Steven&Sons

[scullandoars]

[fifties-sixties-everyday-life]

Halloween, 1966.

[beyond-the-pale-deactivated2023]

zoe_pluto by Travys Owen

[equatorjournal]

“Wall inside Bridget Riley’s studio flat in Earls Court circa 1964 from the British edition of House & Garden magazine”

[24kblk]

[pierppasolini]

Rear Window (1954) // dir. Alfred Hitchcock

[gabrielgastelum]

James Cerne.

[Click Here] to see the full session. You’re gonna want to.

[hoeboy]

xx

[cchristophrr]

Melieck Robinson

[turanfly]

Fruit | ABRA

[refinery29]

Hari Nef is helping to normalize transwomen’s bodies and identities in a really important way that if you’re cisgender you may not have thought about

Nef goes on to explain the difference between her photoshoot with Velencoso, versus how transgender women are typically photographed in fashion editorials. “Images of trans femmes being loved rarely exist outside of pornography,” Nef wrote. “We tend to be hyper-sexualized and objectified within the cisgender gaze. Either that or we’re dehumanized as scum or (just as bad) untouchable goddesses.”

Photos: Twitter/Hari Nef

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[broodboard001]

[remash]

kings road ~ r.m. schindler

“Architecturally I am satisfied - it is a thoroughbred - and will either attract people - or repulse them - my fate is settled - one way or the other”  r.m. schindler 1922

[beyond-the-pale-deactivated2023]

Tom January by Pat Milo - “Tom was a cop and member of a vice detail who approached Pat Milo a number of years ago.“

CreatureBlackLagoon

[nemfrog]

Typical hair patterns. Personal identification. 1918.

Internet Archive

[vssfu]

[virile-overdose]

instagram: adamdawda

[darkestcinema]

renaissance in the 21st century