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@dreamhampton1
Ay
Ready to Die turns 20 this year. I talked about in on WNYC
http://soundcheck.wnyc.org/story/summer-94-notorious-big-ready-to-die/
My Christmas Tree
Yoncé' on Her Knees
Yoncé' on Her Knees
by dream hampton
The politics of pleasure as a public performance, delivered in the middle of the night, by a complete boss. Beyoncé's presentation of the erotic is evidence of her lived experience of a sexual trust and intimate safety that is the true fantasy. The freedom to be filthy, to be submissive, to be in control, to be contemplative, to leave or to stay. Romantic and sexual relationships are as complicated as there are possible configurations: of gender, of gender and sexual expression, of sexual identity, of levels of commitment. But being in a monogamous, heterosexual marriage doesn't make sex and romance and love straightforward.
We have focused on the pleasure of seeing Beyoncé's entire ass on a table. But she also sings about distrust and insecurity. She sings about power dynamics that skew towards men, even when you're rich, beautiful and can relax into a back bend. In long term relationships there are the ecstatic moments of synchronicity and trust, and those moments when you consider packing your partners' luggage and leaving it on the other side of a closed door. There are moments of betrayal and seething and deep sighs into complete comfort and bliss. Beyoncé's other long time relationship is with the public. The mindless adoration, the baseless evisceration, the love, the hate, speculation, the projection, the pedestal. They are the rent she pays for her place in the constellation. That Beyoncé chose to set on fire that lease, that contractual agreement about what is respectable or feminist or pop enough, is radical. That it has become the year's biggest success was never a sure thing. What we do know is that she is a grown, changed woman, and it is deeply satisfying to witness. Dirty 30's indeed.
Winnie Madikizela-Mandela, Graca Machel.
Miuccia Prada, Damien Hirst
Gave Young Hov this for his 44th this week...
It is said that no one truly knows a nation until one has been inside its jails. A nation should not be judged by how it treats its highest citizens, but its lowest ones.
Nelson Mandela
Power
WE DEMAND JUSTICE FOR RENISHA MCBRIDE
Cyrus Kabiru
A Love Supreme, Coltrane's handwriting.
Charlie Parker, NYC, 1954
At some point in life the world's beauty becomes enough. You don't need to photograph, paint, or even remember it. It is enough.
Toni Morrison
Fulfillment & love come from honoring real emotional connections. Despair & chaos come from failing to rise to the occasion.
dream hampton