Memento mori

[femaleintimacy-deactivated20210]

[enter-the-void-santkp]

[shannon-waves]

Bilinda Butcher (my bloody valentine).

[buingu]

[enter-the-void-santkp]

Todo lo que yo busco tiene la misma trama, un orgasmo primero, luego un fusil que nos mata

[enter-the-void-santkp]

Tienes la mirada colorada de entropía

[enter-the-void-santkp]

Nos separa tanto de nuestro amor

[infrarealismo]

[tu-forma-real]

..todo lo que ves o es

como la imaginación 

se junta con total interferencia..

[criterioncollection]

Andrei Tarkovsky’s final Soviet feature is a metaphysical journey through an enigmatic postapocalyptic landscape, and a rarefied cinematic experience like no other. A hired guide—the Stalker—leads a writer and a scientist into the heart of the Zone, the restricted site of a long-ago disaster, where the three men eventually zero in on the Room, a place rumored to fulfill one’s most deeply held desires. Adapting a science-fiction novel by Arkady and Boris Strugatsky, Tarkovsky created an immersive world with a wealth of material detail and a sense of organic atmosphere. A religious allegory, a reflection of contemporaneous political anxieties, a meditation on film itself—Stalker envelops the viewer by opening up a multitude of possible meanings.

STALKER

[girlwithamovieblog]

Films by Andrei Tarkovsky

[hirokazukoreeda]

Ivan’s Childhood (Ivanovo detstvo) 1962, dir. Andrei Tarkovsky.

[radio-cocoa-blog]

Las Imágenes - Pánico

[radio-cocoa-blog]

Illa - La Máquina Camaleón

[kingofooo]

by writer/storyboard artist Steve Wolfhard

from Steve:

“In honour of the AT finale getting nominated for an Emmy, here’s some headcanon that I’ve been holding onto for a while. I had the idea that when Jake eventually passes away he’d start growing uncontrollably, sort of like how a dead body can let go of its bowels.”

[evilbjork]

[abstractivo]

No me siento parte de ninguna parte en ninguna parte.