The original writing prompt for this entry can be found here.
Definition: Photographs that, though taken at one particular time, are believed by the camera to have been taken at a different time.
Time, by most accounts, is widely considered to be one of the more reliable dimensions. It moves, as any child learns in elementary school, in a single direction at a consistent rate, barring the usual exceptions of waiting rooms and the final hour of a workday, which are subjective distortions and are therefore entirely dismissible. Causality depends entirely upon time's refusal to misbehave. An effect cannot precede its cause. A Monday cannot simply decide not to occur, however unfortunate that may be for your typical Sunday admirer. Time is an absolute, eternal force, a fact so obvious that stating it feels downright embarrassing, as if one were to explain that things fall when dropped or that breakfast is, in most cases, eaten before lunch. The proposition that time could develop a discontinuity - a loop, a gap, et. cetera - is so innately absurd that no serious scientific discussions have been held on the topic and no formal institution has allocated funding toward its study. The certainty of time, like all certainties, has been documented, verified, and established by the laws that govern the universe. This, rather inconveniently, is what makes temporal anomalies so disruptive to the established order of things that they occupy two separate labeled folders within the Bureau of Ontological Consistency's office.
The first recorded instance of a temporal anomaly involves photographic media. The incident occurred on a Thursday afternoon at approximately 2:14 P.M., when a man - who will be henceforth known as "Hubert Reedson" for reasons of privacy - discovered a digital camera on a park bench. The camera contained exactly one photograph. The photograph was, by all metrics, utterly unremarkable. To the left stood a brick building of indeterminate purpose, to the right was a greatly vandalized electrical transformer box, and somewhere in the top right corner flew a single pigeon that Hubert, upon closer scrutiny, described as "that goddamn pigeon that keeps leaving presents on my car." The photograph's composition suggested no artistic intent. Its lighting was, for lack of a better word, poor. Its resolution was notably low quality. It was, by every conceivable metric, aggressively mundane.
The timestamp, however, marked its capture at five years from the date of its discovery.
Hubert, like any typical man would do after discovering a technological abnormality that violates their worldviews, brought the camera to a local electronics repair shop for examination. The repairman present reportedly checked the camera's internal clock against three separate reference clocks and found no discrepancy. The repairman then checked it against a fourth reference clock out of personal curiosity, and again, found no discrepancy. The repairman, who lacked the proper tools to identify the anomaly suggested that the camera may have been exposed to a software glitch, some sort of virus, or "maybe a prank? I don't know." Hubert found none of these explanations satisfying and proceeded to copy the photograph onto his personal computer, wherein the timestamp continued to persist, despite manually editing the file's metadata, attempting to remove its metadata altogether, and on multiple occasions, asking the computer aloud to "stop showing the wrong date."
Investigation by the Bureau of Ontological Consistency has determined that the photograph constitutes a localized instance of a Cameradox. Cameradoxes are photographs that, though taken at one particular time, are believed by the camera to have been taken at a different time. This belief, though utterly unfounded in any reasonable grounds, has led to several notable instances. Most recently, a camera had earnestly believed a photograph it took was captured sometime in the late 18th century, whereupon the resulting image simultaneously did and did not exist, as cameras did not exist during the 18th century but the photograph most certainly did. The Bureau's official stance is that Cameradoxes are a malfunction of the camera's internal clock and not a genuine error in the fabric of spacetime, as a genuine error in spacetime would require a proper response.
Cameras are, as basic common sense has established, incapable of holding beliefs, being assembled out of plastic, glass, and circuitry with no more ability to believe than a toaster. The fact that a camera's unfounded belief has, on occasion, resulted in a photograph with incorrect metadata does not serve as evidence that time has made a mistake. It is, rather, evidence that the camera has malfunctioned, and a malfunctioning camera is a matter for repairmen, not the Bureau of Ontological Consistency.