sheepfilms
No title available
art blog(derogatory)
DEAR READER

izzy's playlists!
almost home

ellievsbear

Love Begins
NASA

PR's Tumblrdome
RMH
let's talk about Bridgerton tea, my ask is open

pixel skylines
No title available

Product Placement
Sweet Seals For You, Always
Game of Thrones Daily
"I'm Dorothy Gale from Kansas"
PUT YOUR BEARD IN MY MOUTH
Mike Driver
seen from Türkiye

seen from United Kingdom
seen from Finland

seen from United States

seen from Germany

seen from United States

seen from Brazil
seen from Belgium
seen from Japan

seen from Malaysia

seen from Malaysia
seen from Hong Kong SAR China
seen from Germany
seen from Serbia

seen from Australia

seen from Malaysia

seen from Japan
seen from Belgium

seen from Germany
seen from Singapore
@eilis-lacey
My fellow Austrians, I shall not be seeing you again perhaps for a very long time. I would like to sing for you now… a love song. I know you share this love. I pray that you will never let it die. The Sound of Music (1965) dir. Robert Wise
“He pressed his face into the fabric and breathed in slowly through his mouth and nose, hoping for the faintest smoke and mountain sage and salty sweet stink of Jack but there was no real scent, only the memory of it, the imagined power of Brokeback Mountain of which nothing was left but what he held in his hands.” ― Annie Proulx, Brokeback Mountain
Amélie, A New Musical Set Design by David Zinn
“Color, really, is where I started, and also transformation—how can one thing become another in the eye of a creative person… so the vocabulary of Amelie’s interior world—the place where she feels the safest—becomes the city that surrounds her. And there’s a lightness to it, almost as if it’s made out of sky. And then her journeys out of that space are marked by big changes and interventions of strong color. It’s Amelie’s point of view—how she sees the world.”
Musical Theatre Challenge: [3/5] ensembles ↳ Come From Away
films without faces → Before Sunrise (1995) dir. Richard Linklater
The old Taylor may be dead but that bish she better rise eventually coz she’s got my fuking 10 minute version of all too well
film meme | [5/10] 90s → Jurassic Park (1993) “How can you know anything about an extinct ecosystem? And therefore, how could you ever assume that you can control it? You have plants in this building that are poisonous, you picked them because they look good, but these are aggressive living things that have no idea what century they’re in, and they’ll defend themselves, violently if necessary.”
20th Century Women | Mike Mills | 2016
I’ve been in the world 37 hours. I’ve seen pancakes, and a stairs, and birds, and windows, and hundreds of cars. And clouds, and police, and doctors, and grandma and grandpa. But Ma says they don’t live together in the hammock house anymore. Grandma lives there with her friend Leo now. And Grandpa lives far away. I’ve seen persons with different faces, and bigness, and smells, talking all together. The world’s like all TV planets on at the same time, so I don’t know which way to look and listen. There’s doors and… more doors. And behind all the doors, there’s another inside, and another outside. And things happen, happen, HAPPENING. It never stops. Plus, the world’s always changing brightness, and hotness. And there’s invisible germs floating everywhere. When I was small, I only knew small things. But now I’m five, I know EVERYTHING!
The Incredibles 2 Begins Moments After the First One Ends
2004’s The Incredibles ends with a stirring call-to-action, the promise of one more big action scene, and then…a cut to the credits, spurred on Michael Giaccchino’s thrilling musical score.
The Princess Diaries 2: Royal Engagement (2004)
Pride and Prejudice + details
Elizabeth has never felt more alone in the company of her sister.
Prince Albert in every episode: 1x07 → Engine of Change We stand on the brink of a modern revolution, Victoria. Of science. Embrace it.
“I think I might be losing it.”
Love and Mercy (2014) / Dir. Bill Pohlad