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2025 on Tumblr: Trends That Defined the Year
The Stonewall Inn
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Lint Roller? I Barely Know Her
will byers stan first human second
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official daine visual archive

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🩵 avery cochrane 🩵
hello vonnie
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Cosmic Funnies
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almost home

Kiana Khansmith
we're not kids anymore.
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@klllbill
do you have any gender related tips
get a big pair of boots
HIGH ART (1998) dir. Lisa Cholodenko
Tampopo (1985) dir. Juzo Itami
how do you become so well read?
by reading
Ladies and gentleman, the F word.
THE BOAT THAT ROCKED (2009) dir. Richard Curtis
If you like socialism so much, move to Lazytown and see how much you actually like it. Fucking idiot.
Academy Award Winners for Best Cinematography: 1992 — Robert Richardson, ASC JFK (1991) Directed by Oliver Stone Aspect Ratio: 2.39 : 1
Written as a “jigsaw” and “a fragmentation of reality,” Stone wanted the visuals to be equally fractured — “anything that would dent the narrative,” he says. Black-and-white 16mm and 35mm re-create events on Dealey Plaza and in government back rooms; shots on 8mm color echo the Zapruder film; video, archival footage, and news photographs come into play, plus different styles of shooting. “Bob [Richardson] had a documentary background, which we used a lot in Salvador, but we’d refined it by the time we got to JFK,” says Stone. “The suggestions for all the visual stocks and things to make it more fragmented, a lot of that came from Bob and from the editors. It was a hectic shoot, very hectic.” — The American Society of Cinematographers, February 2019
I don't want a cast of healthy characters I want them all to be varying degrees of suicidal
Jennifer Connelly in OF LOVE AND SHADOWS (1994) dir. Betty Kaplan
Romeo + Juliet (1996) dir. Baz Luhrmann
THE FALL (2006) dir. Tarsem Singh
Obsession (2025) Inde Navarrette as Nikki Freeman
THE FLY 1986, dir. David Cronenberg
White dads when you talk to them about mental illness
VICTOR/VICTORIA (1982) dir. Blake Edwards
The Tale of Peter Rabbit and Benjamin Bunny
''What depression?''
Merrily We Go to Hell (1932)
Dir. Dorothy Arzner