Untitled @effinlon - Tumblr Blog

vexheart

yoogrimo

‼️🎯

via- poemsporn

konkoneko

lampake

wala siya paki alam

naturuan ang sarili

burahin ka

sa kanya isipan

puno ng galit

at puot

sa taong (akala’y) iniwan ka

isinumpa at na ngako

sa sarili

siya’y kakalimutan ko.

effinlon

hahahaha baliw

walang drogang sasagip sayo ngayon :)

#paano ka na bukas?

thiswomanisaqueen

bakit po ang hirap mag move-on kahit hindi naging kayo????

Di ko rin alam e, yan din tanong ko dati sa sarili ko kung bakit nga mahirap magmove on kahit di naging kayo.

siguro kasi umasa ka na mamahalin ka niya pabalik, siguro binigay mo yung lahat kahit walang kayo alam mo yun, yung sa kadahilanang gusto mong maging “kayo” ay pinapatunayan mo na sa kanya yung kaya mong ibigay sa kanya. ganyan din kasi ako noon, nagmahal pero hindi minahal pabalik, na kahit anong request niya ibibigay mo. At ang masakit yung wala kang karapatan sa kanya kasi di nga kayo walang kayo, may “kayo” man pero hindi hihigit sa pagkakaibigan.

effinlon

well said

trippyfiend

timing is just right

#SoundCloud #music #Anis Fariza #Pop #Acoustic Pop

artmania-feed

ART PRINTS BY TIM SHUMATE

SIREN

Those Who Wander Are Not Always Lost

Till The Last Petal Falls

Royal Blood

Waiting For Loves True Kiss

Choose Your Own Path

Bayou Beauty

California-based video game director Brandon Sheffield used his breakup as inspiration for his comic strips, which reveal the reality and struggles of a breakup. After a two-year relationship ended in...

relate haha

culturenlifestyle

Stunning & Dark Drawings of Animals’ Skeletons Emerging From Their Skin by Paul Jackson

Toronto-based artist Paul Jackson illustrates detailed pen and pencil sketches with a macabre sensibility, which literally disintegrate the internal anatomy of animals. With careful attention and sophistication, Jackson makes sure the integrity of his work doesn’t suffer by assuring they do not resemble roadkill.

Dark and beautiful, the artist disassembles the whole body with love, taking care to leave the organs, capillaries and skin as intact as possible while the bones are lifted off cleanly. Clearly, he desires to showcase the body or head of the subject as a whole and living entity, besides the structure that holds it upright.

His ink leaves a fierce expression on both the skeletons and the face of the subjects, as intense as if they were to about to pounce on their prey. To simulate this animalistic ritual, Jackson draws each creature in mid-motion, making them seem even more alive than two-dimensional.