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“𝘵𝘪𝘮𝘦 𝘨𝘰𝘦𝘴 𝘣𝘺 𝘣𝘶𝘵 𝘵𝘪𝘮𝘦 𝘸𝘪𝘭𝘭 𝘯𝘦𝘷𝘦𝘳 𝘵𝘦𝘭𝘭 𝘺𝘰𝘶 𝘪𝘵'𝘴 𝘵𝘰𝘰 𝘭𝘢𝘵𝘦”

[olympain]

[warmfigure]

i am massively overdue for a very very good week where not a single bad thing happens and everything is easy

[warmfigure]

some early cherry blossoms to celebrate the equinox

[warmfigure]

[feathers-67]

"but they hate eachother" "this ship makes no sense" "that would never be canon" "they're only friends" "but one of them is already dating someone" "they'd be toxic together" don't caaaare I'm consuming media of them being insane about each other and falling in love in situations you couldn't fathom

[fizzwater]

wrinkles in my shirt, wrinkles in my hands, wrinkles in the leaves

[consecuences]

[mangoslixes]

“Shadow and light are the most stable and perfect tools of creation: they unite colors, shapes, and dimensions,” says Moldovan artist Sergiu Ciochină, adding that “shadows move us through diversity, enhancing our perception, while light fills us with the joy of discovery.” In saturated hues, he captures dappled sunlight as it filters through the trees and the rich tones of the golden hour as it casts deep bluish-purple shade onto the sides of houses.

Taking cues from the Impressionists, Ciochină focuses on the nuances of light and its ability to reveal outlines and forms. He works in thick, impasto oil paint on board, emphasizing the shapes of windows, doors, and stoops and transforming otherwise ordinary buildings into compositions glowing with the patterns of foliage, architectural angles, and the texture of brushstrokes. “The symbiosis I create between nature and architecture is intended to evoke a love for space,” he says.

on Sergiu Ciochină

[mangoslixes]

“Shadow and light are the most stable and perfect tools of creation: they unite colors, shapes, and dimensions,” says Moldovan artist Sergiu Ciochină, adding that “shadows move us through diversity, enhancing our perception, while light fills us with the joy of discovery.” In saturated hues, he captures dappled sunlight as it filters through the trees and the rich tones of the golden hour as it casts deep bluish-purple shade onto the sides of houses.

Taking cues from the Impressionists, Ciochină focuses on the nuances of light and its ability to reveal outlines and forms. He works in thick, impasto oil paint on board, emphasizing the shapes of windows, doors, and stoops and transforming otherwise ordinary buildings into compositions glowing with the patterns of foliage, architectural angles, and the texture of brushstrokes. “The symbiosis I create between nature and architecture is intended to evoke a love for space,” he says.

on Sergiu Ciochină

[plounce]

aghhhh we're melting ahhh i bap you ok the head

[winterfellis]

[wirily]

[msandorf-deactivated20200309]

[greelin]

yeah i contain multitudes. Unfortunately not in the way that is fun or marketable

[classicdavinci]

Macus Larson

[sexybritishllama]

'this post contains something you specifically went out of your way to block so you could avoid seeing it' okay....... but what if i actually want to see this one.... [clicks view post button] aw wtf i didn't want to see this

[sumheavyocean]

Some wind turbines somewhere in Arizona or Nevada