clickbaiting him
Sweet Seals For You, Always
NASA
No title available
RMH
hello vonnie
we're not kids anymore.
macklin celebrini has autism
Cosimo Galluzzi
I'd rather be in outer space 🛸

Discoholic 🪩
Fai_Ryy

Origami Around

Kiana Khansmith
EXPECTATIONS

Product Placement
cherry valley forever
let's talk about Bridgerton tea, my ask is open
The Bowery Presents

❣ Chile in a Photography ❣

JVL
seen from France

seen from Türkiye
seen from Venezuela

seen from Venezuela
seen from Singapore
seen from United States

seen from Germany

seen from Netherlands
seen from Bangladesh

seen from United Kingdom
seen from United Kingdom

seen from Malaysia
seen from United States

seen from Malaysia
seen from Malaysia
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@weirwould
clickbaiting him
LARYS + ALICENT + CRISTON ↳ LARYS + AEGON, CRISTON + AEMOND
Lesbians hate him! Local man is irritating
i need to stay alive for hotd s4 when everyone’s dying out and becoming myths and we start to see history reshaping itself to the new world’s whims, and fire and blood’s “characters” start to form out of archetypes while the figures trapped in that history can only look on. Lol
I like how Daemon doesn’t have a stealth mode whatsoever so his master plan to deceive someone has every single time been “find an innocent civilian, burn them beyond recognition, and pass them off as a different dead guy”. And it always works bc who would suspect Daemon of not killing a guy when given the chance
true
Ursula K. Le Guin
House of the Dragon (Condal 2022-)
“Rhaenyra Triumphant” 3x03 / “Tumbleton” 3x04
HOUSE OF THE DRAGON | Season 3, Episode 4, "Tumbleton"
House of the Dragon (Ryan Condal 2022-) / The Second Sex “Facts and Myths” (Simone de Beauvoir 1949)
“The Burning Mill” 2x03 / “Regent” 2x05 / “The Queen Who Ever Was” 2x08 / “The Black Queen” 1x10 / “Rhaenyra Triumphant” 3x03 / “Tumbleton” 3x04
Alicent saying Ormund acts fatherly to Daeron and then we cut to Ormund in fact acting how Alicent perceives fathers to act towards Daeron was also so awesome
Sending your last son away to oldtown as a babe in a desperate hope that he will avoid the fate of his Targaryen siblings only to have him get groomed into a dynastic tool for seizing the throne by his nefarious father figure like a Hightower AND get groomed into a tool of (re)conquest carrying divine magical purpose by a nefarious ethnic supremacist uncle figure like a Targaryen.
HOUSE OF THE DRAGON 1.05 // 3.04
did i or did i not just watch alicent hightower sit down in front of the lemon tree mural, as she told rhaenyra that she sent her last child to the house with the red door home she barely remembers so that he might grow up outside the suffocating walls of the red keep. so that he might live as a hightower instead of a targaryen. but in her attempt to keep him from becoming his father, she cursed him to become her instead. an outsider among the natives. who doesn’t know what he wants beyond his father figure’s desire to make him king of the seven kingdom’s. the blue queen in chains.
House of the Dragon (Condal 2022-)
“Queen’s Landing” 3x02 / “We Light the Way” 1x05 / “The Rogue Prince” 1x02
Some day we are going to do circle time discussion questions about this. But probably not today
Actually here. Circle up.
What is the story of the dance of the dragons as depicted in fire and blood about?
What is the book attempting to communicate about war and this dynasty and how it worsens the existing gender and class disparities in Westeros?
In the book, whose “fault” is it? Why?
The first mention of a lot of these characters is actually in a feast for crows and a dance with dragons in the main series. What are those books trying to communicate about war and history thematically and why would they reach back to the dance to do so?
What changes NEED to be made to take something from a collection of contradicting histories in text to a television show? What changes SHOULD be made?
Is house of the dragon trying to tell the same story thematically? How does it engage with the concept of history?
How is it different? What do you think the show wants to be about?
Do the differences successfully tell a different story? Does it come together?
In the show, whose “fault” is it? Why?
What gets lost when an adaptation changes the meaning? What could be gained?
How do you tell a story about the experiences of women in patriarchy without engaging in sexism?
what did you think about the scene between alicent and jaspar wylde in this episode?
I understand why many people found it upsetting because it was upsetting and I think they could’ve handled it a little more deliberately than just having this guy show up at her room. What I understand less is the amount of people who seem to be shocked or surprised that the show that has been about institutional and interpersonal sexual violence and its effect on the women who attempt to be power players within said evil patriarchal system would do this. I won’t defend it as 100% loadbearingly necessary for the plot but that’s the theme that they keep doing. 
"Seeing the shift in Rhaenyra's face and whole body as she sees Alicent. This breaks something in her. From this scene onward, Rhaenyra changes in a way that she doesn't even really completely understand in that moment." – Clare Kilner
HOUSE OF THE DRAGON | Season 3, Episode 2, "Queen's Landing"
R.I.P. OTTO HIGHTOWER, the Kris Jenner of Westeros [~76 AC – 130 AC]