BOYGIRL

[leticiaferoz]

Fela Kuti: Music Is The Weapon (1982) | Dir. Jean Jaques Flori, Stéphane Tchalgadjieff

[yearningforunity]

Afrika Shrine, Lagos, Nigeria 1970s.

Photo: Adrian Boot

[jfashionese-deactivated20260115]

Cyberpop is a retro-futuristic style that first emerged in Japan during the 1990s under the more generic name "cyber fashion" (サイバーファッション). It is characterized by some fantasy, futurism, and a positive aura, as opposed to Cyberpunk and Cybergoth, which are rather negative and dark (post-apocalyptic).

[ariescults]

some of my fav fruits magazine fits

[letmesleeponu4sumtime]

yu aoi with shiori's phone 22 years later

リリイ・シュシュのすべて

all about lily chou-chou (shunji iwai, 2001)

[cocainejuul]

[euphoric-virtuee]

Kelis and André 3000 for The Face May 2004 issue. Photographed by David LaChapelle

[zegalba]

FRUiTS Magazine (2006) Ph. Shoichi Aoki

[blackmalibubarbie]

[cremecaramel5]

[51316120825]

M.I.A in Missbehave Magazine (2007)

[pear-pies]

NME magazine - 16 April, 2005

[mirrorslave]

[maliamirage]

[thatbitchsimone]

[ryanpanos]

Room Portraits | Menno Aden

Through challenging camera angles Menno Aden abstracts most familiar actual living environments and public interiors into flattened two-dimensional scale models. A camera that the artist installed on the ceiling of various rooms takes pictures downwards of the interiors. The resulting images lay out space in symmetrical compositions that look like assemblages stripped off any kind of objectivity. The views into private homes and secret retreats bring up associations of the ubiquitous observation camera. The notion of surveillance is systematically played out by the artist to hint at society’s voyeuristic urge that popular culture has made mainstream.

-Miriam Nöske

[erosioni]

Zoe Kravitz, Lisa Bonet, Lenny Kravitz, 1989.