Empyreal Blue

[stuz0r]

10.1 - 10.8 // I suck at keeping up with uploading these. :D

[antiandrogen]

people would probably live longer on average if they didn’t have to spend the majority of their adulthood working 40 hours a week

[treelet-deactivated20200528]

Three graces.

[la-laborista-republiko]

[lynati]

I’ve never seen it so concisely defined.

[stardustsuggestion]

[the-future-now-deactivated20170]

follow @the-future-now

[sunglow-xoxo]

wow!

[veryfemmeandantifascist]

disabled women of color are capable and deserve to be recognized and respected

[dopeeeeeeshxt]

Nyakim Gatwech at the 2018 Emmys

Designer: laviebyck

[showerthoughtsofficial]

Trees live underground and use the above-ground part as a snorkel.

[wildlyunlikelybabe]

I fucking guess

[kaijuno]

COW BAT COW BAT COW BAT

[coiour-my-world]

Saksun, Faroe Islands | by @josiahwg

[thisobscuredesireforbeauty]

[skellydun]

im a simple person. i see a dog i want to pet it. 

[ghibli-collector]

The Floral Art Of Studio Ghibli

[heyfiki]

[thorodinson]

Tessa Thompson as Detroit in Sorry to Bother You (2018)

[nevver]

Camera obscura, KangHee Kim

[democracynow]

Boots Riley’s Dystopian Satire “Sorry to Bother You” Is an Anti-Capitalist Rallying Cry for Workers

An evil telemarketing company, a corporation making millions off of slave labor, and one Oakland man at the center of it all who discovers a secret that threatens all of humankind. Boots Riley’s “Sorry to Bother You” is the dystopian social satire being hailed as one of the best movies of the summer. On Tuesday we sat down with with Riley, the poet, rapper, songwriter, producer, screenwriter, humorist, political organizer, community activist, lecturer and public speaker—best known as the lead vocalist of The Coup and Street Sweeper Social Club.

He talked about the power work stoppages and strikes in the film:

I believe that since the beginning of the New Left, progressives and radicals have turned more to spectacle and gone away from actually organizing at the actual point of contradiction in capitalism, which is the explication of labor, which is also where the working class has its power. And we’ve gone in favor of demonstrations, that don’t necessarily have teeth, but they show where our head is at. And I feel like we have to put—give these demonstrations more teeth, by being able to affect the bottom line and say, you know—and say, “You can make no money today, or you can make less money and give us what we want.”

See the full interview here.