearers.
Wrapped around heaps of merchandise in the market place or embracing the contours of a museum building, the spreads of jute fibres become an oversized socio political inquiry of the origin of materials, referencing what is normally hidden for the sake of concept or form. Ibrahim Mahama denudes the transits and ownerships of jute sacks along their lives as porters of goods, rendering visible the mechanisms of trade which define the world’s economy.
https://www.saatchigallery.com/artist/ibrahim_mahama
Vietnam, 1962. Josef Breitenbach
the beauty of fetish - steve diet goedde (1998)
Prison tattoo gun made with a Grateful Dead cassette.
Édouard Boubat Self-portrait with Lella, Paris 1951
"In some way, a photo is like a stolen kiss." Édouard Boubat
Eduardo Gageiro - Portugal
undercover ss24
The Holy Mountain (1973) dir. Alejandro Jodorowsky
Mark Krzepis (Canadian, 2001) - Trinacria (2026)
Gilded silver book cover for the Epistles, crafted in Ulm, Germany, dated 1506 with 19th century restorations.
from The British Museum