Alexander Cozens, Plate 6 ( for a new method of assisting the invention in drawing original compositions of landscape), c.1785. Aquatint on paper, Tate, London.

bliss lane

Product Placement
Claire Keane

oozey mess
The Bowery Presents

Kiana Khansmith

blake kathryn
Aqua Utopia|海の底で記憶を紡ぐ

pixel skylines
𓃗

Discoholic 🪩
macklin celebrini has autism

No title available
Monterey Bay Aquarium

gracie abrams
TVSTRANGERTHINGS
tumblr dot com
KIROKAZE
Fai_Ryy
Jules of Nature
seen from United States
seen from United States
seen from Bangladesh
seen from United States

seen from Ireland
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from Türkiye
seen from Canada
seen from Kazakhstan

seen from United States
seen from Romania
seen from Poland

seen from Singapore

seen from United States

seen from Canada
@drawingdetail
Alexander Cozens, Plate 6 ( for a new method of assisting the invention in drawing original compositions of landscape), c.1785. Aquatint on paper, Tate, London.
John Singer Sargent, Rio Eremite, c. 1902-1904. Oil on cardboard over pencil, 24.8 x 34.9 cm. Private collection.
Maerten van Heemskerck, The Piers of the Cross Vault of New St. Peter's Basilica and the Rest of the Northern Transept of the Old Basilica. Roman Sketchbook I (1532-1536). Pen and ink on paper. Staatliche Museen, Berlin.
John Singer Sargent, The Salute, Venice, c. 1904-1907. Watercolor over pencil on paper, 55.9 x 35.6 cm. Yale University Art Gallery, New Haven, Connecticut.
François-Marius Granet (1775-1849), View of Rome from the Piazza Trinita dei Monti at Sunset. Brown wash, over traces of graphite, Réunion des Musées Nationaux.
John Singer Sargent, Palazzo Rezzonico, c. 1902-1904. Watercolor over pencil on paper, 50.8 x 32.4 cm. Private collection.
John Singer Sargent, The Church of Santa Maria della Salute, Venice, c. 1904-1909. Watercolor over pencil on paper, 36.8 x 53.3 cm. Calouste Gulbenkian Foundation, Lisbon.
Michelangelo Buonarroti, Study for the Porta Pia, 1561. Chalk and ink on paper, 44.2 x 28.1 cm. Casa Buonarroti, Florence.
Maerten van Heemskerck, Rome, Old Saint Peter's Basilica and the Vatican Palace, c. 1535. Brown pen on paper, 27.6 x 62.3 cm. Albertina, Vienna.
John Singer Sargent, San Cataldo, Palermo (also known as A Mosque, Cairo), c. 1897. Oil on canvas, 35.88 x 47.63 cm. Private collection.
Michelangelo Buonarroti
Male Nude, Seen from the Rear (recto)
Black chalk, pen and brown ink
260 x 170 mm
1503-04
Tom Thomson, Northern Spring, 1915. Oil on wood, 21.6 x 26.8 cm. National Gallery of Canada, Ottawa, Ontario.
Wendy Artin, Cinecittà, 2000. Watercolor on cotton Khadi paper, 40 x 18 cm.
Joseph Mallord William Turner, San Giorgio Maggiore at dawn (1819). Watercolour, 22.4 x 28.7 cm. The Tate Gallery. Londres.
Three Nude Dancers by Edgar Degas. Collection of Marcel Bing, Paris.
Maurice Prendergast - Venetian Canal Scene (1898-1899)
Drawing by Henri Matisse. From The Natural Way to Draw by Nicolaides.