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will byers stan first human second
I'd rather be in outer space 🛸
he wasn't even looking at me and he found me
Jules of Nature
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Misplaced Lens Cap
art blog(derogatory)
Sade Olutola
2025 on Tumblr: Trends That Defined the Year
cherry valley forever
styofa doing anything

Origami Around
Alisa U Zemlji Chuda

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TVSTRANGERTHINGS

PR's Tumblrdome
almost home
Not today Justin

titsay
"I'm Dorothy Gale from Kansas"

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@eldesiertocrece
(via drum-cu-naluci, mothtales)
Magritte
Twilight in the Tropics - Frederic Edwin Church
1874
Close-up peek at this good chicky 🌟
Inspiration
Psycho, Alfred Hitchcock - House by the Railroad, Edward Hopper
Gothic, Ken Russell - The Nightmare, Henry Fuseli
Bram Stocker’s Dracula, Francis Ford Coppola - The Black Idol (Resistance), František Kupka
Alien: Covenant, Ridley Scott - Die Toteninsel, Arnold Böcklin
❈ Grim Aesthetics ❈
Porque es terrible el seguirse a sí mismo cuando lo hicimos todo, lo quisimos todo, lo pudimos todo y se nos quebraron las manos, las manos y los dientes mordiendo hierro con fuego; y ahora, como se desciende terriblemente de lo cotidiano a lo infinito, ataúd por ataúd, desbarrancándonos como peñascos o como caballos mundo abajo, vamos con extraños, paso a paso y tranco a tranco midiendo el derrumbamiento general.
The Elephants (Large), 1948, Salvador Dali
Édouard Manet, Dragonfly, plate 1 from Le Fleuve, 1874, etching, drypoint and aquatint
Andreas Friedrich - Emblemata Nova, 1617. First developed in the 16th century, emblems consist of three parts: a symbolic picture (pictura) with a motto or title (inscriptio) and an explanatory poem or epigram (subscriptio). The purpose of the emblem is to indirectly convey moral, political or religious values in forms that need to be decoded by the viewer. The pictura often juxtapose ordinary objects in an enigmatic way so as to offer a reader the intellectual challenge of attempting to divine all the allegorical meanings. In this way, emblem books typified the extraordinary Renaissance and Baroque aesthetic in which objects were thought to contain hidden meanings and concealed links between apparently dissimilar objects were believed to exist. ‘Emblemata Nova’ includes a subtitle that translates approximately as: a picture book, in which our contemporary world and its essence is painted disguisedly and explained by matching rhymes, exhorting the pious to more devotion and virtue, the evil and reckless to acknowledge the true teachings of Christianity and as a warning to them.
Claude Paradin, Devises heroïques, 1557.