La Maison de mon Rêve

[perolus]

[koshigurajumy]

Jumy-M

Tokonoma / 床の間

[trembeling]

quyny

[archidose]

Barbar, Batara, 2012

by Anne Holtrop studio

[melissem]

from Earth Pilar (Petra, Jordan)

Bas Princen

[images1234]

Ken Isaacs, How to Build Your Own Living Structures, 1974

[dead-ducks-blog]

Skeletal Structure of a Bat By Andreas Feininger

[the-night-picture-collector]

Andreas Feininger, Helicopter Take-Off at Night, 1949

[levepatriekje]

[elipseofflowers-deactivated2021]

[estebanpochintesta-deactivated2]

Me with a mask by Lowzzz

[emotional-landscapes]

Chris Burden, “Ode to Santos Dumont”, 2015

[zentrifuge]

Chris Burden - Doorway to Heaven, 1973.

“At 6 p.m. [November 15, ‘73] I stood in the doorway of my studio facing the Venice boardwalk. A few spectators watched as I pushed two live electric wires into my chest. The wires crossed and exploded, burning me but saving me from electrocution.”

[nbafinalsarchive]

Michael Jordan 1996 NBA Finals

[batsreleased]

“Him” by Paula Rego / 1996

[momo-de-avis]

Paula Rego - Dog-Woman (1994)

Pastel on canvas, 120 x 160 cm.

Inspired by a story a friend had written for her, Paula Rego draws her Dog Woman in pastels, referencing the raw physicality of Degas’ drawings. “To be a dog woman is not necessarily to be downtrodden; that has very little to do with it,” She explained, “In these pictures every woman’s a dog woman, not downtrodden, but powerful. To be bestial is good. It’s physical. Eating, snarling, all activities to do with sensation are positive. To picture a woman as a dog is utterly believable.“

[themotifeye]

Vincent Gallo by Collier Schorr, Another magazine, Issue 26