Fauno en Piedra

Un blog para poesia, de poesia, desde y por la poesia.

[blueblackdream]

Helmut Newton, Arielle Azzedine’s Glove, Paris, French Vogue, 1981

[blueblackdream]

Jane Evelyn Atwood, Pigalle, Paris, ca. 1978

[crashinglybeautiful]

Jeanloup Sieff, Café de Flore, Paris, 1975.

[kamchatsky]

Чикаго, фотография 1920 х. Chicago, photo 1920.

[mesogeios]

Cléo de 5 à 7 (1962), directed by Agnès Varda

[thunderstruck9]

Tala Madani (Iranian, b. 1981), Curtains #3, 2019. Oil on linen, 46 x 61 cm.

[artist-dali]

Gala and The Angelus of Millet Before the Imminent Arrival of the Conical Anamorphoses, 1933, Salvador Dali

Medium: oil,wood

https://www.wikiart.org/en/salvador-dali/gala-and-the-angelus-of-millet-before-the-imminent-arrival-of-the-conical-anamorphoses

[expressionism-art]

Standing nude (Elvira), 1918, Amedeo Modigliani

Medium: oil,canvas

[catonhottinroof-deactivated2023]

Georges Jules Victor Clairin (1843-1919)

Claudea Flegans

[artist-masson]

The painter and the time, 1938, Andre Masson

[artist-ernst]

Illustration to “A Week of Kindness”, 1934, Max Ernst

Medium: collage,paper

[artist-dekooning]

Door to the River, 1960, Willem de Kooning

[les-memes-histoires]

Photomontages by Val Telberg.

“She led me into the house of incest. It was the only house which was not included in the twelve houses of the zodiac. it could neither be reached by the route of the milky way, not by the glass ship through whose transparent bottom one could follow the outline of the lost continents, nor by following the arrows pointing the direction of the wind, nor by following the voice of the mountain echos.”

[…]

“In the house of incest there was a room which could not be found, a room without a window, the fortress of their love, a room without a window where the mind and blood coalesced in a union without orgasm and rootless like those of fishes. The promiscuity of glances, of phrases, like sparks marryng in space. The collision between their resemblances, shedding the odor of tamarisk and sand, of rotted shells and dying sea-weeds, their love like the ink of squids, a banquet of poisons.“ 

p. 50ff.

[artist-manet]

Effect of Snow at Petit-Montrouge, 1870, Edouard Manet

Medium: oil,canvas

[artist-redon]

The Flame (Goddess of Fire), 1896, Odilon Redon

Medium: oil,canvas

[nicholasroerich]

Svyatogor, 1942, Nicholas Roerich

[thunderstruck9]

Adrian Ghenie (Romanian, b. 1977), It could be anywhere, 2008. Oil on canvas, 81 x 120 cm.