10.1 - 10.8 // I suck at keeping up with uploading these. :D
$LAYYYTER
Cosimo Galluzzi
Claire Keane
YOU ARE THE REASON

JVL
Lint Roller? I Barely Know Her

oozey mess

★
styofa doing anything

JBB: An Artblog!

Janaina Medeiros
Cosmic Funnies
No title available

titsay

if i look back, i am lost
Stranger Things
Alisa U Zemlji Chuda

izzy's playlists!
TVSTRANGERTHINGS

❣ Chile in a Photography ❣
seen from United States
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@empyrealblue
10.1 - 10.8 // I suck at keeping up with uploading these. :D
people would probably live longer on average if they didn’t have to spend the majority of their adulthood working 40 hours a week
Three graces.
I’ve never seen it so concisely defined.
follow @the-future-now
wow!
disabled women of color are capable and deserve to be recognized and respected
Nyakim Gatwech at the 2018 Emmys
Designer: laviebyck
Trees live underground and use the above-ground part as a snorkel.
I fucking guess
COW BAT COW BAT COW BAT
Saksun, Faroe Islands | by @josiahwg
im a simple person. i see a dog i want to pet it.
The Floral Art Of Studio Ghibli
Tessa Thompson as Detroit in Sorry to Bother You (2018)
Camera obscura, KangHee Kim
Boots Riley’s Dystopian Satire “Sorry to Bother You” Is an Anti-Capitalist Rallying Cry for Workers
An evil telemarketing company, a corporation making millions off of slave labor, and one Oakland man at the center of it all who discovers a secret that threatens all of humankind. Boots Riley’s “Sorry to Bother You” is the dystopian social satire being hailed as one of the best movies of the summer. On Tuesday we sat down with with Riley, the poet, rapper, songwriter, producer, screenwriter, humorist, political organizer, community activist, lecturer and public speaker—best known as the lead vocalist of The Coup and Street Sweeper Social Club.
He talked about the power work stoppages and strikes in the film:
I believe that since the beginning of the New Left, progressives and radicals have turned more to spectacle and gone away from actually organizing at the actual point of contradiction in capitalism, which is the explication of labor, which is also where the working class has its power. And we’ve gone in favor of demonstrations, that don’t necessarily have teeth, but they show where our head is at. And I feel like we have to put—give these demonstrations more teeth, by being able to affect the bottom line and say, you know—and say, “You can make no money today, or you can make less money and give us what we want.”
See the full interview here.