Mike Driver
YOU ARE THE REASON

shark vs the universe

pixel skylines

if i look back, i am lost
taylor price
noise dept.
No title available
d e v o n
he wasn't even looking at me and he found me
let's talk about Bridgerton tea, my ask is open
2025 on Tumblr: Trends That Defined the Year

titsay

izzy's playlists!
Interview Vampire Daily

tannertan36
cherry valley forever
EXPECTATIONS
Sade Olutola

No title available

seen from Hungary

seen from United States

seen from United States

seen from Malaysia
seen from United States

seen from Malaysia

seen from Malaysia

seen from Malaysia

seen from United States
seen from United States
seen from Brazil
seen from Trinidad & Tobago
seen from Hungary

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
@effingscave
Victoria Burge
Scale model tripod #study #sculpture #art #studio #wood
Lena Amuat et Zoë Meyer
Lena Amuat et Zoë Meyer
Pieter Vermeersch, 2015 Galerie Perrotin
Walead Beshty, Installation view, 2008 Biennial Exhibition, 2008, Whitney Museum of American Art, New York, photo: Mark Woods
Night Sentinel Panel, Louise Nevelson, 1973
Piotr Kowalski - Cube V, 1967
Tom Friedman Untitled, 1999 - Nine Total cereal boxes cut into small squares and combined to make one large box Untitled, 1997 - A field of dots made by placing a marker on a piece of paper and allowing the ink to bleed Untitled, 1992 - A sphere of the artist’s feces ½ mm in diameter centered on a cubed pedestal Untitled, 1990 - Two identically wrinkled sheets of paper Untitled, 1992 - About 200 balls, stolen by the artist over a six-month period http://www.luhringaugustine.com/artists/tom-friedman
Oscar Tuazon
Foil 1 (Black), 2015 Richard Paul http://usedpaper.co.uk/artworks/foil-1-black/
Tyler Vipond Shade #11 Mirrored plastic, styrene, wood 8.5" x 13" x 13" 2012
Joel Shapiro (American, b. 1941), Untitled, 1975. Charcoal on paper, 89.2 x 116.8 cm.
Hath Arob, 2014
Graphite on paper.
Laurent Millet, Construire, (2010) Millet is looking for a possible relationship between reality and things that are represented in the photographic medium. Physical size and photographic dimension merge into a “mythological architecture” that speaks of resolutely metaphysical concerns.