The Backfire Effect
(2017)
125 x 200 cm
oil and ink on linen

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@esiri-essi
The Backfire Effect
(2017)
125 x 200 cm
oil and ink on linen
Letting the cat out of the bag
(2017)
200 x 155 cm
oil, ink and xerox transfer on linen
Everything is Illuminated (and Declining in Value)
(2016)
170 x 130 cm
Oil, ink and xerox transfer on canvas
The Pseudo Sacrifice
(2016)
135 x 200 cm
oil and ink on canvas
Keep Your Eyes Peeled
(2016)
200 x 240 cm
Oil, ink and xerox transfer on canvas
Moonage Daydream
(2016)
200 x 170 cm
Oil, ink and xerox transfer on canvas
Take with a Pinch of Salt
(2015)
145 x 190 cm
oil, ink and xerox transfer on canvas
Ticket to Ride
(2015)
145 x 180 cm
oil, ink and xerox transfer on canvas
The Lost Art of Keeping a Secret
(2015)
135 x 175 cm
Oil, ink and xerox transfer on canvas
Anaborhi (Threading)
(2015)
70 x 50 cm
oil on canvas
Part of my series entitled: 'Encyclopedia of Hair: Traditional Hairstyles'
Source image is from a photo essay photographer Eliot Elisofon did for Life Magazine in 1972.
Onajite (Bantu Knots)
(2015)
70 x 50 cm
oil on canvas
Part of my series entitled: 'Encyclopedia of Hair: Traditional Hairstyles'
Source image is from a photo essay photographer Eliot Elisofon did for Life Magazine in 1972.
Oghenetega (Threading)
(2015)
70 x 50 cm
oil on canvas
Part of my series entitled: 'Encyclopedia of Hair: Traditional Hairstyles'
Source image is from a photo essay photographer Eliot Elisofon did for Life Magazine in 1972.
Efeturi (Hair knotting with thread)
(2015)
70 x 50 cm
oil on canvas
Part of my series entitled: 'Encyclopedia of Hair: Traditional Hairstyles'
Source image is from a photo essay photographer Eliot Elisofon did for Life Magazine in 1972.
Aggressive Politeness (For Emory)
(2015)
200x190 cm
oil, ink and xerox transfer on canvas
Stop Me If You Think You've Heard This One Before
(2015)
165 x 200 cm
oil, ink and xerox transfer on canvas
The Conversation
(2015)
170 x 200 cm
Oil, xerox transfer and ink on canvas
Painting is loosely influenced by the Surinamese writer Astrid Roemer’s ‘drieling’ trilogy, and Marcel Camus’s 1959 film 'Orfeu Negro (Black Orpheus)’
Shakara
(2015)
170 x 120 cm
Acrylic ink on canvas
Painting is loosely influenced by the Surinamese writer Astrid Roemer's 'drieling' trilogy