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carlylala

You’re not on your own, kid.

astenl-deactivated20250415

I'm so proud of Taylor 💗

athenascmr

When he goes “you never gave a warning sign” and she sings over it “I gave so many signs”

bananaofswifts

verytamenow

GUYS THAT PUTS HER IN THEIR TOP TEN ALBUMS OF ALL TIME!!!!!!!!!!!!!

roadtorvin

SHES TIED FOR 5TH

loveisbraveandwild

2 albums in a year and she OWNS BOTH

delilahhbard-deactivated2022072

folklore

beginagain

i don’t think taylor realizes what she just did with this album like this is literally all too well on steroids as a whole ass entire album she’s really done it

cages-boxes-hunters-foxes

“The only thing she said to me initially was that she didn’t want me to worry about anything that she’d done before and that I should just be myself — just inhabit the emotional space that you’re feeling or your musical and emotional space. And so I really didn’t endeavor to become Max Martin or whoever. I was just sort of being myself. And so was she. I think she’s incredibly versatile, obviously. A lot of these songs, they sound to me as though she could have been doing this all along in her career, this kind of sound or something. It’s not at all unnatural. In fact, it sounds incredible. This is all complete. It’s finished. It feels produced, but I think it will feel fairly organic or raw compared to past things. At some point, Taylor did articulate her vision for folklore. Other songs came after that. I was very inspired by her and what she’d been writing, and then I wrote more music, and she responded to that. We just started to push ahead…She’s just an absolutely brilliant artist. Allowing her to flourish like that, there was no pressure. She wasn’t trying to make something for anyone else except for herself in this time. I don’t think even her label knew. We were just working. That’s maybe the liberating. When you put something in the pipeline of the music industry and it takes months of prep — not to take anything away from that because it’s important, especially if you’re coming up and you don’t have an audience. But once you do, I think it’s nice to play around the form of it. The world is a different place right now, and nobody really knows. All the rules are being rewritten. Live music is not happening. And in a way, it’s nice to make something and just put it out because people are stuck at home and being able to hear something. This will be a really positive gift for her fans.”

— Aaron Dessner on folklore (x)

tearsricochet

16 TAYLOR SWIFT HEADERS as requested here are some lover era + miss americana headers, 5 previews above, 16 headers under the cut. all headers are 700x394, all headers are available with both black & white torn paper edges! please click on each header for full size & quality. enjoy!

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newromvnticsv

FOLKLORE album cover re-designed.

dancefloors

the fucking vindication of taylor doing exactly what you've been begging her for years and it turns out to be her best work from both fan AND critics perspective. no one is allowed to tell me or my homo swifties we're wrong ever again

stumbleonhometomycats

I’m having a break down over The Last Great American Dynasty!!! Taylor tells the story of Rebekah Harkness and all the trouble she caused in Watch Hill Rhode Island with her insane parties, feuds with neighbors and her general debauchery that was the talk of the town. And then she died and Holiday House sat quietly for 50 years, “free of women with madness, their men and bad habits” AND THEN Taylor has the audacity to say “And then it was bought by me // I had a marvelous time ruining everything” because Taylor was know for her crazy parties there and her “men and bad habits” and we know there were tabloids publishing stories of her fighting with people in town. I REALLY underestimated this song upon first listen. Holy SHIT.

brooklynbroke13

You know what my FAVORITE thing about this is, there are NO songs coming out before the album so therefore none will be inherently less exciting to hear