...and other forms of revolution

territory, urbanism, architecture, photography, design, comics, illustration, vinyls, concerts & road trips

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Is a compilation album by Echo & the Bunnymen which was released on 11 November 1985 and featured all of the singles the band had released up to that point.

Although the album is a compilation album it included one previously unreleased single — "Bring on the Dancing Horses" which was released on 14 November 1985, a jewell!

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The Session recorded by The Chameleons on 8 June 1981 for the John Peel show on BBC Radio 1 and broadcast on the 17th of that month.

The Chameleons were an English post-punk (Middleton, Greater Manchester, 1981).  Known for their atmospheric, guitar-based sound and passionate lyrics, the Chameleons are regarded as one of the most underrated Manchester bands of the 1980s.They did not attain the commercial success of other groups from the Manchester scene but developed a cult following.

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ΚΕΦΑΛΗΞΘ, commonly known as Psalm 69. An industrial metal record, Psalm 69 features elements of speed metal, rockabilly and psychobilly, with lyrics exploring with social, political and religious topics. Preceded by the first single, “Jesus Built My Hotrod”

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Choquequirao (of Quechua chuqi, gold, and de k'iraw, cradle, that is to say: "cradle of gold"), are the archaeological remains of an Inca city located between the foothills of the snowy Salcantay, and under the jurisdiction of the district of Santa Teresa, Province of La Convención, Department of Cuzco, southern Peru.

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The pulse of the cycling city

visualising Madrid bike share system GPS routes and cycling flow

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Choquequirao 6 por Ivan ERS

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Naarden por Ivan ERS

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Latinoamerican urbanism

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Pills 'n' Thrills and Bellyaches por Ivan ERS Por Flickr: is the third studio album by English alternative rock band Happy Mondays. It was produced by Paul Oakenfold and Steve Osborne at Eden Studios in London and was released in 1990 by Factory Records. 180-GRAM VYNIL.

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blue lines por Ivan ERS Por Flickr: Blue Lines is the debut studio album by English group Massive Attack, released on their Wild Bunch label through Virgin Records on 8 April 1991

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Kung fu meets the dragon por Ivan ERS Por Flickr: Recorded at Perry's own Black Ark Recording Studios, it notably features ace Jamaican polyinstrumentalist Augustus Pablo on melodica (and presumably keyboards, too), his gentle playing adding some otherworldly melodic content to the sparse sound. Production values similar to the following, recently recognised as groundbreaking Revolution Dub (Perry's subsequent record, reissued in the '80s on Island Records worldwide).

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Mystic man Peter Tosh Lady Wayne Wade Why can't touch you John Holt Little village Dennis Brown Everybody Needs Money Linval Thompson Rainbow Country Dub Augustus Pablo Meets Lee Perry Roost Dub Studio One special Jah Jah fire Barry Brown World A Music Ini Kamoze Wife & swetheart Nicodemus Girl & sexy Early B One of a kind Charly Chaplin Walking jewelry store Yellowman Zig it up Ninjaman

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Boom fyah

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Vibescreator Records VCR7004, 7" 45rpm Ramon Judah "the vibe / Dougie Conscious "the dub" Riddim & mix by Dougie Wardrop Executive Production NYABIN SOUND SYSTEM

More info: www.facebook/Nyabin SoundSys Tem

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I like to summarize the good work of Bradley in the elements that undoubtedly contribute to making "Bass Culture: the history of reggae" (published in Spanish by Acuarela Libros in 2014) in a bible of the genre and an international bestseller translated into five languages. The first is a narrative ability to tell the story as if it were moments of fiction, moving with so much grace and art to the Jamaican streets that can almost smell the chicken seasoned on the barbecue. And in parallel, as if he does not want the thing, Bradley contextualize the music in the historical, economic, political, social, cultural and spiritual moment of the island.

Tomás Cobos

 Although personally in his translation into spanish he would have called it "bass culture, the history of Jamaican music"