Hey!
Charlie Chaplin. The Great Dictator (1940). Benzino Napaloni & Adenoid Hynkel's doppelganger delirious salute miss
Napaloni makes me really crack Love the speech Timeless work of art

ellievsbear
TVSTRANGERTHINGS
RMH

shark vs the universe
Stranger Things
Aqua Utopia|海の底で記憶を紡ぐ
I'd rather be in outer space 🛸
ojovivo
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Sade Olutola

@theartofmadeline
taylor price
PUT YOUR BEARD IN MY MOUTH
The Stonewall Inn

Product Placement
Not today Justin

pixel skylines

tannertan36

PR's Tumblrdome
"I'm Dorothy Gale from Kansas"
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@eucanthos
Hey!
Charlie Chaplin. The Great Dictator (1940). Benzino Napaloni & Adenoid Hynkel's doppelganger delirious salute miss
Napaloni makes me really crack Love the speech Timeless work of art
eucanthos
the discreet charm of bourgeoisie
Domenico Marchetti, Perseus with the head of Medusa 1817 [hair]
Alphonse Bertillon criminal measurement instrument
20s-30s erotic postcards parts (whip included)
Master with the Parrot, The death of Lucretia, 1525-50 [hand, top]
Lisa Spindler, Liquid Hand, 1996
Alicja Kwade, Hypothetisches Gebilde 2016 [green copper]
Joel Shapiro Untitled, 1978 Painted wood [yellow solid]
Armchair woven under the direction of Jean-Baptiste Oudry and André Charlemagne Charron 1754–56
Francis Picabia’s anarchic "Manifeste DADA" March 1920, issue No. 12 of the Dada review 391 printed directly beneath the iconic Marcel Duchamp's moustachioed Mona Lisa, titled L.H.O.O.Q.
Sofie Bird Møller (1974 -) Untitled, 2010.
orig. Helmut Newton. Ernesto Esposito and Frederica della Volpe in my Hotel Room, Montecatini, Italy, 1988
Kevin Stenhouse photography - kevinstenhousetumblur
12 "fame" sequence posted on Apr 15, 2026 by the artist eucanthos' "restless" gif [arrangement and eye-dentity concealment]
Julie Anne Stanzak in “Nelken (Carnations)” by Pina Bausch 1982/83
Pina, dir. Wim Wenders, 2011
https://www.pina-bausch.de/en/plays/25/nelken
Loie Fuller In Salome Costume (?), 1895. Photographer Van Bosch
https://unsplash.com/photos/greyscale-photo-of-woman-holding-flowers-niG9HANzuIM
eucanthos
charmer
Domenico Marchetti, Perseus with the head of Medusa 1817 [hair]
Alphonse Bertillon system criminal measurements
Alicja Kwade, Hypothetisches Gebilde 2016 [green copper]
Master with the Parrot, The death of Lucretia, 1525-50 [hand, top]
"Sacred Heart" woodcut engraving
Lisa Spindler, Liquid Hand, 1996
Joel Shapiro Untitled, 1978 Painted wood [yellow solid]
Anita Ventura [thigh]
Robert Mapplethorpe 1987 [shoe]
Armchair woven under the direction of Jean-Baptiste Oudry and André Charlemagne Charron 1754–56
Manifeste DADA in 391, no. 12, March 1920 picabia
Harrow on the Hill photography studio 20s paper frame and photo
Bad Vodka…
Joel Shapiro (US, NY, Sep 27, 1941–2025, NY)
Untitled, 1978 Painted wood 11.6 × 15.2 × 7.9 cm
https://whitney.org/collection/works/1017
Robert Rauschenberg (US, Texas, Oct 22, 1925–2008)
Primary Mobiloid Glut, 1988 Assembled steel, aluminum, and rubber Dimensions (113.3 × 183.4 × 69.9 cm)
https://whitney.org/collection/works/46719
eucanthos
20-30s anonymous erotic postcard models
Royal Tern by Saul Freiden, Huguenot Park, Jacksonville, FL
old photo paper border
Julia SH (Swedish, lives in LA)
"Studio Practice" from Body of Work series LensCulture Art Photography Awards 2019
In the U.S., what little nudity is permitted is usually shown in a sexual context. This contributes to a perception that we’re supposed to evaluate every naked body we see as a potential sex partner or rival. Seeing nudes in a museum is one of the only exceptions to this, which is why I have framed my model as a sculpture and a work of art in a museum, with hope that the viewer will suspend any judgments about whether they find the model sexually attractive or not, or whether her body is ‘socially acceptable.’ – Julia SH
https://www.lensculture.com/julia-sh
https://www.juliash.com/bodyofwork/p1y0by7usqpi2aoonudzxoli679kid
Alix Cléo Roubaud (Mexico City, Jan 19, 1952–1983, 31 y/o, Paris)
The Last Room, Ottawa 1973–Paris 1979, 1979
The book, Alix’s Journal, has come to be the best-known thing about her
Roubaud had kept a journal from adolescence, but her husband chose to publish (after her death) only the later entries written between 1979 and 1983 [during their relationship]
"Her photographs offer visions that are dizzying and sliding: a wine glass spilling multiple times, a floating face, a dissolving body, nothing ever quite what it seems. In Alix’s Pictures, Roubaud sits in her apartment and describes her photographs to a young man, Eustache’s son. Gradually her words depart from the images we see on-screen. A shoe is described as a self-portrait, a pillow as a beautiful body. The viewer is left confused, frustrated, amused, unsure of exactly at what point things fell out of sync."
Essay:
The Photographer Who Made Absence Her Muse
https://aperture.org/editorial/the-photographer-who-made-absence-her-muse/
Lillian Rothey by Shadna
The Queen of Sheba
Bilqis and the hoopoe (King Solomon's messenger). Iran, Qazvin Style miniature, ca. 1595, tinted drawing on paper [details]
Qazvin Style was developed during the Safavid dynasty (1501–1736). A Sufi religious order, that established Islam in Persia and thus founding rulers of modern Iran.
The Queen of Sheba, Bilqis in Arabic and Makeda in Ethiopian, is a figure first mentioned in the Hebrew Bible, Book of Deuteronomy, Second Book of Kings [scholars trace all or most of Deuteronomistic history to the Babylonian captivity, 6th c. BC]
The original story has undergone extensive elaborations in Judaism, Ethiopian Christianity, and Islam (in that order)
Modern historians and archaeologists place Sheba in one of the South Arabian kingdoms (pre-Islamic states in modern-day Yemen)
"In a massive desire to quench her thirst for knowledge, this legendary queen supposedly paid a visit to Israel's wise King Solomon in Jerusalem (an encounter found in all texts, Hebrew, Ethiopian and Arab). Written accounts suggest that she bore the king a son, Menelik, who would become the first Ethiopian king in the Solomonic dynasty"
The most extensive version of the legend appears in the Kebra Nagast (Glory of the Kings), the Ethiopian national saga, translated from Arabic in 1322. Here Menelik I is the child of Solomon and Makeda (the Ethiopic name for the queen of Sheba; she is the child of the man who destroys the legendary snake-king Arwe) from whom the Ethiopian dynasty claims descent to the present day
In the 19th century, explorers I. Halevi and Glaser found in the Arabian Desert the ruins of the huge city of Marib. Among the inscriptions found, scientists read the name of four South Arabian states: Minea, Hadramawt, Qataban, and Sawa*, confirming the residence of the kings of Sheba was the city of Marib (modern Yemen, South of the Arabian Peninsula. Assyrian documents of the 8th-7th c. BC, mention Arabian Queens in the far northern regions of Arabia.
In the 1950s Wendell Philips excavated the temple of the goddess Balqis at Marib (capital city of Marib Governorate, Yemen)
In 2005, American archaeologists discovered in Sana'a the ruins of a temple near the palace of the biblical Queen of Sheba in Marib (north of Sana'a). According to the American researcher Madeleine Phillips, they found columns, numerous drawings and objects dating back three millennia
*Koine Greek: βασίλισσα Σαβά, romanized: basílissa Sabá sounds closer to the Sawa
Yemen (green) - Territory queen probably came from and Ethiopia (red) - The country where her son may have ruled
https://en.wikipedia.org/wiki/Queen_of_Sheba
Florence Henri (US, 1893–1982, FR)
Paris 1931, unidentified woman gift to Erica Brausen
https://www.invaluable.com/auction-lot/florence-henri-1893-1982-61-c-0dsjf1vjmm
The Remorse of Orestes
Orestes Pursued by the Furies
William-Adolphe Bouguereau
1862
Located at the Chrysler Museum of Art, Norfolk Verginia
Spartan princess and half-sister of Helen of Troy, Clytemnestra, Agamemnon's wife and mother of Orestes and Iphigenia, in Euripides' version, unfolds the whole palette of causes that later led her to plot and Agamemnon's murder - by herself and Aegisthus, upon his return from Troy, as we see it happen in Aeschylus' "Oresteia".
Ultimately, Euripides reveals that Clytemnestra herself has suffered much from Agamemnon. In addition to the impending sacrifice of Iphigenia, she tells us that Agamemnon took her as his wife by force, after he himself killed her first husband and her child. In other words, we see the reasons that led her to seek revenge, without forgetting of course her deep desire for power and authority.
After seven years from Agamemnon's murder, Orestes returned home to Mycenae, intent on taking revenge for the death of his father. With Electra's help, he murdered Clytemnestra, Aegisthus, and their children [the reason he's pursued by the Furies]
Pausanias writes that on the road from Megalopolis to Messene there was a sanctuary of goddesses Maniae (meaning madness) since it was there that madness overtook Orestes.
In the beginning of the Trojan War, consistently weak winds prevented the fleet from sailing to Troy. The priest Calchas prophesied that the winds would be favorable if Agamemnon sacrificed his daughter Iphigenia to the goddess Artemis...
Agamemnon persuaded Clytemnestra to escort Iphigenia to Aulis in order to marry the hero Achilles. When Iphigenia arrived and sacrificed, the winds turned, and the troops set sail for Troy.
https://en.wikipedia.org/wiki/Clytemnestra
https://en.wikipedia.org/wiki/Iphigenia
https://tvxs.gr/politismos/theatro/ifigeneia-i-en-aylidi-h-elli-iggliz-sto-tvxs-gia-ti-thysia-ti-friki-ton-polemon-kai-ti-dystopia-poy-chtizoyn-oi-exoysies/