Before Night Falls
The story told in Before Night Falls is one that describes the life story of Reinaldo Arena, and the hardships he faced through his journey as a young boy in Cuba, to a grown man in NYC. The story of his journey is particularly intriguing because it is one of shock as it describes events and experiences in Cuba during a time when no one knew what was really occurring there. Arena’s tone throughout describing his experiences varies and can sometimes be of more reminiscent than anything else. While Arena reflects on some experiences that may seem morbid or traumatizing, he does so in a way that assures the reader that he did not regret or fall victim to his hardships and very different upbringing. Reading his story made me feel sadness for him, that his youth was filled with poverty and many different instances of sexual abuse and the violent encounters his faced during his time in communist Cuba. A large part of Arena’s story included sexuality, and his own curiosities he dealt with on an island that viewed homosexuality as a disgrace. Arena reflects on an experience that made him aware of this view on homosexuality while a student La Pantoja when two boys were caught performing sexual acts together: “Their comrades were supposed to come from their lodging ands and throw stones at them and beat them up. It was a sinister expulsion because it also included a dossier that would follow each person for the rest of his life and would bar him admission to any other state school… and I realized being a “faggot” in Cuba was one of the worst disasters that could ever happen to anyone” (Arenas, 48). Homophobia was a very deeply grounded issue in Cuba at the time Arena was living through, and in fact had worsened during the Cuban Revolution. Fidel Castro coming into power brought about increasing levels of homophobia within Cuba as stated in previous articles: “Homosexuality is revolutionary in Cuba: not because it is at the vanguard of political thought and action, not because it embodies the ideals of regime, but because it has become, all too closely, bound to the image, especially abroad, of the revolution itself” (Epps, 231). Arena’s story illustrates the interrelation of dissidence, homosexuality and literature because he found himself fighting against a government and state that was against all three. The Cuban government was fearful of literature as it could expose its faults. The Cuban government under Castro’s control had become severely aggressive towards homosexuals as Arena has exposed: “The Castro regime, in other words, regarded women, along with homosexuals, as inferior beings”, (Arena, 151). Arena had become a writer whose work reflected these corrupt and horrid foundations of this very government. Arena’s literature was a direct example of dissent against the government under Castro and its grasp on homophobia. Unfortunately, Arena’s expression through literature and homosexuality led him down a torturous path. After his imprisonment for which he had suffered terrible conditions, he fled and was in exile. The trauma experienced by Arena were those of which I cannot imagine ever surviving. The effects he endured from this exile were extreme: “In exile one is nothing but a ghost, the shadow of someone who never achieves full reality. I ceased to exist when I went into exile; I started to run away from myself,” (Arena, 303). I mentioned earlier how I felt sad reading Arena’s story; however, I also felt a sense of proudness for him that we able to make it through all he did and share his story of the corruption back in his homeland. While it is quite unfortunate to see his story was shared under such circumstances and which he succumbed to in the end, it’s important that stories like this is are exposed to the world. Arena’s goal to shed light on these horrors was met in my opinion, and it put so poetically into the most beautiful and saddening book. While much has been exposed regarding the Cuban government under Castro and the oppression of sexual minorities in the years to follow, change was still far away: “The
revolution’s very real struggle to stay afloat—in the face of one economic crisis after another, the dissolution of the socialist bloc, continued hostility from the United States, and the double-edged “solution” which is tourism—has inevitably kept issues such as gender, race, and sexuality on the back burner,” (Hutchison, 196). The stories Arena shares are those that many other individuals have experienced in Cuba under the same circumstances, and his writing reflects the strength and bravery it takes to survive such horrors and to risk one’s life to expose them.
Hutchison, Elizabeth Quay. “Women, Gender, and Sexuality in the Cuban Revolution: Conversations with Margaret Randall.” Radical history review 2020.136 (2020): 185–197. Web.
Epps, Brad. “Proper Conduct: Reinaldo Arenas, Fidel Castro, and the Politics of Homosexuality.” Journal of the History of Sexuality, vol. 6, no. 2, 1995, pp. 231–283. JSTOR, www.jstor.org/stable/3704123. Accessed 26 May 2021.
Arenas, Reinaldo. Before Night Falls: a Memoir. Penguin Books, 2020.












