Dmitry Oleyn marine painting 2024 50x40cm

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wallacepolsom
he wasn't even looking at me and he found me
dirt enthusiast
AnasAbdin
tumblr dot com

⁂
One Nice Bug Per Day
almost home

Origami Around

oozey mess
Three Goblin Art
sheepfilms
hello vonnie
occasionally subtle
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Sade Olutola
YOU ARE THE REASON
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@eumichellero
Dmitry Oleyn marine painting 2024 50x40cm
very ok 👍🏼
Spoiler Saezuru Chapter 66.
I've waited over 10 long years for this moment. I still can't believe it; Doumeki has finally fulfilled his dream, and I hope Yashiro finds some peace before the storm breaks. Are you ready? I hope you enjoy it too until the chapter is released in better quality.
💞💞💞💞💞💞💞💞💞💞💞💞💞
OMG Yashiro's face is amazing!!!
MORE SPOILERS.... OMG!!!!!
Below the cut.... try not to SCREAM!!!
Destroy the myth that libraries are no longer relevant. If you use your library, please reblog.
Under the soft light of the doorway, a mother finds moments to rest while never straying far from the two tiny lives she has brought into the world. Sometimes she watches from above, listening and keeping guard, and other times she curls around them, holding them close against her warmth. In these early days they sleep, stretch, and search for comfort, knowing only the safety of their mother and the small home that shelters them. It is a simple scene, but one filled with devotion, instinct, and the quiet beginning of two new little lives growing under her care.
Text/photos by Squirrel Boxes
Saezuru 66 spoiler (image)
Gotta put this image under the cut because….
Saezuru tori wa habatakanai Chapter 66 Spoilers:
Yoneda is absolutely unstoppable. We already have the new previews for the latest Saezuru chapter, which is drawing closer and closer to the climax of this final arc. This time, there are two specific details that caught my attention that I just couldn't leave unaddressed.
The Parallelism of the Snow
First of all, the cover image shows Doumeki and Yashiro under a snowfall—a clear parallel to the very beginning of Doumeki’s story within the Sakuraika group. It is snowing in the exact same way it did the day Amou handed him over to Tsunakawa. It seems this crucial part of the story, which began on a snowy day, is coming full circle and closing under the exact same weather.
Two Sides of the Same Coin
This brings me to the second preview image: Amou requests a meeting with Tsuna to apologize. While the surface-level reasons are clear, there is a much deeper history between these two characters.
Amou and Tsunakawa were university classmates, meaning they have known each other for many years. In the Saezuru universe, they represent two sides of the same coin:
Tsunakawa, on one hand, is a successor by inheritance.
Amou, on the other, is Misumi’s illegitimate son, who became a boss through pure meritocracy and power.
Consequently, even though they have only met a handful of times throughout the story, they show an incredibly close bond through the sheer weight of the favors they dare to ask of and grant each other.
Chapter 37 Chapter 66
Loyalty and Favors Within the Yakuza
Back in chapter 30, Amou asks Tsunakawa to talk to the other bosses so they won't accept Hirata into any Sakuraika subgroups, and Tsunakawa agrees. Their conversation is deeply fascinating because Tsunakawa questions whether it wouldn't be easier to just put out a formal notice that Hirata is exiled, ensuring no one takes him in. That’s when Tsunakawa talks about loyalty and drops a heavy line: "A man without a group is dead." Pushing someone to those extremes is no small decision.
Against all odds, many years later, Amou turns to Tsuna for help once again—this time to take in Doumeki. Going completely against his own convictions of not accepting the "leftovers" of other clans, Tsunakawa complies. This is exactly why Amou goes to apologize to him: he knows perfectly well that Tsunakawa made a massive exception solely out of that surreal friendship they share.
The Illusion of Freedom
Furthermore, I love how Yoneda always positions them in spaces that are simultaneously vast yet enclosed: golf courses and fishing ponds. These are artificial, man-made environments that, despite seeming immense, are completely fenced in. It captures the very essence of Saezuru: even if you feel free, the yakuza remains your prison. Perhaps that’s why they look for these specific settings for their private meetings; it grants them a subtle illusion of freedom that, due to the realities of the mafia world, can never truly be real.
I’m eagerly looking forward to the rest of the chapter. Thank you so much if you took the time to read through my ramblings about something that seems as simple as an apology between friends!
Olruggio's weakness
MY BABIES. Ei lost his fave rock
Thinking of them always man
deleted episode sketch, thought id share the tokoyami crumbs
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