what can I say. liam obrien characters be loving men, processing grief, and loving their friends.
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Love Begins
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Aqua Utopia|海の底で記憶を紡ぐ

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Jules of Nature
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EXPECTATIONS
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"I'm Dorothy Gale from Kansas"
Keni

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what can I say. liam obrien characters be loving men, processing grief, and loving their friends.
Halt! Have some orcs! 🫴 Okay you can continue
Dead wife montage but it's all slow motion shots of your dead wife throwing grenades and doing backflips and oneshotting the enemy with their long range weapons
The Soldiers | The Seekers | The Schemers
The soldiers as tarot cards.
The Soldiers | The Seekers | The Schemers
The Soldiers | The Seekers | The Schemers
[id: four art pieces of the seekers table, depicting them as different tarot cards. thaisha is the empress, drawn standing in the woods with a gate behind her pointing emphatically back towards it. vaelus is the high priestess, drawn holding the stone of nightsong in front of a stained glass window. julien is the tower, his rapier drawn and his hair and cape blowing around him, with cracked ground and mountains behind him. occtis is death, drawn with his heart in one hand and green magic in the other, standing in front of a background of smoke and shadows as his eyes glow eerily. end id.]
nerd duo
Every time I think Caleb’s gonna make it through a combat scene the poor dude gets one shot 😭
I've been thinking about this for a while, but there's something in how easily Occtis can be read as a rape survivor. Like, he's the victim of a crime in which his bodily autonomy was violated by someone he should have been able to trust because someone wanted to use his body for their own purposes and goals with zero regard to the fact that that body had a full person attached to it. The act itself involved him being held down and strangled so that Ethrand could more easily do to him what he wanted to do. Ethrand literally reached a hand into his torso to leave the Stone of Nightsong there before ripping out his heart, and Brennan narrated that Occtis felt all of that. And all those things are now something he has to live with the consequences of.
As a result of his murder Occtis' life has sharp delineation of Before and After with After being defined by his relationship to his own body being radically altered. He feels, in his undead state, both more consciously aware at all times what his body is doing and also more detached from it. Despite loving food while he was alive not only can he not taste food at all now but the results of trying to eat it anyway are decidedly unpleasant. As a result of happened he also can't sleep anymore. This is reflected in his understanding of his sense of self as well, when Thimble asks him if in spite of everything he is still himself he hedges, and says that he is as far as he can tell. There's also the fact that as part of what happened something -his heart specifically- was quite literally taken from him. He continues on, but the fact his lost something so fundamental remains true.
There's also the multiple indications of what happened having been understandably extremely traumatic for him. He has visibly panicked responses to things that remind him of the event (his nervous reaction to Cyd mentioning that Ethrand was part of the group he saw heading to the Sundered Houses meeting; him briefly freezing after hearing ghouls on the other side of the aviary door). His instinct to keep himself hidden from his family while in public, which was already present during the Overture as a result of him realizing that if his violent abusive father found out he tried to help someone the family marked to die it would be bad for him, has also been reinforced by these events. Occtis is very careful to make sure he's not revealing his presence, even when doing so might be potentially helpful, because he's concerned his family will do something to him again if he isn't that careful.
There's also his conviction that if people find out what happened to him they're going to react to and treat him differently. He's constantly worried while encountering druids, even after the meeting in the Schongarten goes very well for him, because he fears they'll only ever see him as an undead, and therefore a threat, rather than as a full person who, due to circumstances mostly beyond his control, also happens to be undead.
Something can also be said for the absolute lack of regard Primus has for the severity of the crimes committed against Occtis under his orders. He starts the Sundered House meeting denying that anything happened, even when confronted with a letter in Occtis' handwriting claiming his family killed him, instead claiming the letter is a forgery meant to ruin his reputation. And when that falls apart he moves on to minimizing how terrible what he actually did was because there's more important things to worry about, and claiming that since Occtis had already betrayed the family he had to die anyway so really trying to use him to create an angel of death wasn't that bad at all. And although he is eventually brought to account for doing this the consequences amount to a slap on the wrist because he is wealthy and powerful to enough to make any more lasting consequences go away.
All these things cohere on the level of the text, because Occtis was literally murdered and that does have very literal consequences in the form of him being undead, both in terms of what that means for him and how other people relate to him. But when zooming out from that to try and apply understandings of what he's dealing with from our real world, where murder victims notably can't walk away from what happened to them, a rape is the clear analogue. Because it is a traumatic violation of body and autonomy that does change how you relate to yourself and others where the perpetrator, especially if they are wealthy and powerful, may get away with diminishing and denying what happened while the victim is struggling to cope and adjust, which is emotionally exactly what is happening to Occtis in the text at this narrative moment.
waiting for Caleb to finish a book
Caleb: five more minutes...
Caleb: *is reading the glossary*
Caleb:...
Art by @tshortik_
Druid of the Old Path 🍃
wip:]
would be remiss not to post my favorite animatic for c2, in honor of Refjorged Nein Again Day
i'm finally getting caught up on cr4 e31 and man. the clear influences of the player's real life culture in their characters (and in the worldbuilding in brennan's case) is amazing and adds such a richness. like thaisha is so clearly influenced by like. black american folk culture Especially with the orcish revolutionaries. idk if liam is irish but he's at least running with a lot of the irish american working class stuff brennan injected into the world in terms of the hal and the culture of the round. and azune's whole bit about not having anyone to speak his native language to and his disconnect to his own identity (diaspora narrative). i Love when real world cultures are reflected in fiction it's so good.
#and what Robbie is doing with Katt seems to be very much exploring the unchecked violence against native women and children in the USA
oh fuck you're right. you're totally right that's exactly the allegory.
#aabria has noted some direct links to african american culture - with thaisha's tattoos having gullah geechee and low country roots#(a tattoo called indigo fingers/elukami - intended to honor slaves on indigo plantations who developed extremity staining from the dye)#(and yes - lol as others have noted - liam is very irish - as is brennan and there is a lot of that influence there + with the fairies!)#something i've noticed about laura coming from a biracial background as well (with her being half white and half filipino)#is that same sort of diaspora narrative - of being away or disconnected from one half of yourself you don't know enough about#(which she's arguably done with all of her main CR characters to some extent) (with vex and jester being biracial as well!)#(with thimble - having no one else like her around her - with her having grown much more accustomed to city life with big folk)#(and potentially sometimes struggling to get along with or understand other fairies)#also! robbie not only addressing MMIW - but indigenous substance abuse issues + utilizing an atlatl as a weapon#(and azune bringing in mesoamerican quetzalcoatl mythology with the dragon - calling it coatl (iirc?) in his native tongue)#(which is the actual nahuatl word for 'serpent/snake') (or it was something similar to 'coatl' and was intended to be that)#it's so cool what a collaboration of cultures can do in storytelling and i love it so much#(sorry this got so long i think about it a lot ;o;)#critical role
sorry for copy pasting everyone's tags but i had no idea laura was biracial and that really contextualizes a lot about thimble and her narrative! and i saw aabria mention the tattoos but i forgot about kattigan's weapon and i didn't pick up on the ties to irl mesoamerican folklore. this campaign is fucking amazing and i love seeing all the little details that come from enriching the ttrpg space with real cultures (especially non white ones). it really heightens the storytelling.
All I can give you is my loyalty............. And I have great loyalty for you..............