_forEr0s/sinAngels

Reblogging like we used to go picking flowers

[myplaceofsafety]

To see a world in a grain of sand And a heaven in a wild flower, Hold infinity in the palm of your hand And eternity in an hour.

Auguries of Innocence by William Blake

[unusual-suspects]

sophia rapata

[cosmonautroger]

William Blake

[mem0k00]

THUS, THE ARTISTS WHO CRAVED THE POET’S LIFE NOW LIVE AS GUTTED, EMACIATED BODIES, WITH NO VOICE LEFT TO SHOUT THAT REBELLION IS TODAY, LIKE SPOILED KIDS WITH ABUSIVE PARENTS. ALL YOU HAVE LEFT ARE SUBVERSIVE WORDS WRITTEN ON FILTHY, DESIGNER T-SHIRTS. YOU HAVE EVERYTHING SO WHY COMPLAIN ?

[syring3]

[syring3]

[amberkendslacy]

[mem0k00]

sea waves and snowflakes

[dreams-of-the-isolated]

in the field of dreams

[syring3]

[syring3]

[mem0mem0k00]

Visualizer for the first level of mem0.

I've been thinking about ways to enhance the visual experience online, especially for small screens like our phones. On a computer screen you really get to dive into the scenery, and as soon as it's posted on social media — Instagram and all — it loses its spark.

But I remembered how it felt to customize my old Skyblog. It wasn’t just about throwing out information that gets lost on a friend’s feed. Having a blog gave context to the information — the incipit of your very own universe, where you could see the implication of the author.

This implication, through customization, gave context — and somehow, a way to care about the content experience. It’s like putting a frame you crafted on a sunny afternoon around a pic you love. In a way, you love your content so much that you share it with a personal touch that took time to make — instead of just throwing out information because it’s faster...

[70sscifiart]

As a kid, I spent quite a while staring at my family's tattered paperback cover for Lloyd Alexander's The High King, the fifth and final book in the high fantasy kid's book series 'Chronicles of Prydain.'

It's a visceral scene that pulls the viewer in like any cover should. Check out the fear in those bugging eyes. The ligaments of the knee. The ligaments on that Couldron-born zombie's neck. A lot of ligaments in this one! This image may have been my childhood introduction to the concept of ligaments.

The artist is the Belgian illustrator Jean-Léon Huens (1921-1984).

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[bestiolin]

[syring3]

[christiandiorhypnoticpoison]

Crimes of the Future (1970)

[architectureofdoom]

Ontario Science Centre, Raymond Moriyama, 1966-69

[worldsandemanations]

Man Ray, The Eye That Sees Everything, 1919.