My visit to the Walker Library!
I'd rather be in outer space 🛸
Xuebing Du
todays bird
🩵 avery cochrane 🩵
The Bowery Presents
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The Stonewall Inn
"I'm Dorothy Gale from Kansas"
Claire Keane
Misplaced Lens Cap
almost home

Jar Jar Binks Fan Club
Jules of Nature
d e v o n
Cosimo Galluzzi
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EXPECTATIONS
ojovivo
YOU ARE THE REASON
RMH
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@edenvaldora
My visit to the Walker Library!
thnx matt
Dear Matt,
Thank you for making us write these blogs.
Best,
Eden
P.S.
I hope you know that this is sincere. I really am glad that writing blogs was a requirement of this class.
It was hard. And I don't think I ever turned them all in before midnight on Friday [it is 12:08 right now....]. But I am glad that I tried.
I have yet to see exactly the energy I have put into the world come back, but I believe that it will.
A lot of times I don't take the time to just do it. I am an expert at thinking of ways that I could tweak a post or ruminate on an idea for four days to the point where I don't see the value in writing about it anymore.
Doing this has made me realize that there are things in the world that I can write about and should and that by doing so I will be making myself a better writer, designer, processer, and person.
A day, if not an hour, doesn't go by where I am not thinking about what I am going to write about next. I cant let these thoughts fly away, but instead write them out and share them.
I hope that I can use this tool for the rest of my life and that I will not give up on it.
P.P.S.
As for this class. Thank you for not giving up on your idea. Thank you for talking to Gayla about leading this class. Thank you for following through even though it must have been difficult. I could give you advice. But I feel like as long as you keep on doing what you are doing you will figure it out :)
You have good energy that is contagious.
*I swear that I am not mocking you in any way
Art means the world to me. It is really hard to explain exactly how. But here are some tangible examples:
I chose to go to a college where I could study art and architecture. But I did not choose a college where I could only study art and architecture... I strongly believe in cross-disciplinary learning, I want my art and design learning to leak into and come from a variety of disciplines and that is why I go to the University of Minnesota.
Rewind to just about 19 years ago, it's Mother's Day 1996 and my mom, roughly 4 months pregnant with my sister, received my first ever painting.
This is the painting
[This is actually fabric from the shirt I was wearing because I got more paint on myself than the actual paper]
And here is me painting it
On a tarp in the laundry room of our four-story apartment building in Uptown. I owe my love of art to many things, the first being my parents and the second being Minneapolis.
During my senior year of high school I was asked to lead a craft station for all of the children at my church once a month. There were about 60 kids ranging from preschool through grade school. Here are some pictures from some of the projects that I lead:
This art to me is priceless.
I didn't end up going to this Panel Discussion: On Collecting at the Walker Art Center but I wanted to so I looked up the people who are on the panel. They are three couples who are building the contemporary art department at the Dallas Museum of Art.
Marguerite Hoffman
This is a picture of Hoffman with her late husband photographed in front of their Rothko painting that they sold to David Martinez for $17.6 million in private. The painting was loaned to the Dallas Museum of Art and sold in an auction after for $31.4 million. Hoffman sued for a violation of confidentiality. "Hoffman claimed she could have auctioned the painting and received a significantly higher price, but instead chose a less lucrative private sale in order to protect her privacy." Hoffman walked away with $1.2 million after many days of testimonies: “Obviously, I’m elated,” she said, “to be vindicated and to have a jury of my peers understand what happened and to bring back this verdict. I spent my whole life trying to stand up for little people and not let them get steamrolled. In this case, I stood up for myself.”
"We are talking here about Marguerite Hoffman, one of the wealthiest benefactors of the Dallas Museum of Art, who was suing international financier David Martinez and two New York City art dealers. Empanelled was a five-man, five-woman jury that would sit in the courtroom of Judge Sidney A. Fitzwater and hear almost two weeks’ worth of testimony. In other words, a blue-collar jury of working-class men and women from all over Dallas County would settle a squabble between multimillionaires who, for all we know, may be billionaires."
Cindy and Howard Rachofsky
Richard Meier designed this as their private home that they open to showcase their vast contemporary art collection. They host and sell-out an annual contemporary art auction called TWO x TWO for AIDS and Art that benefits the Dallas Museum of Art and the Foundation for AIDS Research. Their home is rentable for events and they started a space called the Warehouse that is used for public programs and programs for educators. The Rachofskys' are leaving their collection for the Dallas Museum of art.
Deedie Rose
Deedie and her husband, Rusty, live in this home designed by Antoine Pedrock.
Among her many masterpeices she also is an avid collector of jewelry.
Deedie explains, "Three couples—Cindy and Howard Rachofsky, Marguerite and her late husband Robert Hoffman, and my husband and I—all irrevocably bequeathed our collections of contemporary art to the Dallas Museum of Art. We are all close friends and we have been involved for a long time at the Dallas Museum of Art. I think we all believe that art is transformative—that it can change your life, and that it’s certainly a way of lifelong learning. Because it’s so important in our lives, we wanted everybody to have access to it. We want our museum to be a great one, and this was part of that effort. Since we did that, other people have joined us, and that was the hope—to get people thinking that maybe they are just caretakers of their art and that they might ultimately give it to the DMA and to the public."
These couples are doing great things for art with their massive amounts of money. In Deedie's quote she talks about how they are meerly caretakers of the art which belongs in a space accessible to the public. I appreciate their willingness to donate all of this art to the public museum, but I cannot help but think about where else that money could have been used. I guess it is better than all of these artworks being auctioned off and sold for double what they where sold for last to a collector who never intends on sharing....
still thinking...
What you'd make if you had an unlimited budget: 'A huge difference in the lives of those who are suffering'
RO/LU interview with Sight Unseen
thoughts
When talking about contemporary art and design, Black Mountain College, Eames, Miranda July, etc. I almost instantly get this weird, conflicting feeling in the pit of my stomach. On one side I fall in love with it and on the other side I feel restraint.
The artworks and designs that we discuss are purchased and traded among the extremely wealthy. As a designer, I can understand why good design is desirable and I too would be willing to pay a lot of money for good design but I cannot afford it. Right now I am attending college at a price that neither me nor my parents can afford. My parents recently finished paying off student loans from a private college that they never received degrees from. My father provided for us by driving a truck and my mother went to beauty school and became a hair stylist. They have always encouraged me to go to college.
Assuming, for a moment, that I become wealthy enough to afford high design and art, it will be extremely hard for me to do so, especially with the knowledge that my money could go to sending other lower-middle class youth to college.
I find it interesting that this class brought up so much of this irritation. I think that I have also been slowly coming to the realization that architects work for the the wealthy... that is how they make money. DUH! This may seem like an obvious thought, but I didn't anticipate a shift in social classes nor what it would feel like.
I thought that I could somehow stay in both social statuses and maybe I can find my way... but because of how the world works, that is going to be incredibly hard.
This is my realization of this.
I know that there are lots of vague thoughts and assumptions in this post. This is what I will be researching and thinking about for the remainder of this class.
This is my starting point and I am excited to move on from here.
I introduced Amelie to a few of my friends last night. If you have not watched it please do, you will not regret it (at least I would hope).
I feel like after talking about open studio and collaboration for over a month has really opened my eyes to understanding that what makes something really beautiful is that collaboration. There are so many beautiful elements that make up this movie. Each of these elements alone are nice but together it becomes something much more amazing. It makes it about the greater picture, the little details are essential but it the overall emotion and energy that make is beautiful.
the language
the characters
the colors
the architecture
the clothes
the music
the props
the innocence
the everything
just watch it. please.
thank you.
"Artfully Visualizing our Humanity"
http://www.justareflektor.com/
Some of my best blogs have started with a video that I watched on Netfilx, so for the idea for this blog post, I turned to the trusty old Netflix. I started watching TEDTalks: Rebel Design. This is the 2nd episode, "Aaron Koblin: Artfully Visualizing our Humanity"
http://www.ted.com/talks/aaron_koblin?language=en#t-10526
Koblin begins his presentation with this:
Koblin goes on to explain the importance and meaning of his internet media based projects that aim to bringing people together to collaborate over the internet.
I took a lot of interest in his projects with Chris Milk.
Here is a project they made that allows anyone to contribute to the completion of a version of a music video for "Aint No Grave" by Johnny Cash.
I was able to submit my rendition of frame no. 990.
You have the ability to watch the compilation of everyone's frame as well as click on each frame creation and watch a time-lapse of the frame being created.
Koblin and Milk also collaborated on a music video for Arcade Fire's "We Used to Wait" where they use google maps to incorporate clips from the house you grew up in. The result makes the song extremely personal.
Here is a screen shot of what my music video looked like.
There is something so amazing and beautiful about being able to contribute something greater and for something greater to be able to contibute to you.
Fashion Bestie
So I have a best friend who is studying Fashion Design at SCAD.
I asked her what she thought about Kayne's adidas line and her immediate response was that she hated it.
"Fashion is not fashion when it is accessible to everyone at a low price point... Its like everyone living in a Frank Lloyd Wright house, then there is nothing special about."
"Kanye and Kim are not famous because they are like everyone else."
hmm. These are interesting thoughts.
I also asked her which designers she likes that she feels like are architectural and/ or are her favorite:
1. Dries Van Noten
thestylecrusader.com
2. Jean Paul Gaultier
dailymail.com
3. Maison Martin Margiela
style.com
And one last quote...
"Call me low brow but I prefer Crayola" [when talking about spending on broken, expensive Prismacolor pencils]
Stripe Tease (Working Title)
Tonight I attended the world premier of the performance, Stripe Tease (Working Title) choreographed by Chris Schlichting, collaborating with visual artist, Jennifer Davis, and musical artists, Alpha Consumer. Even from listing these artists you can see that this was a piece of interdisciplinary art. I was blown away to say the least. There was such beauty in the way that Chris utilized the space and, with the help of Jennifer Davis, designed the space.
I really don't want to give anything away because it is a beautiful experience.... but it begins with two dancers wearing all black with subtle detailing (including delicate pleats, collars, slits, and zippers) seemingly pulling back the curtain as they dance in utter (almost awkward in a way) silence. The dance ends in the dynamic roar of Alpha Consumer's gentle rock music and 6 dancers (dressed in correlating black one pieces) set in front of a striped background.
The meaning of this dance is up to interpretation, even after the show Chris told my peers and I (after giving us all friendly hugs) that he was curious what we took the dance to mean.
Here is an interview about the piece...
http://www.walkerart.org/channel/2015/chris-schlichting-on-stripe-tease
Dance is everything
The shows are selling out and there will now be a show at 2 on Saturday as well as in the evening!
I am super proud to be at a school that supports faculty to do projects like these and in an environment where architectural design influence the work in a beautiful way.
So I watched a video about Jay Z perform 8 hours straight at MoMA.
As I watched I was confused by the woman in the long black dress who got way too close to Jay Z.
I obviously watched this before reading or knowing much of anything about Marina Abramovic and any of her performances.
I noticed that her documentary, Marina Abramovic: The Artist is Present, is on netflix so I watched it.
After watching the documentary, I feel embarrassed to not have known who Marina was before watching the Jay Z video.
In fact I feel like it is an insult for Jay Z to even compare himself to Marina.
After watching her dedication to her performances, I feel almost more upset that Jay Z compared himself to Marina than I am upset about him comparing himself to Picasso. I do find it interesting that Marina and Picasso's Granddaughter were two of many to sit with Jay Z as he performed. This leads me to question why I am upset. I don't think that what Jay Z did was bad or that he is not talented. I just think that if he is going to appropriate this influence of Marina that he should respect the dedication that she put into her performance. Name dropping can be one thing but I think it is another to fully embody what another person went through. I don't think that he respected her work.
Marina's piece was about slowing down. She did this because she loves the world. She looked at each person who sat in front of her like it was the first person to sit in front of her and she loved them. I dont think that this is what Jay-Z did. This seemed like one big publicity stunt to get more followers from the visual art crowd and a cool music video.
http://uixdetroit.com/
THIS.
ingloriouus:
"LeCorbusier, The Forefather of Hip Hop"
This was the title of a lecture at University of Wisconsin Milwaukee yesterday afternoon by architect, Michael Ford. [There is no record of what he said at this lecture online yet] This is what he says about this topic according to metrotimes:
"In the late 1920s, Le Corbusier created a plan for Paris," Ford says. "Its most celebrated portion was called 'Towers in the Park.' Basically, these tall, monolithic structures, which would be for the working class."Think unremarkable, high-rise apartment buildings. Think low-income housing projects."Long story short, the people of Paris despised the idea, but there were planners in America that [embraced it]."One of those planners was Robert Moses, another white guy with a bow tie."Robert Moses adopted Le Corbusier's plan for Paris, as he constructed the Cross Bronx Expressway in the South Bronx, which was slated to displace a large amount of residents. Moses looked to keep those residents adjacent to their former homes by building high-density housing towers," Ford says. "And those very towers that Robert Moses constructed became the birthplace of hip-hop. The officially recognized birthplace of hip-hop is 1520 Sedgwick Avenue, which is a low-income, high-density adaptation of Le Corbusier's plan."Many of hip-hop's most prominent artists were born, raised, and perfected their crafts in those very same housing projects. Hip-hop was a result of the economical, political, and sociological deprivations instituted by the housing projects across America."
He has blog posts entitled
Salt-N-Pepa + Architecture = Berlin's nhow Music Hotel
Black History 101 Mobile Museum = Hip Hop Architecture
I really am interested in hip hop to an extent, but what I find most appealing about his interest in hip hop and architecture is how intertwined architecture can be with in a culture or community.
of graffiti and architecture
I think there is something to be said of graffiti and street art and architecture.
There is an element of community about graffiti. Its is like an outdoor museum curated by people who could give a sh*t about the law.
LEVALET
Hense
"His process and product is a unique battle between the beauty of fine art and the bricolage of the street. The works that result from this unfolding do not serve as an interpretation, but rather as a presentation—an unconditional gift, an invitation with no destination." -Ted Elmore-RVA News
Hans Walør (Architecture Undergrad)
Also produced and branded and currated this:
Hans is not a "graffiti" artist necessarily but a street artist for sure.
Graffiti and street art transforms buildings into canvases. What does this mean about our culture? How else could buildings be communication tools with the community? How do we use architecture to bring art to our cities (not just form the inside but also from the outside?
There are a lot of old buildings that just sit there doing nothing. What if they could say something? What if instead of wasting energy tearing them down or wasting money painting them the color it was in 1910 they said something?
cuz i wanna talk about YEEZY too.
"I really do believe that the world can be saved through design, and everything needs to actually be architected," said West.
So you all *must know about Kanye West's new line fore Adidas. In doing my part to help him "break the internet", I would like to comment. I think that weather or not you enjoy his music, Kanye has done some interesting things (despite naming his child North West...). There is something to be said about a person who is so successful that they would even get the chance to design with Adidas. And I think there is a lot to be said about Kanye beyond that.
I think back to...
Takashi Murakami is one of the most well recognized contemporary artists of today. The fact that he would illustrate the music video of an egotistical rapper makes a statement that you cant ignore.
MUSIC FASHION ART
and wait,
DANCE
(somebody say interdiciplinary?)