GIUSEPPE PENONE

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GIUSEPPE PENONE
Learning to Think, installation by Antony Gormley
JONATHAN LATIANO
Chris Corales. Nook Variety, ca. 2005.
mixed media
Accumulation obsession !
Madison avenue, 1962, Arman.
Arman est obsédé par la répétition depuis ses débuts. Ca commence par des œuvres réalisées à partir d’empreintes répétées , dessinées avec des parties d’instruments de musique, musique qui au lieu d’être un son devient langage plastique.
Ce sera le “leitmotiv” pictural de l’artiste : traduire des objets produits en série en matériau plastique pour créer une œuvre unique. Le recyclage artistique d’objet de grande consommation : voila le concept qui a fait le tour du monde depuis et a renouvelé le langage pictural de l’époque.
“Madison Avenue” est le motif répétitif créé par l’accumulation d’escarpin et qui rappellent le claquement des talons sur le trottoir de ce lieu mythique de Manhattan. Voila la répétition du mouvement mêlée à la répétition du son. Pourtant ces objets de prêt à porter vendus en masse sont pris et empilés dans un volume rappelant la vision d’objets amoncelés dans une poubelle. On passe d’objet mythique à objet rébu.
Beaucoup y verront une allégorie des fondements productivistes et économiques de l’entreprise. Certains, les fantômes des horreurs de la 2nd guerre mondiale.
Karla Black Principles of Admitting 2009
Hugh Hanley. Brier Patch, 2018.
six carved school desks, salvaged wood
Light installation at Ofelia Plads, Copenhagen. An interactive light installation, that brings music and art together through motion sensors.
whuuuuut.
Borna Sammak | Not Yet Titled (Couch) at JTT, 2018
Rachel Lee Hovnanian at Leila Heller Gallery
A huge, flawless bar of soap in Carrara marble acts as an icon of purity in Rachel Lee Hovnanian’s current solo show at Leila Heller Gallery. The third in a series of consecutive exhibitions by the artist at this Chelsea gallery, the show encourages introspection and the chance to ‘clean up’ some mental baggage. Assistant by gallery staff, a visitor can write down something (s)he’d like to eliminate from her/his life on one of the cast plaster soaps stacked against the gallery wall, then smash the soap with a mallet. (On view in Chelsea through July 20th). Rachel Lee Hovnanian, PURE Marble Large, carrara marble, 15 x 10 ½ x 3 ¾ inches, ed of 8, 2018.
rebecca horn
Rebecca Horn, Cutting Through the Past, 1992-93, 5 doors, metal shaft, motor
MAX BLOTAS - “Crystal Clear / eau de roche” #2017 - #eau , casier #PMMA, pompe d’aquarium, #caméra #infrarouge (LED intégrées), Raspberry Pi, moniteur LCD 15 pouces et moniteur cathodique 11 pouces #uniquepiece @molincorvogallery @maxblotas . . Max Blotas construit des systèmes qui questionnent le régime même de production et d’existence des images. Dans ses installations les objets produisent de façon autonome des flux de réalités parallèles, filmés en direct. L’artiste créé des systèmes dynamiques complexes qu’il distord. Ces nouveaux espace-temps indépendants rendent concrets les liens invisibles du réseau grâce aux décalages plastiques qui interviennent dans la réception des images. Ces simulacres sont pourtant toujours vrais. Ils précèdent le réel, et laissent entièrement intact le principe de la réalité, ne troublant que sa perception virtuelle. . . Max Blotas builds systems that question the very regime of images production and existence. In his installations, the objects independently produce streams of parallel realities, filmed live. The artist creates complex dynamic systems that he distorts. These new independent space-times make the invisible links of the network concrete thanks to the plastic offsets which intervene in the reception of the images. These simulacra are, however, always true. They precede the real, and leave the principle of reality entirely intact, disturbing only its virtual perception. . . #art #contemporaryart #installation #video #hand #whater #camera #infrared #eauderoche #pmma #artist #artwork #culture #artlove #artcollector #videoinstallation #mouvement #led (à MOLIN CORVO Gallery)
Navid Nuur Tentacle Thought nr: 4, 2008 Frans Hals Museum, Haarlem
Para-Production by Ni Haifeng (倪海峰). 2008-2012. Installation.
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Ni Haifeng’s Para-Production debuted at the Beijing Joy Art Space in 2008. The set-up consists of shredded textiles and antique sewing machines, with speakers playing music in the background. The above photographs are taken from the 2012 Manifest 9 reproduction in Belgium. Reflecting upon what Ni calls the “‘Made in China’ phenomenon,” the artist examines the nature of labor and manufacturing. The textile scraps form a cascading tapestry of consumerist waste. Ni’s faux production process imitation invites visitors to engage in the unpaid labor of piecing together the flowing wall of waste product. Made of social collaboration and a journey from Beijing to Genk, the life of this piece redefines the value of capital in an era of globalization. A graduate of the Zhejiang Academy of Fine Arts (now known as the China Academy of Art), Ni Haifeng is a multimedia artist based in Amsterdam and Beijing. Ni’s goal is to subvert the “dominant economic order” and his works have been exhibited throughout both Asia and Europe.
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