dirt enthusiast

@theartofmadeline
d e v o n
art blog(derogatory)

⁂
"I'm Dorothy Gale from Kansas"
RMH
One Nice Bug Per Day
DEAR READER
almost home

祝日 / Permanent Vacation
Alisa U Zemlji Chuda
Not today Justin
YOU ARE THE REASON

No title available

Kaledo Art
Stranger Things
ojovivo
No title available
taylor price
seen from United States
seen from United Kingdom
seen from United States
seen from United States

seen from Malaysia
seen from United States
seen from France
seen from Israel

seen from Italy
seen from United Kingdom
seen from United Kingdom

seen from United States

seen from United States

seen from Malaysia
seen from United States
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seen from Singapore
@enter-the-void-santkp
Bilinda Butcher (my bloody valentine).
Todo lo que yo busco tiene la misma trama, un orgasmo primero, luego un fusil que nos mata
Tienes la mirada colorada de entropía
Nos separa tanto de nuestro amor
..todo lo que ves o es
como la imaginación
se junta con total interferencia..
Andrei Tarkovsky’s final Soviet feature is a metaphysical journey through an enigmatic postapocalyptic landscape, and a rarefied cinematic experience like no other. A hired guide—the Stalker—leads a writer and a scientist into the heart of the Zone, the restricted site of a long-ago disaster, where the three men eventually zero in on the Room, a place rumored to fulfill one’s most deeply held desires. Adapting a science-fiction novel by Arkady and Boris Strugatsky, Tarkovsky created an immersive world with a wealth of material detail and a sense of organic atmosphere. A religious allegory, a reflection of contemporaneous political anxieties, a meditation on film itself—Stalker envelops the viewer by opening up a multitude of possible meanings.
STALKER
Films by Andrei Tarkovsky
Ivan’s Childhood (Ivanovo detstvo) 1962, dir. Andrei Tarkovsky.
Las Imágenes - Pánico
Illa - La Máquina Camaleón
by writer/storyboard artist Steve Wolfhard
from Steve:
“In honour of the AT finale getting nominated for an Emmy, here’s some headcanon that I’ve been holding onto for a while. I had the idea that when Jake eventually passes away he’d start growing uncontrollably, sort of like how a dead body can let go of its bowels.”
No me siento parte de ninguna parte en ninguna parte.