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@emmaxrosa
welcome to my blog i hope you like lesbians
it's just so so sad because is alicent is trying to spare helaena here: you don't have to bear a child forced onto you who will be treated as nothing more than a pawn. i've lived that miserable existence, with all of her children being products of marital rape and otto using her as a means to an end when she was just a girl still. but she goes about it by aggressively gripping helaena's face, frightening her in much the same way otto did when he warned her about this now self-fulfilling prophecy, and imposing her will over helaena and her body by seeking to force an abortion on her...
HOUSE OF THE DRAGON | Season 3, Episode 5, "Unbowed and Unbent"
loved loved the second mysaria and alicent scene, especially with it being so heavily foreshadowed at this point that rhaenyra will bring alicent with her to dragonstone when she flees as the smallfolk of king's landing turn against her: 'that's large enough to saddle two...so you can fly with me.' but she'll likely leave mysaria behind, and we know the pretty horrific and tragic fate that awaits her: 'will you stake so high a wager on the whims of a dragon rider?'
larys to aegon
HOUSE OF THE DRAGON | Season 3, Episode 5, "Unbowed and Unbent"
your father’s voice speaking through you…
i enjoyed watching alicent and helaena's views of motherhood clash this episode. alicent expects helaena to feel exactly as she does, partly because i don't think alicent actually has a strong sense of who helaena is beyond seeing so much of her younger self in her only daughter. and, to be fair, their situations were indeed quite similar (again, some of that being alicent's own doing, even if her intent was simply to keep helaena close to home): both married off fairly young to certainly not one they would have chosen for themselves, but they had a duty to their family, and both their children the product of marital rape. alicent insists that helaena must drink the tea because 'does she not wish to be free?' which ties back into alicent's blood sacrifice at the end of s2. her entire life wrapped up in crowning aegon, so of course, be free again, to begin anew as simply the lady alicent, she has to sacrifice her firstborn. she warns helaena that, in the end, her child, especially if he is a son, will be used against her by rhaenyra. she's speaking with otto's voice now, gripping helaena's face just as he once did: "and to secure her claim, she'll have to put your children to the sword." your children will never be more than 'hostages or pawns,' oof but helaena's view of motherhood reminds me more of rhaenyra in a way. she seems to approach aegon with a kind of detached indifference, and so her son will be wholly hers, and this time, with more of a grasp on her visions, perhaps this time she will ensure this child lives longer than her boy jaehaerys did.
HOUSE OF THE DRAGON 3.02 - Queen's Landing
ormund drips-feeds him that affection, and, as a result, keeps him controlled.
and i had ben, who’s such a wonderful young actor, and he was looking at me with these misty eyes full of gratitude and love.
james norton on ormund and daeron’s dynamic
HOUSE OF THE DRAGON 3.02, "Queen's Landing" 3.04, "Tumbleton"
brynden rivers is the funniest character in asoiaf. hi it's me the king here's my most trusted and reputable advisor his name is Lord Bloodraven. he's chill though
HOUSE OF THE DRAGON | Season 3, Episode 4, "Tumbleton"
the thing w female characters is that they are going to be hated anyway - as will be the actresses (which is inexcusable to be clear, but unfortunately a thing that happens) - so why not just let them be these fully dimensional characters who are as atrocious and as grandiose as the male characters around them. the lovers will love it and the understanders will understand, and who else is worth paying any attention to anyway
HOUSE OF THE DRAGON S02E05 | S03E03
RHAENA TARGARYEN House of the Dragon | 3.04 'Tumbleton'