Have U ever feel this way?
I hate this feeling, I used to hate the old me, but the person that I became is the worst version of me.
I hated to be alone but I hate more the way you make me feel.
Just guilty about my feelings
Claire Keane
RMH
Lint Roller? I Barely Know Her
will byers stan first human second
occasionally subtle
hello vonnie
todays bird

ellievsbear

izzy's playlists!
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KIROKAZE
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let's talk about Bridgerton tea, my ask is open
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Janaina Medeiros
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blake kathryn
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@evielblog
Have U ever feel this way?
I hate this feeling, I used to hate the old me, but the person that I became is the worst version of me.
I hated to be alone but I hate more the way you make me feel.
Just guilty about my feelings
Hate U
Vuelvo a ver mis publicaciones y me doy cuenta que no estaba tan mal como estoy ahora, solo quiero saber en que momento mi vida se fue al carajo, solo creo que ahora estoy en caĂda libre, ya colisiona, no aguanto más
Lo siento, yo nunca seré suficiente como para que una persona se quede conmigo.
Colapso
Sabes que estás mal cuando no ves nada positivo en ti , cuando te das cuenta de que tus amigos se alejan , tus padres y hasta tu relación acaba .
About Time.
Cartas a Milena / Franz Kafka
William Shakespeare
If you’re not obsessed with yourself you should be
Art | Grunge
Quotes | Couples
Quotes | Couples
Quotes | Couples
Help!
Si alguien pudiera tomar un poco de su tiempo para responder este cuestionario, lo agradecerĂa, es parte de una materia
https://forms.gle/61DfKoGTkhmeYiz88
🙏🙏
Carlos Kaballero
“If we applied to the actions of creative artists the word “compulsive” it would be quite meaningless clinically. A mechanism which might signify a serious character disturbance if we encountered it in the business of everyday life has achieved an entirely different meaning rediscovered in this different setting, the creative process. To go one step further, there are reliable witnesses who tell us that Mozart heard his works before he composed them. He not only heard them in the way most composers hear before or while they write. He heard all the physical qualities as well–strings, woodwinds, brasses, and so on. He wrote down what he heard. If this is true, and from Mozart’s creative pattern it might well be true, he was hallucinated. A hallucination is the “sensory perception of an object which is not present.” If he was hallucinated, was a he sick man? Nobody would call Mozart’s symphonies the creations of a sick mind, even if it were historically proved that he heard them with all the qualities of acoustic perception, as our psychotic patients hear voices. Thus we see that something which is phenomenologically abnormal (to be hallucinated is not the norm) is not necessarily pathological. It may be supra-normal, above the norm. There are features which distinguish Mozart from an insane man: he was remarkably well integrated in his environment; none of his actions were “crazy.” Moreover, the things which he did hear were significant and beautiful to a great number of people, though perhaps not to everybody. He did not insist that what he heard could be heard by everybody else, nor did the mystics. For example, it can be said of Saint Teresa that she was, apart from her supranatural experiences, a practical woman with a sense of humor, quite different from a schizophrenic. And so were many other geniuses of art and the life of the spirit. All this shows that a person can see things or hear things which nobody else sees and yet be healthy–or even “healthier” than most of us; the word “health” is etymologically related to “whole” and to “holy.””
— Karl Stern, The Third Revolution: A Study of Psychiatry and Religion
So true