Mike Driver
occasionally subtle
Xuebing Du

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Misplaced Lens Cap
Aqua Utopia|海の底で記憶を紡ぐ
will byers stan first human second
Stranger Things
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taylor price

Product Placement
Peter Solarz
he wasn't even looking at me and he found me
d e v o n
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dirt enthusiast

Origami Around

Kiana Khansmith

PR's Tumblrdome

tannertan36

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@ereshkigal
Did anyone else read A Great and Terrible Beauty when they were younger?
a great and terrible beauty by libba bray
“Shall I tell you a story? A new and terrible one? A ghost story? Are you ready? Shall I begin? Once upon a time there were four girls. One was pretty. One was clever. One charming, and one…one was mysterious. But they were all damaged, you see. Something not right about the lot of them. Bad blood. Big dreams. They were all dreamers, these girls. One by one, night after night, the girls came together. And they sinned. Do you know what that sin was? No one? Pippa? Ann? Their sin was that they believed. Believed they could be different. Special. They believed they could change what they were–damaged, unloved. Cast-off things. They would be alive, adored, needed. Necessary. But it wasn’t true. This is a ghost story remember? A tragedy. They were misled. Betrayed by their own stupid hopes. Things couldn’t be different for them, because they weren’t special after all. So life took them, led them, and they went along, you see? They faded before their own eyes, till they were nothing more than living ghosts, haunting each other with what could be. With what can’t be. There, now. Isn’t that the scariest story you’ve ever heard?”
Emily Lind as Cadence Sinclair in We Were Liars + Outfits In Season 1 (2025)
remmick and the vampires present a false dichotomy
Hogwood (the man who sold the twins the mill) and the KKK are very obviously bad, they are outright malicious bigotry, they use the n-word and plan to lynch the moore's and their community, they are so blatantly racist and hateful it's unavoidably obvious
remmick and the vampires however say that they believe in equality, say that they want to create a community, and yet remmick's goal throught the movie is to both metaphorically and literally steal sammie's ability for his own goal of reconnecting with his irish ancestors, a white man wants to harm a young and upcoming black man and use talents for his own goals without giving any regard to said black man's autonomy or agency
when sammie sings 'I lied to you' in the juke joint and calls forth the spirits from the past and future, it's a blend of cultures; west african, east asian, native american, and african american song and dance blend together across time and space to tell the stories of blues; where it takes its inspiration from, the music genres it then inspired, the complex history of black american culture and its intersections with other peoples of colour in the USA
when remmick and the vampires kill and turn the people in the juke joint, and then perform rocky road to dublin, only remmick's irish culture is on display, there is no influence from the black and asian people he has forcibly assimilated into his song, it's juxtaposition with the earlier scene is blatant, remmick is more than happy to assimilate people of colour into his 'community' of 'equals', and yet its only whiteness that is celebrated, that is normative
remmick claims that he's doing people a favour by turning them immortal, conviently ignoring that he literally has to suck the life out of them to do so, trapping their spirits on earth, he claims that he's the good guy, that the KKK were gonna come and lynch everyone at the joint in the morning anyways, conviently ignoring that he's doing the exact same thing; a white man leading a mob to kill a bunch of black people
in the final confrontation with sammie remmick repeatedly dunks him into the river, a forceful baptism. both the celtic irish and enslaved west africans had their religions suppressed and destroyed by colonialsm, had christianity forced upon them by the british empire, and in that scene we see remmick repeating that cycle, using christianity to inflict harm, and sammie reclaiming christianity, despite all the complex emotions he has arround it, as many colonised peoples have and still do, when he recites the lord's prayer
remmick and the vampires are no less racist than hogwood and the KKK, are no less predatory or evil, they're just less blantant about their bigotry, they represent the system, the normalised white supremacy that is seeped into the very foundation of culture in america, the point isnt that remmick would call any of the black characters in the movie the n-word, i dont think he would, the point is that his exploitation and desacration and inserting-himself-into-when-he-wasn't-invited of the juke joint is a microcosm of what white people have done to black american arts and culture since ever since there have been black and white people in america, and even before that
theres a reason vultures are shown early on in this movie
WUNMI MOSAKU as ANNIE SINNERS (2025) dir. Ryan Coogler
The Lamb by Lucy Rose
“We are what we eat, Mama always said. I wondered if it was worth the fuss of making them feel loved if we were only going to pull them apart in the end.”
doomed yuri (I pour my leftover emotions and doomed lesbian songs into a cup, shake it, turn it into a milkshake, and slap it into my notes app to write it)
what a season finale!
See you at the Equator
22/100
Spiritbox // Perfect soul
Cygnus - palazzo Farnese, sala del Mappamondo
Takato Yamamoto: Fall in Love (1997)
Lewis Baumer (British, 1870-1963)
Confidences; Illustration from The Tatler, 1923
Shoutout to my favorite behind the scenes pic
"came back wrong" but it's from work
This is just the plot of severance