d e v o n
EXPECTATIONS
TMBGareOK. The Official They Might Be Giants tumblr
No title available
Phantogram Three
art blog(derogatory)

Game Changer & Make Some Noise
YOU ARE THE REASON
I'd rather be in outer space 🛸
Lint Roller? I Barely Know Her

tannertan36

Love Begins

Product Placement

PR's Tumblrdome
KIROKAZE

@theartofmadeline

Origami Around

ellievsbear
No title available
Cosmic Funnies

seen from United States

seen from Netherlands
seen from Italy
seen from United States
seen from United States
seen from Kazakhstan

seen from Spain

seen from Spain
seen from Türkiye
seen from United Kingdom

seen from Austria
seen from Azerbaijan

seen from Malaysia
seen from United States

seen from United States

seen from United States

seen from Malaysia

seen from Malaysia
seen from Poland
seen from United States
@dreamcreateinspire
this pic has rosy vibes lol // my photo
tumblr
world is spinning I'm not dizzy
Michael Clifford for HATC magazine!
Photographed by alltookev
“Don’t Forget You Love Me” out April 10th !!
Michael for SiriusXM
(Listen to his SiriusXM interview here)
‘SIDEQUEST’ marks the beginning of your solo career. Can you tell us more about the inspiration behind this album?
A lot of creating this album for me was just trying to uncover my personal identity. I had no idea who I was or who I am. I was just terrified to create anything that represented me, as it was so far out of my comfort zone, that it was a lot of trial and error of seeing what resonates with me. I just wanted to make everybody who supports me proud.
With the album being an introspective and deeply personal, what kind of emotional journey did you go on while creating it?
I had a bunch of music that I had created before becoming a parent, but after having a child and looking at that music from a fresh perspective, I pretty much scrapped most of it and started again. The biggest journey I went on was just trying not to overthink everything. I'm a chronic overanalyzer. But after watching my daughter discover things that I thought were mundane and treat it with such wonder really changed my perspective.
The transition from a band member to a solo artist often comes with a shift in creative control. What was the most rewarding part of making this record on your own terms?
It was just so completely new and different for me that it's almost not really comparable. It's not better or worse, it's just so different. I had a lot of fun with pushing myself with creative ideas that I wouldn't necessarily make within the band. The band is a sacred space that has to be protected, whereas with my project it doesn't even exist, so there was no risk. I had to embrace that fact, and just let it all be free and explore. It was just about pushing the needle as far as it could go until it broke and then making a new one.
Michael Clifford for Numéro Magazine
‼️‼️‼️
Michael for HATC Magazine
📸: Kevin Sikorski