[lilacwine1966-deactivated202212]

songs to stand in the kitchen holding a knife to

[aic-armor]

Composite Dagger, 1500, Art Institute of Chicago: Arms, Armor, Medieval, and Renaissance

George F. Harding Collection Size: L. 47.9 cm (18 ¾ in.) Blade L. 33 cm (13 in.) Wt. 15 oz Medium: Nephrite, bloodstone, turquoise, gold, and copper alloy

https://www.artic.edu/artworks/117044/

[tapireye-deactivated20220708]

Skeleton Fairy-Print Silk Evening Gown by Alexander McQueen ( c. 2007 )

[kristina100000]

yes baby girl you ARE like donnie darko with a blog

[aqua-regia009]

Lacrima Notturna (Detail), 2019 - Roberto Ferri

[iusedtobecharming-deactivated20]

[disease-deactivated20210414]

JOSEPH URBAN

[froggoblinking]

[fleurdulys]

Assassin and Victim - Jeanne Mammen

[jjbeka-deactivated20210812]

can’t stop thinking about this post from my local geology facebook group

[weskergirl1]

[redlipstickresurrected]

Nicola Samorì (Italian, b. 1977, Forli, Emilia-Romagna, Italy, based Bagnacavallo, Province of Ravenna, Italy) - Cunea (detail), 2018, Sculpture: Black Carrara Marble

[returntomytilene]

René Lalique, bracelet de cheville [Chauve-souris], Paris, vers 1898/1899

« Les bijoux de Natalie Clifford-Barney (1876-1972) sont entrés dans les collections du Musée des Arts Décoratifs par la volonté de sa sœur, Madame Dreyfus-Barney, en 1966… . Tous ces bijoux aujourd’hui réunis au musée témoignent de la valeur artistique de leur créateur et de la vie sentimentale et intellectuelle de celle qui les porta. »

René Lalique, [Bat] ankle bracelet, Paris, circa 1898/1899

‘Natalie Clifford Barney’s (1876-1972) jewelry came into the collection of the Museum of Decorative Arts upon the will of her sister, Madame Dreyfus-Barney, in 1966… . Today, all of the jewelry is gathered in the museum and act as a testament to both the artistic value of their creator and the sentimental and intellectual life of the owner who wore them.’

Les bijoux de Natalie Clifford-Barney, Musée des Arts Décoratifs

[tapireye-deactivated20220708]

SOPHIE walking for Eckhaus Latta - Fall 2018 Ready-to-Wear

[cvasquez]

Smoke break. 

[the-master-pieces]

Honey is Sweeter than Blood (1941) by Salvador Dalí

[thunderstruck9]

Miles Cleveland Goodwin (American, b. 1980), Life, 2018. Oil on linen, 24 x 36 in.