search history sad by Caylin Capra-Thomas
occasionally subtle

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NASA
cherry valley forever
Today's Document
Mike Driver

❣ Chile in a Photography ❣
we're not kids anymore.
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Xuebing Du
Lint Roller? I Barely Know Her

JVL
PUT YOUR BEARD IN MY MOUTH
Claire Keane
will byers stan first human second
styofa doing anything
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Monterey Bay Aquarium

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search history sad by Caylin Capra-Thomas
And now it grows late, late. And I have the old beginning-of-the-week panic
Sylvia Plath, The Unabridged Journals of Sylvia Plath
If you persevere, in time you will have an entirely different problem – not that life is meaningless, but rather that life has almost too much meaning. As the scales fall from your eyes the world rushes into focus, presenting itself with a kind of vibrational eloquence that can, at first, be almost overwhelming. Everything shimmers, everything clarifies, everything wrestles for your attention. Trees feel super-real, their roots plunged into the earth, their branches stretching to the sky, birds are flesh and blood souls, fragile with life, the sky unfolds and rolls, the ocean crashes, people fascinate, books are beautiful, children are whirling dynamos of chaos, dogs bark and cats meow, flowers shout, your neighbour glows, and God runs like a helix through all things. The world awaits you, humming with meaning. You are alive with potential. You are not dead.
— Nick Cave on getting clean, Red Hand Files #258
And in that first post-heroin spring, my ageless dope body was gone. I’d traded it for a body that was like an empty hive. In the spring the missing swarms flew back through the sunset to fill it up again. [...] Not that I missed the dope body. I was sick of having the kind of problems that demons have—sick to death—but the scale of the human problem was breathtaking. It took my breath away, standing in front of those colossal sunsets. Red and purple. The memory of bedtime when I was four coming back in that color. The memory of my first kiss coming back. The way my bedroom smelled when I was ten and I was sick.
— Michael W. Clune, White Out
All I knew to do was keep putting my feet to the rocky ground, waiting to register something in the body instead of the brain. Because I wasn’t. Fifteen or so football fields up the trail I understood I wasn’t feeling. Not just drug-numb to moods or heartaches, I mean heat, cold. Tasting. That deadness of tongue and skin and eyes that doesn’t technically blind you, but you’re not seeing. Like the man said, the day I ran out of the pharmacy with my first ticket to oxy-nowhere: Blind blind blind. It grows on you till you’re darked out and don’t care. Something in me was wanting to grind my bones against this mountain till the body picked a side. Give up the ghost, or get back in here. [...] But I felt some things. The deer family that left their tracks in the muddy trail. As much venison as I’d eaten in my life, I felt I was some percentage of deer. I felt the kindliness of the moss, which is all over everywhere once you get out of the made world. God’s flooring. All the kinds, pillowy, pin-cushiony, shag carpet. Gray sticks of moss with red heads like matchsticks. Some tiny dead part of me woke up to the moss and said, Man. Where you been. This is the fucking wonderful world of color.
— Barbara Kingsolver, Demon Copperhead
footnote to howl by Allen Ginsberg
Maria Gray, from “Bad Nostalgia”
remember, green's your color. you are spring.
Roses, Vincent Van Gogh | Picking Flowers, Pierre Auguste Renoir | Green Wheat Field, Vincent Van Gogh | Water Lilies and Japanese Bridge, Claude Monet | Avenue of Schloss Kammer Park, Gustav Klimt | Entrance to the Public Gardens in Arles, Vincent Van Gogh | Sorrow Is Not My Name, Ross Gay
hearts in trees ♡
Bothersome beast, comforting friend
Drunk James
Fall vibes 🍂
Mostly a fit study but also a contribution to white streak!regulus because I’m obsessed
Emma Watson as Hermione Granger Harry Potter and The Prisoner of Azkaban 2004 | dir. Alfonso Cuarón
It rained today. Outside the window, the rush of cars and wind and people running across streets yelling, the translucent darkness of the night seeping past the sliver of curtains. During the day, the air cold and crisp and gray: rain-slick pavement, rustling trees with darkened bark, wet leaves half-decomposed, mottled, pressed flat against the concrete. Strikingly beautiful, almost startling so. Has it always been this way, the groups of people laughing, their faces flushed with cold, the blooming flowers, the air fresh and languid and clean. Boots with shiny leather. Cold hands. Shoes soaked, hems damp, numb feet. Has it always been this way — the beauty of it all, of this, of everything. Red lights at dusk. Silvery puddles reflecting iridescent fragments of sky. During the day, the windows clear, misted over with raindrops: the pale light, the washed-out buildings, the dark outline of trees. The white sky, sunless. The glutinous wisps of skinny clouds. The sound of rain against glass. On the streets: girls in short leather skirts, their legs long and delicate and bare. Old women in puffy jackets. Children splashing in puddles. Don’t run, you’ll slip. Then: I told you to be careful! Blades of grass, thin, translucent like jade, bent and speckled with dew. Plastic cups of coffee half-drank, stippled with condensation. Labels completely soaked through, grayish with water, soft, the corners half-peeled and bunched into knots. How have I never noticed this before, the dark leaves like lace doilies, the coarse bark, the birds with glossy round eyes. Fluorescent lighting of the subway. Hard plastic seats. People hunched over their phones, screens smeared with fingerprints, jackets blotched with raindrops. Quick tapping fingers. Faces colorless in the light, pallid, some impassive, some laughing: eyes flickering, cheeks bunched up, teeth yellow and bared. Doors open: rush of wind, fading conversation, clouds of perfume. There’s no way he — I swear! Where do you want to get dinner? There’s a new place that just opened up down the street, I’ve always wanted to try —
Inside, hot water, yellow lights, mirror clouded over with steam. Silky soap swirling down the drain. Soft towel. Skin smooth, hot, dry. Clean clothes. Damp hair on cool sheets. Cold, filtered water dripping down my chin. The broad, almost plastic-looking leaves of my house plant, shiny and dark green. Streetlights outside, slightly blurred, softly shining red, orange, yellow. On my tablet: pictures of forests, knotted trees, sprawling fields of moss, everything bluish-green. Quiet, still. Books with thin, inky fonts, the g’s and d’s written just the way I like. Somehow gratifying everything is, this moment, perfect. Poems: tonight he is alive and in the north field with his mother, if the dog were alive he would be drowning, in the spring the rabbits will find it and build their nest inside. The living go on living, and the dead go on living with them. The rain seeps in the cracks, and the trunk falls to the ground, and the moss covers it. Nothing is wasted in nature or in love. Opened windows. Whirring of cars outside. Soon, the lights will be off and blankets will be drawn in and tomorrow will begin. Tomorrow: what it will bring, no one can say for sure. But today was beautiful, it was. It was.
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