SalĂČ o le 120 giornate di Sodoma (1975) // dir. Pier Paolo Pasolini
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SalĂČ o le 120 giornate di Sodoma (1975) // dir. Pier Paolo Pasolini
No one knows you are here. To the outside world, you are already dead.
SalĂČ o le 120 giornate di Sodoma (1975) // dir. Pier Paolo Pasolini
Cinema without people: Salo (1975, Pier Paolo Pasolini, dir.)
Salo 120 Days of Sodom (1975)
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Anger is very dangerous. It makes people do stupid things.Â
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God can thank Bach because Bach is the proof of the existence of God
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We guard ourselves.Â
Neutral color tone choices imply the viewer is somewhat subjective even if our view is somewhat limited at times.
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I have no feelings. Get that into your head. And if I ever do, they wonât win out over my intelligence. Isabelle Huppert as Erika in The Piano Teacher (2001) dir. Michael Haneke
[Regarding scene in âSympathy for Lady Vengeanceâ:] âI was inspired by "The Piano Teacherâ (2001) - near the end of the film, thereâs a scene where Isabelle Huppertâs character stabs herself in the chest. I liked her almost uncanny expression; [âThe Piano Teacherâ] isnât a horror film but that scene was just as frightening, if not, more frightening than any scene in any horror film. I recalled that scene and I advised Lee Young-ae not to intentionally make her expression ugly or anything like that - she [Lee Young-ae] is not a vain person by any means but I told her not to worry about what she looked like, good or bad, for this shot. Was it that [Geum-ja] was happy, having accomplished her vengeance or did she regret it, realizing that in the end, it was an empty victory? Was it pain or was it joy? These were the things we wanted to show from the very beginning.â - Park Chan-wook, movieroom
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Nature just knows instinctually how to stay in harmony. Itâs mechanical. Everything doing its part. MIDSOMMAR, 2019 âș dir. by Ari Aster