Once the wall of text ends - the downpour of compliments slipping from a set of beard-framed lips - the only thing Kim does is to stare at his colleague in bewilderment, which even goes as far as replacing any hard-boiled, carefully collected composure that usually keeps his expression delightfully neutral, unreadable by lost individuals facing him. Brown eyes are wide open, brows lifted away from behind the dark rims of his glasses, a set of full lips slightly parted as the cogs behind his receding hairline turn and grind together, trying to get a grasp on what had just been said toward him.
Sure, Harry isnât the first one to throw a compliment at him - but at the same time, it almost never happens. When it does, the Lieutenant is skilled in deflecting, shrugging it off, choking the moment before it can develop into something that will make things awkward to begin with - it feels much easier to deal with blatant offensiveness at this point of his life, racism and homophobic slurs directed at his frame, his visual appearance, his glasses, rather than genuine, well-meant compliments.
This moment pushes Kim into uncharted territory - one heâs stepped into before, but only briefly, and then pulled back while closing the doors behind himself to make sure that heâs not going there again anytime soon. He has seen and experienced things in there that he doesnât want to remember, doesnât want to deal with, keeps hidden inside the depths of his mind as unreachable memories, locked behind thick bars of iron willpower.
The worst thing is that Kitsuragi knows that his partner is being genuine about the whole thing - but mentioning his past, assuming his younger self to have been desirable (âI can only imagine how smokinâ you must have been back then!â) while praising his current self in the very same sentence, it creates a dangerous mixture of emotions within the Lieutenant that Du Bois cannot have any knowledge about, and therefore does not do on purpose.
Because he has no idea. He doesnât know what it has been like, back then, and he also doesnât know what it feels like right now, at the ripe age of 43.
Kimâs ears burn in a mixture of shame, embarrassment, sheepishness and bad memories that start to gnaw at his very existence - they must be glowing at this point like a red signal, cutting through the muted browns, grays and greens of their surroundings. There is no place to hide, no chance for Kitsuragi to stop it from happening, and he feels his own lips pressing together into a fine line after half of an eternity seems to have passed between the two men.
His hands twitch - desperate to move the whole of his arms, wrap them back around over his chest, but he straightens his spine instead. The anger that boild up behind his sternum is kept down by lungs filling themselves with air, through his flared nostrils, an act of self-control, the need to fight himself hard, to keep his emotions as bottled up as somehow possible.
⊠He wonders how much of this Harry can actually see - heâs a can-opener, after all, reads people like open books, and the Lieutenant supposes that he does something like that right now as well, trying to figure his new partner out, get to the most intimate bits of his existence, slowly unwrapping them layer by layer, leaving him stark naked in the middle of nowhere.
Part of Kim feels mortified, on top of it all.
His adams apple bobs as he swallows. Fingers curling into tight fists so hard that he feels his fingernails digging into his palm through the layer of leather wrapping around his digits.
There is a lot he could say to this - but also nothing at the same time. Kimâs mind feels blank in the most horrific way, while overflowing with things that could be thrown out into the air between them easily, and it leaves him feeling incredibly vulnerable, helpless and out of control. By Dolores Dei, the Lieutenant hates the state he is in, the fact that Harry has done this out of good-will and the need to get to know more about him, not because he genuinely wanted to hurt the other in any shape or form.
Heâs very aware of that.
The compliments speak for themselvesâŠ
ââŠâNothing about me has ever been âsmokingâ, Officer.â, is what somehow, finally manages to slip from his tongue, his voice even and calm despite the fight thatâs happening inside Kim, the fire that burns through the mess of raging sensations, trying to kill them off before they can become too much.
âAnd no one has fallen to their knees to âget a shot with meâ - not in that sense. Not back then. I was a scrawny, lanky kid, barely reaching above 170 centimeters - a binoclard with foreign features on top of that. Some called me yellow, some called me exotic, and others asked what it feels like to âfuck monkeysâ.â
A pause follows his spoken words - one that makes Kitsuragi realize that he may has overshared here, the weight of them causing memories to reach through toward his consciousness. Kidsâ laughter, a rhythmic sing-song of profanities and slurs, a fist coming down on top of a wooden table with so much force that the plate filled with brown oatmeal shakes from the impact.
It is then that a set of dark brown eyes finally slip away from the Detectiveâs features, accompanied by the Lieutenant turning around - awkward, evading the look heâs given, showing off his shoulder rather than his vulnerable front as a set of gloved fingers moves and pushes his glasses back along the curve of his nose.
Though most of what he did to become known as âthe human can openerâ was accidental. Either his so-called âcop instinctâ or his limitless, persistent curiousity that while useful in pursuing even the tiniest of leads make his method of detective work even less comprehensible to others than it already is. He definitely doesnât try to suppress it. Because, deep down, heâs actually really proud of getting to throw people off just by talking at them for a while. Saying whatever comes up in him and watching the confounded faces follow.
It isnât often that he gets to experience that with Kim. That something he says throws him off so much that itâs actually visible beyond that stone faced mask of his. Heâs proud of it for about 2 seconds, until Esprit De Corps notes that, actually. This is definitely not the good kind of thrown off.
And then the words come. Itâs rare for Kim to open up like this. Especially about something like that. His childhood. The trauma of living like he has. In the world that they do. Something that Harry has no way of even starting to comprehend. Heâs never experienced anything like what heâs saying. Heâs been insulted before, of course. But heâs never been made to feel like heâs not at home on the Isola he was born on just for his features. But he knows how cruel kids can be. Knows that they simply repeat what they hear around them without much understanding of what their words actually mean beyond being the most hurtful thing they can think of.
And he doesnât need to relate to the lieutenantâs experience to see how much it has hurt him. How much itâs still hurting him. The idea that Kim sees himself differently to how Harry sees him is one that is weird to comprehend. But now itâs obvious.
It doesnât make him back down. If anything, he takes it as a challenge.
Empathy gives its insight, however accurate it may be. He still carries them with him. The insults. Theyâre absurd and blatantly racist, but if something is repeated at you enough times itâs hard to ignore it. Whatever you do, donât pretend like you understand.
Before he can think better of it he wraps the smaller man up in a heartfelt bearhug. Still ready to back up if the lieutenant protests it. â Kids are stupid . This whole world is fucked . â He mutters. The surprise that was obvious on his face before the hug is still present in his voice, but thereâs resignment there too. A silent apology.Â
When he pulls back, his expression has changed into something sheepish. â I may not know a lot - â He starts, a small chuckle accompanies the words before he turns more serious. â But I know no kid deserves that shit . Especially not you . â
â Youâre the best Revachol has to offer , lieutenant Kitsuragi . â