Cinématographique

[communicants]

Still Life (Jia Zhangke, 2006)

[abderrahmane-sissako-deactivate]

[abderrahmane-sissako-deactivate]

The terrorizers

[marzipandildo]

Apichatpong Weerasethakul on the set of Love in Khon Kaen

[ibaaad-deactivated20150507]

“The truth was a mirror in the hands of God. It fell, and broke into pieces. Everybody took a piece of it, and they looked at it and thought they had the truth.” - Rumi

[thefilmstage]

Hirokazu Koreeda's likely Cannes premiere Our Little Sister has received its first three trailers.

Watch them here.

[abderrahmane-sissako-deactivate]

A Brighter Summer Day (1991)

[cinyma]

[communicants]

Boy (Nagisa Oshima, 1969)

[communicants]

The Day He Arrives (Hong Sang-soo, 2011)

[kiyosh-deactivated20170110]

animals in 天注定 / A Touch of Sin // Jia Zhangke

[always-returning-deactivated201]

UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (APICHATPONG WEERASETHAKUL, 2010)

[keyframedaily]

[edwardyangg]

Ozu and his mother via Rithy Panh.

[audreyhepbuns]

[edwardyangg]

12 Years a Slave (2013; Steve McQueen)

[vardaagnes]

Setsuko Hara and Tatsuya Nakadai in Daughters, Wives and a Mother | dir. Mikio Naruse (1960)

[shiningwizard]

to prove a point. maybe better made through video essay. vive l’amour and the 400 blows.

[abderrahmane-sissako-deactivate]

What Time Is It Over There? (2001)

[dramatroll]

One of the reasons why we like Punch drama is probably because of the metaphors the scriptwriters use in this drama. They are pretty awesome. It’s not as poetic as in Misaeng, but it’s still interesting. Let’s take a look:

Brown sugar, white sugar.

This happens when the main lead -...