[deformographyy]

[essuru]

Ossuary, Peru

[phreemessen]

[renaissance-art]

[essuru]

Jacques Iverny c. 1420

Hero and Heroine 

[leprincelointain-deactivated201]

[essuru]

Gustave Moreau (1826-1898),  La Licorne - 1885

[unhistorical]

[leprincelointain-deactivated201]

[essuru]

"La vie nous attend et la vie est une chose effrayante et incompréhensible. Il se peut que sa force terrible et impitoyable nous broie en broyant notre bonheur, mais même en mourant je dirai une chose : j’ai vu le bonheur, j’ai vu l’homme, j’ai vécu !"

Leonid Andreïev (1871-1919).

[magictransistor]

[essuru]

The Rosicrucian Emblems of Daniel Cramer. I Live, I Am Healed, I Am Endangered, I Am Crucified, I Meditate, I Am Redeemed, I Become Sweet, I Am Nothing, I Outweigh, I Build Myself Up (top to bottom). 1617.

[saveflowers1]

[essuru]

Art by Adolphe la Lyre (1894) - “Saint Cecily & Saint Valerian.”

[pre-raphaelisme]

[essuru]

Mary Magdalene Leaving the House Feasting by Dante Gabriel Rossetti, 1857.

[animus-inviolabilis]

[essuru]

Victoria. “Like Flames her Long Red Tresses Licked “

1892

Fernand Khnopff

[dead-throne-monarch]

[essuru]

St. Bride (1913),John Duncan

[paintingses]

Joan of Arc by Albert Lynch (1851-1912)

engraving from Figaro Illustre magazine, 1903

[animus-inviolabilis]

[essuru]

Jupiter et Sémélé (Jupiter and Semele)

Gustave Moreau

c. 1890 - 1895

[blastedheath]

[essuru]

Prosanto Roy (Indian, 1908–1973), Untitled. Watercolour on paper, 14¾ x 10¼ in. (37.5 x 26 cm.)

[fleurdulys]

[essuru]

The Sensitive Plant (study) - Frank Dicksee

[art-centric-deactivated20170317]

[essuru]

Montald - La Fontaine de l’inspiration

[ella-luci-bel-deactivated201509]

[essuru]

Armand Point, Eros