Short we did for Népszámlálás 2021 campaign.
Talents: Tóth Krisztina, Vígh Emese, Olasz István DoP: Angyal Gábor 1st AC: Kovács Krisztián 2nd AC: Zuzana Jacková Gaffer: Hugo Cincala Audio: Maros Oláh Set: Korpic Gertrud Mária
Peter Solarz

blake kathryn
TVSTRANGERTHINGS
Lint Roller? I Barely Know Her
NASA
Sade Olutola

JBB: An Artblog!

Andulka
todays bird
hello vonnie
Mike Driver

Origami Around
No title available

ellievsbear
dirt enthusiast
Keni
noise dept.
Three Goblin Art
Not today Justin

No title available

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@epixstudio
Short we did for Népszámlálás 2021 campaign.
Talents: Tóth Krisztina, Vígh Emese, Olasz István DoP: Angyal Gábor 1st AC: Kovács Krisztián 2nd AC: Zuzana Jacková Gaffer: Hugo Cincala Audio: Maros Oláh Set: Korpic Gertrud Mária
Few BTS photos from the shoot we did for Jókai Színház.
DoP: Angyal Gábor 1st AC: Fóti Dávid Grip: Erik Gemeri
Some more BTS by Kovács Krisztián
Some photos of our first two days of the “Visit Danube” shoot (August 2019).
Photos by Kovács Krisztián
BMPCC 4K RAW Vs. Panasonic S1 V-Log
I just did a quick test to see how the cameras are handling daylight. Please keep in mind that I did not lit this scene, it’s just a quick test to see their behaviours and the ability to push their image.
Setup: BMPCC 4K + Panasonic 25mm MFT lens @f1.7, 4K DCI, BMD FILM Panasonic Lumix S1 + Samyang 50mm @ T2.5, 4K, 10bit 4:2:2, V-Log
Here are my first (not professional) toughts:
Both cameras were set to 5500K, still the Pocket 4K was much-much warmer than the S1. I had to dial the temperature down to 4100 in Resolve to match them together. I had this issue before when I was trying to match some URSA Mini G2 shots with the Pocket 4K, they had the same color temp. setting, yet the still looked a bit different.
Straight from the camera it was easier to work with the log than with the raw, yet the raw’s possibility to dial in options in post is priceless.
The two cameras are having very different highlight rolloff and (i did not measured it but) it seems like the S1 has a bit more dynamic range. The Log container is also very different from the BMD Film container. Play with the footages and see for yourself.
From what I saw so far, i pretty much like the S1′s image. He will be a great company to the Pocket 4K.
I tried to match the two images together, I’m not a colorist and it was a quickie, so please do not take this post as a professional reference :) Also, this was my first test with the two cameras, probably more to come. Feel free to download the footages from my google drive »
Shooting on the fields be like: mosquito bloodbath :D
Phoenix RT klippremier vasárnap este! Két hétvégén keresztül forgattuk, egy hónapos aktív előkészülettel, anamorfikus lencsével, 4K-ban. Lesz benne minden, komolyan!
Starting of the new year with these two great pieces of gear: DJI Ronin S & Tilta Nucleus Nano wireless follow focus.
Our new documentary was screened in 30 cities! Due next year it will be available on youtube. The picture is from the premiere in Komárom @ Tatra Cinema.
The premiere timeline for our upcoming documentary
Had a shoot for TaeKwonDo Academy Slovakia. Rough stuff with power breakings, sparing and self defence!
My pleasure, thanks folks!
BC Knives Streetball Cup 2018
Still from the upcoming music video which is probably going to be released next week!
Just shot a short workout commercial at Komárom and the colors are like in a Hollywood movie!
Check out some new screens from our latest interview shoots!
Check out Hybrid Log Gamma on GH5 with these awesome colors.
Two screens from the yesterdays video shoot. Everything was shot into V-log, graded (and grained) in Adobe Premiere.