Upcoming Screenings:
EVERYBODY STREET screens at Moe Kunst Kino Festival at Cinema Soprus in Tailinn, Estonia on Octiber 7 & 9, 2017
http://www.moekunstikino.ee/
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@everybodystreet
Upcoming Screenings:
EVERYBODY STREET screens at Moe Kunst Kino Festival at Cinema Soprus in Tailinn, Estonia on Octiber 7 & 9, 2017
http://www.moekunstikino.ee/
Alex Coghe
Mexico City, 2012
Jan Staller made a series of photographs on 42nd Street in the early 1980s. “So much of my work has been about taking a close look at something we might all pass by with nary a second glance as we hurry on to our destinations. And the denizens of 42nd Street, aside from looking for each other were often ignored by polite company. I had done that myself until a few of them directly engaged me.”
Jan Staller made a series of photographs on 42nd Street in the early 1980s. “So much of my work has been about taking a close look at something we might all pass by with nary a second glance as we hurry on to our destinations. And the denizens of 42nd Street, aside from looking for each other were often ignored by polite company. I had done that myself until a few of them directly engaged me.”
Jan Staller made a series of photographs on 42nd Street in the early 1980s. “So much of my work has been about taking a close look at something we might all pass by with nary a second glance as we hurry on to our destinations. And the denizens of 42nd Street, aside from looking for each other were often ignored by polite company. I had done that myself until a few of them directly engaged me.”
Jan Staller made a series of photographs on 42nd Street in the early 1980s. “So much of my work has been about taking a close look at something we might all pass by with nary a second glance as we hurry on to our destinations. And the denizens of 42nd Street, aside from looking for each other were often ignored by polite company. I had done that myself until a few of them directly engaged me.”
Jan Staller made a series of photographs on 42nd Street in the early 1980s. “So much of my work has been about taking a close look at something we might all pass by with nary a second glance as we hurry on to our destinations. And the denizens of 42nd Street, aside from looking for each other were often ignored by polite company. I had done that myself until a few of them directly engaged me.”
Alex Coghe
Mexico City, 2012
Jan Staller made a series of photographs on 42nd Street in the early 1980s. “So much of my work has been about taking a close look at something we might all pass by with nary a second glance as we hurry on to our destinations. And the denizens of 42nd Street, aside from looking for each other were often ignored by polite company. I had done that myself until a few of them directly engaged me.”
UPCOMING SCREENING- SCHNITZER CINEMA: EVERYBODY STREET AND SKYPE WITH DIRECTOR CHERYL DUNN Wed, 10/19/2016 - 7:00pm
The Schnitzer Cinema series is programmed by Richard Herskowitz, curator of media arts. All programs are free.
Jordan Schnitzer Museum of Art- University of Oregon
1430 Johnson Lane, Eugene, OR 97403
541.346.3027
http://www.vogue.com/13472405/wendy-nichol-spring-2017-lookbook-death-valley/
UPCOMING SCREENINGS:
Image Forum (Tokyo, Shibuya) http://www.imageforum.co.jp/theatre/
Aug 6~19 - 11:00/13:00/21:10
August 20~ - 10:30/21:10
Prince Street Girls began as a series of incidental encounters. At the beginning I was making pictures for them. They’d see me coming and yell, “Take a picture! Take a picture!” By 1978 they were changing, and I wanted to capture them growing up. Yet my own focus was shifting. My work was taking me away from the neighborhood. When I landed in Central America, I found myself in the middle of a war and part of another community.
photo by Susan Meiselas from her series “Prince Street Girls”
Dee and Lisa on Mott St, 1975. photo by Susan Meiselas from her series “Prince Street Girls”
Jill Freedman interview on Jezebel
photo by Yvette Marie Dostatni