macklin celebrini has autism
Origami Around
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will byers stan first human second
PUT YOUR BEARD IN MY MOUTH
One Nice Bug Per Day
roma★
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TVSTRANGERTHINGS
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Misplaced Lens Cap
Kiana Khansmith
PR's Tumblrdome
Not today Justin
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seen from Brazil
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@emulsivefilm
New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
The title pretty much says everything you need to know but as ever, the devil is in the detail! Let's start with what HARMAN Phoenix _is_.
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EMULSIVE Secret Santa 2023: Registration for year 8 is open until November 19th
Welcome to the 9th annual EMULSIVE Santa film and traditional photography gift exchange! Registration this year is open until November 19th, 2023.
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Deep price cuts on fresh 120 film from Lomography as of October 18th 2023
Deep price cuts on fresh 120 film from Lomography as of today. Lomography has announced significant reductions in the prices of most of their 120 format film stocks, with some discounts up to 30%, potentially sparking a larger future trend in film...
No, it’s not April Fools Day, Lomography announced today that they’re cutting the price of most of their 120 format film stocks, some of which are upwards of 30% From their press release: We cherish the spontaneity, speed and instinctive nature of analogue photography. However, we’ve noticed a growing reservation within the analogue community when it comes to the distinctive and charming 120…
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Beacons Through Time: East Coast US lighthouses captured on solargraphs
Beacons Through Time: East Coast US lighthouses captured on solargraphs - by Christian Fiedler
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5 Frames... In Florence on expired ILFORD PAN F PLUS (35mm Format / EI 10 Contax RTS III + Carl Zeiss Distagon 2,8/28mm) - by Julian Ruoss
5 Frames... In Florence on expired ILFORD PAN F PLUS (35mm Format / EI 10 Contax RTS III + Carl Zeiss Distagon 2,8/28mm) - by Julian Ruoss
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How-to: Shoot Fujifilm Instax on a Polaroid BigShot
How-to: Shoot Fujifilm Instax on a Polaroid BigShot - by Nicholas Morganti
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Review: Kodak Pocket Instamatic 10 + Lomography Tiger CN200 film
Review: Kodak Pocket Instamatic 10 + Lomography Tiger CN200 film - by Anna Shotadze
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Making trichromes with Solarfast dye: A cheap and fast alternative to gum bichromate printing??
Making trichromes with Solarfast dye: A cheap and fast alternative to gum bichromate printing?? - by Chad Hill
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New film cameras from PENTAX / Ricoh Imaging? "Film Project Start"
Some great news to help round out the year! Pentax (now a division of Ricoh Imaging) is starting the development of new film cameras. Announced through a collection of videos, a mini-site and a press release today, the company states the project involves the “research and development of new PENTAX-brand film camera products” and is split into two main parts: (1) the development of a new film…
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5 Frames... At the Tatacoa Desert on Kodak Color Plus 200 and a Nikon FM2n (35mm Format / El 200 / Nikon Nikkor 28-105mm AF macro f/3.5-4.5D) - by Juan Roa
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Documenting Sport Is Your Gang (SIYG) and social outreach in Colombia
Documenting Sport Is Your Gang (SIYG) and social outreach in Colombia - by Jeff Dojillo
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5 Frames... Of Orwo UN54 in Florence on a Canon FTb (35mm Format / EI 160 / Canon FD 70-210mm f/4.0 zoom lens - by Sergio Palazzi
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Film stock review: Santa Color 100
Film stock review: Santa Color 100 - by Rick Davy
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Film Stock Review: CineStill 400D
Film Stock Review: CineStill 400D - by Ryan Gabbard Like much of the film photography community, I waited with bated breath for my backer rolls of Cinestill 400D to arrive so I could jam it into a camera and start etching that sweet acetate. How would it
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6 Frames... Of Kodak Ektar 100 in Paris on a Canon A-1 (35mm Format / EI 100 / Multiple lenses) - by Nick Orloff
6 Frames… Of Kodak Ektar 100 in Paris on a Canon A-1 (35mm Format / EI 100 / Multiple lenses) – by Nick Orloff
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6 Frames... Of Kodak Ektar 100 in Paris on a Canon A-1 (35mm Format / EI 100 / Multiple lenses) - by Nick Orloff
I’ve never really been an Ektar fan. It’s not that I dislike it, but in my personal hierarchy of colour negative films it seems there is always something I prefer… My first choice is usually Portra 800, typically shot at 200 or 400 — I love the way the colours saturate when it’s overexposed — […] Read on at: https://emulsive.org/articles/6-frames-of-kodak-ektar-100-in-paris-on-a-canon-a-1-35mm-format-ei-100-multiple-lenses-by-nick-orloff #shootfilmbenice #filmphotography #believeinfilm
5 Frames... Of golden hour on a Balda Baldi 29 and Fomapan 100 Classic (120 format / EI 100 / Baldanar 80mm f/2.9 Triplet) - by Leon Blankenhorn
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