May 11
A.L.Moure Strangis
Composiciòn collage 2024
seen from Malaysia
seen from Belarus
seen from Slovakia
seen from Indonesia
seen from Ireland
seen from Germany
seen from China
seen from United States
seen from Thailand
seen from Malaysia
seen from China
seen from Germany
seen from United States
seen from Thailand
seen from Russia
seen from Russia
seen from Germany
seen from Thailand
seen from United States
seen from Hong Kong SAR China
A.L.Moure Strangis
Composiciòn collage 2024
Kazumasa Yamashita, Face House, 1974 — photograph and axonometric drawing of a concrete building with an anthropomorphic facade
Interior design and architectural rendering of a mid-century modern penthouse apartment - circa 1956.
A completed piece from this year, entitled Holy Cave of Purgatorium. Colored pencil, pen, and watercolor on paper.
I took this as an opportunity to include a figurative element, although I fear it's a little too small for the figure's gesture to properly register. One more thing requiring further refinement.
Title: A Cardinal Examining a Painting in a Cloister Artist: François Marius Granet (French, 1775-1849) Date: 1st half of 19th century Genre: genre art, architectural drawing Movement: Neoclassicism Medium: pen and brown ink, brush and brown wash, watercolor, over black chalk Dimensions: 19.5 cm (7.7 in) high x 26 cm (10.3 in) wide Location: Metropolitan Museum of Art, New York City, NY, USA
François Marius Granet, from Aix-en-Provence, moved to Paris in 1797 to study under Jacques-Louis David. While there, he lived in a cell in a Capuchin monastery, an experience that transformed him. For the remainder of his career, he frequently returned to depictions of cloisters, and even his works on other subjects pay careful attention to architectural detail.
Bruce Goff (1904-1982)—Composition [tempera on paper mounted on board, 1920s]
One axis, one idea. When Michelangelo took over St. Peter’s dome in 1546, he solved its complexity through geometry and force. These drawings strip the design to its logic: drum, vault, lantern, all pulling the eye upward and back to center. No ornament carrying the meaning. The architecture is the argument. Michelangelo died before the dome was finished but the idea was already complete on paper. Quelle: meisterdrucke.com
First National Bank, Independence, Missouri, Perspective
Bruce Goff (Architect), designed 1970, graphite on tracing paper.
Art Institute of Chicago