misery offers, society accepts. –––––– fantine of victor hugo’s les misérables. novel based. written by anya.
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@eleaktra
misery offers, society accepts. –––––– fantine of victor hugo’s les misérables. novel based. written by anya.
i’ve moved! you can find me at the same url :)
everyday i get the urge to move not gonna lie.
okay i lied i’m moving.
everyday i get the urge to move not gonna lie.
Bojack Horseman, Season 6, Episode 16 "Nice While It Lasted".
absolutely in love with the way arai draws fantine.
that manga is beautifully drawn but what type of psychological horror and emotional anguish was that? les mis but it's a psychological thriller so true
the last sentence of this made me giggle im not gonna lie
she doesn’t feel the rain when it first starts to trickle down, falling upon her face drop by drop, splattering on muddied golden hair and rags, her knees curled to her chest. at her feet, a muddy puddle begins to pool. she watches it fall, each little drop, as though something else — a miracle, of sorts — were to fall from the darkened, clouded sky. it never did, of course, though that did little to wane on her persistence; she would always cling to hope, as though it were the only thing left.
it takes her a moment before she notices the barren streets, the echoes of children’s laughter replaced by their doting mothers ushering them inside, lest their clothes get soaked by the oncoming storm. no one bats an eye at the children left behind; the ones who call the streets their home, the ones without a family, the ones who do the best they can to survive. they come and go, after all, just like the vagrants who wander through from time to time, so what use was there in dwelling on the matter?
what would become of these urchins and gamines? who could say. the streets held onto their memories, yes, but only for so long. in the beginning, they were a wonder — a peculiarity of sorts. somewhere in the middle, they were an amalgamation of fractured memories. in the end, they withered away, one piece at a time, until they vanished completely, their existence lost to time.
by now, the rain had begun to pick up, and a cold breeze sent a chill through her spine. It was only then that she began to pick herself up, brushing the dirt off her now dampened rags. she shivered, her lip quivering as the rain continued to fall, heavier than before. the gamine carries herself down the long, narrow road, as fast as her brittle legs can take her; where is she going? wherever she can. she pays no mind to the old brick houses that lined the streets, now only a blur in her peripheral, nor to the puddles that only splattered her with more cold, dirty rainwater, and especially not to the man passing by, wandering aimlessly through the streets.
“little mademoiselle!”
she stops, dead in her tracks, seemingly without reason. the voice calls to her again, deep and hoarse. “little mademoiselle!”
she turns to it posthaste, curiosity having gotten the best of her; it was the man from before, bag in hand and a sack over his shoulder, having turned off his course, now approaching her.
it isn’t long before he’s right in front of her, craning his neck to look down at her. she stares at him, puzzled, still shivering. “little mademoiselle,” he begins, concern laced in tone. “why are you all alone? in such terrible weather, no less?”
she does not speak; what was there to say, anyway? she, a lonely little girl, of no family, no home, and no story. she who survived off scavenged leftovers and well water, who learned to pray from two women sitting on their porch, sewing as along as they were able in order to make a living. she was no different from the other children who had come and gone, whose memories were destined to be wiped from history, doomed from the start before they even had the chance to cry.
a moment passes before he speaks again. “do you know where your parents are? do you know your name?”
she does not answer. don’t give him your name; you don’t have one.
“ah—, ” he huffs. “well then, if that’s the case…”
he runs a hand over her golden head, now dampened by the rain. “why not a name like this? this would certainly suit you… — what do you say, little fantine? ”
for a moment, he’s there, standing in front of her, a smile upon his once stone-faced visage. the next, he’s already gone, off to wherever he may be headed next. she watches until he is out of view, vanishing over the horizon — all alone again, in a ghost town of her own creation.
in her newfound sanctum, she glances to the sky, now a mirage of pink, orange, yellow, and indigo. something new was beating in her heart, though she couldn’t quite name it — it was as though the world had burst into color, that life had burst inside of her. she fell to her knees, teary eyed, a tide of emotions coursing through her; here, the death of the gamine and the birth of a girl.
the clouds began to part, a ray of sunlight beamed down on her, and the girl — fantine — took a breath. she could still feel the rain upon her face, dripping through the gap.
“fan… tine.”
deep within the walls of the rue plumet , tucked away from the rest of the world , was a small clearing , hidden deep within the garden. here , 𝑛𝑎𝑡𝑢𝑟𝑒 𝘩𝑎𝑑 𝑎𝑙𝑟𝑒𝑎𝑑𝑦 𝑏𝑒𝑔𝑢𝑛 𝑖𝑡𝑠 𝑟𝑒𝑐𝑙𝑎𝑚𝑎𝑡𝑖𝑜𝑛 ; patches of ivy had rooted themselves within stone cracks , climbing the old garden walls , damp moss squishing beneath her boots as she tread through untamed wildflowers and overgrown grass. it was here , within this cage of unkept foliage , where one lonely soul laid , lost in her restless mind. she hadn’t visited in a while , though she couldn’t quite fault herself for it ; cosette was 𝒃𝒍𝒐𝒔𝒔𝒐𝒎𝒊𝒏𝒈 , after all , more jovial than ever , having begun to experience the newfound joys of girlhood. 𝙼𝙾𝚃𝙷𝙴𝚁𝙻𝚈 𝙹𝙾𝚈 arose from the old depths of her heart , though it looked quite odd upon weary , youthful features –––– motherhood never quite fit her skin right , anyway.
it was a rustling that had startled her , coming from the outside the garden walls. she doesn’t think of it much , not at first , anyway –––– 𝑎𝑛𝑜𝑡𝘩𝑒𝑟 𝑡𝑟𝑖𝑐𝑘 𝑜𝑓 𝑡𝘩𝑒 𝑚𝑖𝑛𝑑 , 𝑖𝑠𝑛’𝑡 𝑡𝘩𝑎𝑡 𝑟𝑖𝑔𝘩𝑡 , 𝑙𝑖𝑡𝑡𝑙𝑒 𝑓𝑎𝑛𝑡𝑖𝑛𝑒? –––– until it sounds again ; CRACK! the snapping of a twig pierces through the silence , followed by the shadow of a figure –––– a ghost , if she had ever seen one –––– hoisting itself atop the stone , before landing on the mucky ground below. ❛❛ 𝒄𝒐𝒔𝒆𝒕𝒕𝒆? ❜❜ its voice croons into the dark , being met only by the garden’s now unnerving quietude. fantine rose , her mouth agape –––– out of shock? 𝐇𝐎𝐑𝐑𝐎𝐑? she’s not quite sure.
❛❛ are you wondering where i’ve been? ❜❜ @epponina asks once more , playful yet apprehensive in tone. another silence followed , and dread had begun to seep into fantine’s bones. she began to approach , trepidation carried in her pace , thrusting branches aside before she's met with a pause ; before her stands the figure of a girl , alone , 𝑎 𝑛𝑖𝑔𝘩𝑡𝑙𝑦 𝑎𝑝𝑝𝑎𝑟𝑖𝑡𝑖𝑜𝑛.
❛❛ you shouldn’t be out this late , 𝑚𝑎𝑑𝑒𝑚𝑜𝑖𝑠𝑒𝑙𝑙𝑒 , ❜❜ she coos to the shade , taking another step forward , the ground mushing beneath her feet. 𝑎 𝑚𝑒𝑚𝑜𝑟𝑦 𝑟𝑒𝑠𝑢𝑟𝑓𝑎𝑐𝑒𝑠 , as though it were a lost relic washed up on shore. it weighs on her , dragging her to the depths of her psyche before she sinks below , with little resistance.
“ little mademoiselle! ” a passerby calls from afar. a little girl is running past , barefoot ; she stops dead in her tracks. it’s raining ... i am five years old ... my home is montreuil-sur-mer ... i am alone ... my name is ––––
a beat passes before she speaks again. ❛❛ ... where are your parents? ❜❜
the arai manga my best friend.
— lyric starters : hadestown , partial broadway cast recording.
on the road to hell, there was a lot of waiting.
she’s never early, always late.
these days she never stays too long.
are you wondering where i’ve been?
when you’re down, you’re down. when you’re up, you’re up. if you ain’t six feet underground, you’re living it up on top.
who’s doing the best she can? [name], that’s who.
you take what you can get, and you make the most of it.
who says times are hard?
if no one takes too much, there will always be enough.
to the world we dream about & the one we live in now.
better go and get your suitcase packed, guess it’s time to go.
did you ever wonder what it’s like on the underside?
give me morphine in a tin. give me a crate of the fruit of the vine.
takes a lot of medicine to make it through the wintertime.
an eye for an eye, and he weighs the cost. a lie for a lie, and your soul for sale.
you better forget about your wishing well.
kind of makes you wonder how it feels.
hey little songbird, give me a song.
i want a nice, soft place to land. i wanna lie down forever.
the choice is yours if you’re willing to choose, seeing as you’ve got nothing to lose, and i could use a canary.
suddenly, nothing is as it was.
wasn’t it gonna be the two of us? weren’t we birds of a feather?
look all around you. see how the vipers and vultures surround you.
life ain’t easy. life ain’t fair. a girl’s gotta fight for her rightful share.
oh, my aching heart.
aim for the heart. shoot to kill. if you don’t do it then the other one will.
the first shall be first and the last shall be last.
cast your eyes to heaven, you get a knife in the back.
nobody’s righteous, nobody’s proud, nobody’s innocent.
my heart is yours. always was and will be.
wouldn’t you have done the same? in her shoes, in her skin?
you can have your principles when you’ve got a belly full.
there ain’t no compass, brother, ain’t no map.
keep on walking and you don’t look back.
wait for me, i’m coming. wait, i’m coming with you.
who are you? where do you think you’re going?
who are you to think that you can walk a road that no one ever walked before?
don’t give your name, you don’t have one.
i am not alone. i hear the rocks and stone echoing my song.
i don’t know about you, boys, but if you’re like me, then hanging around this old manhole is bringing you down.
you’re stir crazy! stuck in a rut!
i got the rain on tap at the bar. i got sunshine up on a shelf.
come here, brother, let me guess: it’s the little things you miss.
when was the last time you saw the sky?
you want stars? i’ve got a skyful.
tell my husband to take his time.
what i wanted was to fall asleep. close my eyes and disappear, like a petal on a stream, a feather on the air.
dreams are sweet until they’re not.
flowers bloom until they rot and fall apart.
is anybody listening? i open my mouth and nothing comes out.
you, the one i left behind, if you ever walk this way: come and find me lying in the bed i made.
how about you and i? are we gonna try again?
who are you to lead them?
you got a lonesome road to walk.
between your ears, behind your eyes: that is the path to paradise, and likewise, the road to ruin.
i’m coming, wait for me.
it’s an old song. it’s an old tale from way back when.
that is how it ends. that’s how it goes.
it’s a sad tale, it’s a tragedy.
here’s the thing: to know how it ends, and still begin to sing it again as if it might turn out this time.
can you feel it like a train? is it coming? is it coming this way?
although fantine is naïve, she is not ignorant; she came from the gutter, after all. she’s had to fight for a comfortable life; to rise from the slums, to make some kind of living for herself, and as such, she’s taken it into her own hands –– at ten, she went to work on a farm, at fifteen, she walked to paris. somewhere in between she took up sewing, and begun to find a means to support herself, all culminating in her transformation (a metamorphosis, of sorts) from gamine to grisette. by the time we meet her, she is two years a mother and seemingly has her life in control (although, as we’ll soon learn, that’s not exactly the case). she’s fought so hard to live a life with some semblance of comfort and she finally has it, achieved by her own means and accomplishments –– it’s all she could have ever dreamed of, really, and in a way, it’s the first thing that’s truly hers. she takes matters into her own hands again following her abandonment, returning to her hometown in order to continue providing for not only herself, but for cosette, as well. hell, even the book itself says she had the “the fierce bravery of life” within her, that she was vaguely aware that she could fall back into a life in the slums. she’s seen enough of life –– of both its joys and its horrors –– to know better than to just sit around and wait for something to happen. her true detriment, i think, is that she’s an idealist... painfully so.
what happens before the fall —— before the descent , teetering over the ledge of the event horizon ? 𝑤𝘩𝑎𝑡 𝑖𝑠 𝑡𝘩𝑒 𝑓𝑎𝑙𝑙𝑒𝑛 𝑡𝑜 𝑑𝑜 𝑡𝑜 𝑠𝑎𝑣𝑒 𝑡𝘩𝑒𝑚𝑠𝑒𝑙𝑣𝑒𝑠 , in spite of fate itself ? in the beginning , it looks like this : a dirty , unkempt room.
she hadn’t meant for it to become so dirty , though it had never been particularly clean , either —— cob webs strung in each corner , walls stained brown from grime , a roof that would leak rain water after an evening storm ; it was as though it had been 𝚊𝚋𝚊𝚗𝚍𝚘𝚗𝚎𝚍 , sitting (waiting) as it rotted away. one could wonder how anyone could live in such a state (in such a place) , though the state of the room had hardly been at the forefront of fantine’s mind —— so long as there was a roof over her head , she could find some semblance of comfort.
still , winds would change , debts would rise , and soon , her restless thoughts would be plagued by disquietude. ❛❛ don’t you understand ? ❜❜ she cries , almost 𝘢𝘤𝘤𝘶𝘴𝘢𝘵𝘰𝘳𝘺. ❛❛ i couldn’t possibly bring her here —— she’s better off in 𝒎𝒐𝒏𝒕𝒇𝒆𝒓𝒎𝒆𝒊𝒍. so , i must pay , and where am i to get the money ? what do you expect me to do ? ❜❜
❛❛ i do not have time for this , ❜❜ @dinopunching retorts, cutting deep like a sharpened knife. ❛❛ you can be 𝑎𝑛𝑔𝑟𝑦 at me later. you can scream and rage at me when you’re not in danger anymore. ❜❜
❛❛ i —— ❜❜ anger dissipates , becoming desperation. 𝑐𝑜𝑛𝑠𝑢𝑚𝑒𝑑 𝑏𝑦 𝑑𝑟𝑒𝑎𝑑 , the fallen woman sinks in her chair , parchment crushed in her fist. i’m not in danger , she longs to say , in spite of her better judgement , though , instead , she says nothing. a beat passes , and her gaze flickers downward as she unfurls the letter : crinkled , yet still legible.
“ little cosette has come down with a terrible malady that has been going round the neighborhood ; a miliary fever , they call it. it requires expensive medicine that we can no longer pay for. send all you can so we can pay for her medicine , or else the little one will be dead within a week. —— thénardier. ”
❛❛ this miliary fever , ❜❜ she begins , a quaver in tone. ❛❛ (. . .) do you know anything of it ? ❜❜
¹ electra, sophocles (tr. anne carson) / ² les misérables, victor hugo (tr. isabel f. hapgood) / ³ les misérables: the dream cast in concert (1995) / ⁴ electra, sophocles (tr. anne carson) / ⁵ bbc’s les misérables: episode 2 shooting script, andrew davies / ⁶ les misérables, victor hugo (tr. isabel f. hapgood) / ⁷ les misérables: the dream cast in concert (1995) / ⁸ electra, sophocles (tr. anne carson)
ruthie henshall —> i dreamed a dream
lespersonnes.
he does not speak , not at first ; it goes unneeded , the weight behind her words enough to fill the room’s empty space . 𝙷𝙴 𝙺𝙽𝙾𝚆𝚂 𝙶𝙾𝙳 𝚆𝙾𝚁𝙺𝚂 𝙸𝙽 𝙼𝚈𝚂𝚃𝙴𝚁𝙸𝙾𝚄𝚂 𝚆𝙰𝚈𝚂 . after giving his life to the lord , to cosette , what more can he do besides repent to her ? fantine carried light within her . all of that grace , and kindness — and she suffered for it .
he wishes to comfort her .
❝ you’ve every right to . ❞ they come unbidden upon his tongue , before he can stop himself . once again the sinner prostrate , making to right his wrongs .
𝐣𝐞𝐚𝐧 𝐯𝐚𝐥𝐣𝐞𝐚𝐧 𝐡𝐚𝐝 𝐛𝐞𝐞𝐧 𝐛𝐥𝐢𝐧𝐝 .
❝ i have not always been an honest man , dear fantine … ❞ a moment of silence passes after he trails off , eyes shut as he bears her scrutiny .
❝ but never again . i have stolen , and lied , it is true . i have been selfish , and ignorant to others in need . but i will be honest to you . i promise you this , until the end of my days . ❞
she sat in silence —— 𝑟𝑒𝑣𝑒𝑙𝑒𝑑 in it , even —— her eyes downcast , his vow doing little to soothe her newfound disquiet. it’s just the two of them now , wasting away inside a rotting house , the overgrown garden and stone walls shielding (hiding) them from the rest of the world. there’s a certain rancor lingering in the marrow of her bones , left intangible and unnamed , from the carcass of a cocoon shed years ago —— the humiliating remnant of 𝚖𝚎𝚝𝚊𝚖𝚘𝚛𝚙𝚑𝚘𝚜𝚒𝚜 , rooted deep in her belly , now bubbling to the surface.
night pressed gently on the windows , and a ray of moonlight sprawled in , the smell of burning candlewax cloying her senses. she doesn’t speak , not at first , though the words cling to her throat , sinking their claws into its walls —— fractured 𝑠𝑖𝑙𝑘 , setting free to the immature pupal within.
❛❛ you lied to me , ❜❜ she begins , hatred wafting from her bitter tongue , leaving a 𝑟𝑜𝑡𝑡𝑒𝑛 taste in her mouth. perhaps 𝒔𝒄𝒓𝒖𝒕𝒊𝒏𝒚 goes unwarranted , so she thinks , the flame of indignance still burning bright within her , more akin to that of a child than the 𝘸𝘰𝘮𝘢𝘯 she had become. 𝑡𝘩𝑒 𝑚𝑒𝑚𝑜𝑟𝑦 𝑤𝑎𝑠 𝑠𝑢𝑓𝑓𝑜𝑐𝑎𝑡𝑖𝑛𝑔 , even now , and for a moment , she struggles to breathe ; (my memories scatter around me like fresh snow , thawing at divine touch , forming a vast , blackened 𝒔𝒆𝒂.) man overboard ! the captain cries as she plummets into the most vicious of the mind’s tempests. she thrashes , screams with what little strength she can conjure , and yet , who is there to hear her ? ❛❛ how am i to know that what you say is true ? how am i supposed to trust you ? you promise to fetch my child , and yet she is nowhere to be found —— instead , you go to arras. you promise us a home , and yet we continue to run away. you say you are père madeleine , and 𝒚et . . . ❜❜
a pause. of course ; —— he , who had been père madeleine , ultime fauchelevent , prisoner 9430 , and now , urbain fabre. she , who had been fantine laurent , little fantine , and . . . and . . .
a blonde tendril falls forth , the gap where two front teeth once stood comes into view. ❛❛ who are you ? who am 𝒊 ? ❜❜