Hey!
Charlie Chaplin. The Great Dictator (1940). Benzino Napaloni & Adenoid Hynkel's doppelganger delirious salute miss
Napaloni makes me really crack Love the speech Timeless work of art
"I'm Dorothy Gale from Kansas"
ojovivo
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No title available

oozey mess
Show & Tell
dirt enthusiast

roma★
taylor price
Not today Justin
TVSTRANGERTHINGS

❣ Chile in a Photography ❣
2025 on Tumblr: Trends That Defined the Year

Origami Around

pixel skylines
Xuebing Du

if i look back, i am lost
let's talk about Bridgerton tea, my ask is open
RMH
KIROKAZE
seen from United States
seen from United States

seen from Brazil
seen from United States
seen from United Kingdom
seen from United States

seen from Malaysia
seen from Canada

seen from Peru
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seen from T1
seen from North Macedonia

seen from Türkiye

seen from Australia
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@eucanthos
Hey!
Charlie Chaplin. The Great Dictator (1940). Benzino Napaloni & Adenoid Hynkel's doppelganger delirious salute miss
Napaloni makes me really crack Love the speech Timeless work of art
eucanthos
Birth of Venus Federico-Federici-waste-poem-over-negative-Avi-Yosfan-nude-pencil-drawing-iidamiidam-asemic-poetry-Untitled-358-border-Munari-fossil-John-Zabawa-ocean
eucanthos
divine justice
Andy Harrington photograhy [skate] - hatchetandtom
Zeus temple of Olympia sculptures
Hugo Barros, The Colour Has the Right to Escape 2023 [color bits inspiration]
A compendium of astronomy, 1868 [text]
Containers - four from a series of (at least) five screen prints by Gerd Winner.
Subhran Karmakar (Street Photographer, based in India)
Dog Got Wings
The Best Street Photography of 2021
https://kottke.org/21/11/the-best-street-photography-of-2021
Hito Steyerl, The New Alphabet, Jan 12 2019 lecture fragment:
“Does AI have a shadow?”
Steyerl describes the process where hired scientists smash hundreds of window glasses, in order to train AI for a new security app...
"... A world created following the automation logic of a home security devise that is able to recognize the sound of broken glass (and the proliferation of such devises) combined with the trend of privatization of state structures like police/army and the increase of socio-economical inequality gap, could lead to the solution of a private militia (also in control of the real estate market) that would choose the rebuilding of the entire house instead of fixing its windows [like a luxury version of a war zone]
This is the kind of shadow part of AI related activities are fore-casting, even though the emerging AI “object” is not yet visible/understood.
So there is a large number of entities created by technologies which precede AI and contribute to its shadow; the defining name for the technology applied to the real existing version of AI, is “Artificial Stupidity,” like Soviet Union was the real existing version of Comunism. The result is an “Automated Deregulation” of society and the weaponization of AI..."
Hito Steyerl has been a professor of Current Digital Media at the Academy of Fine Arts in Munich since 2024. Until 2024, she was a professor of New Media Art at the Berlin University of the Arts, where she co-founded the Research Center for Proxy Politics, together with Vera Tollmann and Boaz Levin
https://www.youtube.com/watch?v=iyyM4vDg0xw
eucanthos
Andy Warhol, The Last Supper, 1986 blue [detail]
Donna Trope, double polaroids, 1998 - 1996 [lip-fill & lipstick]
Jason Craighead, Should, 2019. Mixed media [detail overlay]
Alberto García-Alix, Bondage, 1994
iidamiidam asemic poetry Untitled no.304 [overlay]
Nino Cais
Untitled,
from the Women and rocks Series,
2014
Nino Cais
Untitled, from the women with rock series, 2014
tumblr
via
Klaus Schwendner (DE, Abensberg, Lower Bavaria, 1967)
Alois, 2023 Angels series Chainsaw work 25 x 11 x 52 cm
https://artmove.de/skulptur/engel/engel-09-alois-kleine-holzskulptur-alois-weiss-mit-krone.html
https://artmove.de/skulptur/engel/serie-engel-kleine-holzfiguren-mit-kettensaege.html
Sculptures from the Temple of Zeus at Olympia
Lantern slides courtesy of the Brooklyn Museum Libraries and Archives, Goodyear Archival Collection
The Colour Has the Right to Escape (2023, v2 Tao) handmade collage, painting on vintage photography 1951 : Alfama, Lisboa
Kim Fisher (US, New Jersey, 1973)
Magazine Painting (Curry) 2015 Oil and aluminum on dyed linen 39 x 38 in
https://www.shanecampbellgallery.com/kim-fisher
Torbjørn Rødland (Norway, 1970)
“Transpluralistic photography”
Hood Ornament, 2019
https://news.artnet.com/art-world/torbjorn-rodland-interview-1943038
John Baldessari - Intersection Series Embrace (Hand and Ear) / Seascape (2001)