ADA - Analog Interactive Installation, is a kinetic sculpture by German-based artist Karina Smigla-Bobinski. The installation is made form an enormous helium-in
Interactive action between object, body and space
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@drawingandperformance
ADA - Analog Interactive Installation, is a kinetic sculpture by German-based artist Karina Smigla-Bobinski. The installation is made form an enormous helium-in
Interactive action between object, body and space
Starting as an empty white room, Roman Ondak’s Measuring the Universe at Tate St Ives has grown through the contribution of around 90’000 participants to a constellation of black marks. Through the simple action of measuring oneself, Ondak’s work doesn’t just expand on ideas of space and the universal but also the personal, creating a growing living artwork that questions just what a museum is for.
Ondak’s work on space, drawing and audience interaction.
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“To draw out, (to extract … to outline) to draw from, (to abstract) to draw in, (to entice) to draw down, (to deplete) to draw up, (to draft into form) and so on”
Donna Huanca: Cell Echo Yuz Museum, West Bund Shanghai March 24th – June 3rd, 2018 Yuz Museum is pleased to present Donna Huanca’s first solo exhibition in mainland China, “Cell Echo,” from March ...
Week 4 - Drawings made with marker
Drawing 1 Call & Response to other’s drawing sounds - cannot see the others drawing
Drawing 2-4 Muscle Memory - drawing with memory of gestures that made drawing 1. Note affect of smaller scale - started larger and reduced scale.
Week 4 Tape Drawing: Experiments with bodies and electrical tape.
Drawing, carving space, sculpture, object, performance.
Draw -> Sculpture -> Object ->Costume/Performance
The Nomadic Studio Practice Experiment (2009 - Present) The Sun, The Moon, The Stars (2017), Dawn Kasper
The Performance Room piece differed significantly from Jonas’s earlier performances: rather than being performed in front of an audience, Draw Without Looking was live-streamed on Tate’s YouTube channel and, for the first time, on Tate’s Facebook page. The Performance Room series invited artists to create a piece of performance to respond to the space of the McAuley Gallery. The work would be performed only once, for an online audience, viewing the work ‘live’ but through a live-stream rather than in the same space as the performance. Viewers watching from around the world could comment and ask questions through social media channels while the performance was happening, and these formed part of a live question and answer session after the performance between Jonas and curator Catherine Wood. After the event, the live-stream was archived on Tate’s website and YouTube channel, allowing continual access to the performance at any time and from anywhere.
This video is about Experiment 1
Drawing collaboratively. Negotiating line, space and tensions.
Experiment #0 Duration: 4.5 hours Agents: 28 Size: 12 x 6 m Location: ArtPlay, Melbourne (The Big Draw Festival) Date: 2011 Pilot Drawing Experiment This experiment was undertaken with a class of nine-year old students, divided into...
Experiments with drawing in the expanded field.
The work with public and invited participants to paint transparent PVC structures is ongoing and is context and site-specific. The work is available for new commissions. The Space for Freedo...
Less about the concept and more about the action of painting on transparent surfaces ...we discussed something similar as a way to set up space to draw.
artist noemi lakmaier spent nine hours tied to 20,000 multi-colored party balloons, floating above the sydney opera house's stage.
Perhaps another way of thinking of drawing...through space with different materials. Drawing with rope, carving up the space, dividing the space, constricting the body by changing the space with a material...or conversely freeing the body further by changing the space in some way. Thinking of materials that are weighty or light and how that changes the space and the performance.
Verbs plus
(Re-blogged from longvacarpenternews)
Longva+Carpenter are both home again after a productive artist residency at Kunsthaus Essen in Germany. In those 2 weeks we presented a 3-day,15-hour performance/installation, Shift, (pictured here, more photos and info coming soon). In doing so, we collected a lot of verbs. We:
shifted + stacked + unlocked + talked + wedged + surfed + sketched + read + marked + configured + checked + ordered + questioned + stretched + swept + walked + waited + augmented + charged + aligned + carried + arranged + bantered + invited + browsed + shopped + cleaned + considered + included + weighed + searched + funneled + trashed + rambled + returned + laughed + wrote + guessed + saved + focused + listened + shuffled + imitated + dropped + suggested + drank + pondered + developed + burned + budgeted + designed + debated + documented + opened + hauled + drew + edited + chatted + dabbled + yelled + tested + organized + noticed + pushed + whispered + slid + mused + ate a lot of broccoli + danced (just a little)
We are so grateful to the performance/art community, especially Marita Bullmann, for making all those verbs, and all those pluses (!), possible. Thanks too to Dr. Uwe Schramm and Kunsthaus Essen for the opportunity and hospitality. And to the willing and wonderful photographers: Jörn Vanselow (images here), Thomas Ruel, and Stephan von Knobloch.
Performed at Five Myles, Brooklyn Oct 2016 by Jaanika Peerna Chris Moffett David Rothenberg (sound) 2 hours video: Eleri Ever ===============================...
Working collaboratively during performance, capturing action and sound
How do artists work together? What does performance enable artists to do and to say? Drawing on Manuel Vason’s new book Double Exposures, join Manuel Vason, Hugo Glendinning, Alastair MacLennan and more at Tate Britain
Watch from 3 minutes in Alistair MacLellan on collaboration.
JOHN STURGEON 2 Aspects, ©1976 b&w, 4:08 minutes, sound Using the desert floor like a drawing surface for a diagrammatical enactment of the function…
Balancing act between string, water, glass and body. Drawing lines in the desert landscape.
Collaborative moments working in opposition / suspension/ connection/ force/ prescience/ synchronisation. String, charcoal, tracing paper, body, wall, floor.