Enn's Lair

:3

[illwilledomen]

You are the player. Wake up.

[drawnsnake]

The chicken jockey: A gigantic, hyper-aggressive beast of a chicken with a lightweight rider controlling it, typically a baby zombie. It becomes docile once the jockey is removed, but this is difficult to accomplish because at this point you're basically fighting a knife-wielding dinosaur.

(Yes I got inspired to draw this because of the movie meme)

[illwilledomen]

Illager women

[xyl4-4444]

Dumping these doodles bcus Twilight Forest is STILL a GOATED Minecraft mod

[illwilledomen]

Alex and Steve

[ennslair]

this is the cutest thing ever

[jayceispathetic]

CW: Semi-cartoony (idk what I describe my style as) gore

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Steve found out that pillagers had raided his home village and taken some of the golems as captives. Despite warnings from the cleric, he decided to take things into his own hands.

Plus alts!

[jayceispathetic]

Some Minecraft AU Doodles

Steve and Alex (Beardless and Bearded)

First Encounter

Plus Pillager drawing + Ravager doodle. Basically it's a big abomination of villagers mixed with cows, rhinos, and other miscellaneous animals. Yuck.

[teachii2alt]

erm

[illwilledomen]

Let’s have a look at you.

[illwilledomen]

Undead pt 1

This one is a redraw of an older piece from October.

[fribblr]

been playing w/ a herobrine mod

[villainsbane-official]

Villainsbane! There's around 2-3 artists who have drawn her more than twice and I'm currently striving to be one of them. I WILL be drawing her every opprotunity I get

[sfoerart]

typical day of the order of the stone

[teachii2alt]

@illwilledomen's Steve and Alex design doodles again, they're so fun to draw 🥺

[sfoerart]

typical day of the order of the stone

[ennslair]

this is actually the best thing ever ?!

[hey-im-zeesha]

i can't believe my very first art post here is minecraft story mode shitpost

[everyframeapainting20]

Miyazaki’s visual storytelling thrives on a sense of flatness that doesn’t diminish but rather enriches his worlds. By compressing the layers of his compositions—merging the foreground’s details, middle ground’s action, and background’s context—he crafts images that feel like living illustrations. Take the Warawara swarming with dishes in "The Boy and the Heron" or the jubilant feast scene in "Spirited Away" : both are packed with vibrant details, yet the visual plane feels collapsed, like a tableau unfolding all at once. This "flatness" isn't a flaw but a deliberate technique, pulling us into the frame as if we’re unrolling a scroll of visual wonder. It’s not depth that Miyazaki aims for—it’s a sheer density of storytelling in every frame, a reminder that 2D animation’s strength lies in its ability to immerse without imitating.