Alehop!

◠ᴥ◠

[mil4n0]

[erizonaranja]

Minino hermoso, te despides de los tejados de Madrid y te marchas al cielo para seguir explorando. Siempre en nuestra memoria ♥️ (en Madrid, Spain) https://www.instagram.com/p/Cis7fIRj1RZuubTbHj2q4Sin4aYT3mnJtBW5Vo0/?igshid=NGJjMDIxMWI=

[bk-poetry]

Inside Beauty, daily render i did by Nalyk1010

[erizonaranja]

Esta maravilla cumple 10 años. #totallifeforever #spanishsahara #foals (en Total Life Forever) https://www.instagram.com/p/CAA0Kc6qlBF/?igshid=cz3pq4oom0r3

[evanrude]

[blackbitchenergy]

This was so fucking satisfying to watch

[bobmarleysama-deactivated201812]

Doooope

[goodnightnite]

[erizonaranja]

Dolores Mary Eileen O'Riordan (Ballybricken, Limerick, Irlanda, 6 de septiembre de 1971 - Londres, Reino Unido, 15 de enero de 2018) (en Palacio Vistalegre)

[mickeyandmumbles]

Have you ever been in love?

[erizonaranja]

David Luna

por Valero Rioja.

2013.

[erizonaranja]

Make me feel something. Show me that I'm human #querencia #attachment #fondness (en Madrid, Spain)

[erizonaranja]

Redención. Por @bloodygold

[erizonaranja]

De @ynnsphilippakis para mí. ❤️ @foals (en Mad Cool Festival)

[erizonaranja]

Davidelfin. Siempre inspiración para nuestras Trisesiones. Junio 2012. #davidelfinforever #davidelfin #davidelfinforever🐬

[erizonaranja]

Diego David Domínguez González. (Ronda, 2 de noviembre de 1970 - Madrid, 3 de junio de 2017). #davidelfin #davidelfinforever #davidelfinforever🐬 Foto: Álvaro Ortiz

[huestockholm]

[grupaok]

Glenn Ligon, Give us a Poem (Palindrome #2), 2007

“Glenn Ligon made this neon piece […] in 2007, and I saw it a little while back on the wall of the Studio Museum in Harlem, where it’s part of the permanent collection. The work is built around an incident that occurred at Harvard in 1975, when Muhammad Ali had just finished a speech and a student in the audience asked him to improvise a poem: ‘Me/We’ was the pithy verse Ali offered. Even then, at the height of the Black Power movement, it was an intriguingly opaque statement that could have been read as a gesture of solidarity between the black boxer and his white audience, or as an underlining of their difference. In Ligon’s work, the two words become a visual palindrome, of sorts – symmetrical top and bottom – and alternate being lit (white) and unlit (black), which just increases the tension inherent in them. In 2014, in a museum in Harlem, it strikes me that the tension is between the artist and the audience he addresses – with the issue of race still there, but now wrapped up in larger issues of aesthetic communities and the class, and color, they imply." Blake Gopnik, The Daily Pic