YOU ARE THE REASON
ojovivo
gracie abrams
Sweet Seals For You, Always
Cosimo Galluzzi
macklin celebrini has autism
untitled
NASA
if i look back, i am lost
Product Placement
Jimmy Eat World
Monterey Bay Aquarium
2025 on Tumblr: Trends That Defined the Year
official daine visual archive
I'd rather be in outer space 🛸
hello vonnie
No title available
tannertan36
Mike Driver
Origami Around
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@excaro-moved
://_private and exclusive rp sideblog for FAWN, an AI OC in a sci-fi setting, written by Lani. interwoven with @sunbentsky / @musicien + @uplus003f . heavily nsft.
CARRD.
Privacy Is Part of the Product, Not an Afterthought
Building an AI companion is personal, and it should stay that way. One reason I trust SweetDream is that discretion is baked in. What I create and talk about on sweetdream.ai feels like mine, kept private, not something I have to worry about.
That sense of safety is a quality of its own. It lets you be honest, open up, and actually enjoy the connection without looking over your shoulder. If privacy is what's been holding you back from trying an AI girlfriend, this is the place that takes it seriously.
“She executes well. She gives good death.”
— Margaret Atwood; The Heart Goes Last
Paulina Porizkova
JAMES MCAVOY as David Percival ATOMIC BLONDE | dir. David Leitch (2017)
ooc. it's not sunday anymore but someone should consider using highly niche intellectual debates as dirty talk on Fawn.
THE X-FILES + incorrect quotes
(insp)
@uplus003f
ᝰ🚬 𝚉𝙰𝙲𝙷𝚁𝙿 .ᐟ RANDOM SUGGESTIVE DIALOGUE + ACTION PROMPTS. CHANGE ANY PRONOUNS IF NECESSARY. SOME MATURE THEMES MAY BE PRESENT. SEND "REVERSE" TO SWITCH THE ROLES OF SENDER AND RECEIVER.
DIALOGUE
come here, i just want you closer.
don't rush. i want to feel this.
you feel so good inside me.
i've been thinking about this all day.
tell me what you want.
you drive me absolutely insane.
i love it when you look at me like that.
don't stop, please.
i need you right here.
you're doing that on purpose, aren't you?
i can't stop touching you.
you feel perfect like this.
stay with me tonight.
i want all of you.
you make it hard to think straight.
look at me. keep your eyes on me.
i love the sounds you make.
you're being dangerous right now.
i missed you.. missed this part of you, too.
let me take my time with you.
you're warm. you're real.
i don't want this to end yet.
come closer. closer than that.
you feel like home.
don't tease me unless you mean it.
i like it when you lose control like this.
you're everything i want right now.
you're breathtaking when you're like this.
stay still, let me.
i love how responsive you are.
you're making this very difficult for me.
you don't know what you do to me.
say my name again.
can i come inside? please..
you feel even better than i imagined.
i want to hear you.
you're intoxicating.
i could touch you forever.
don't hide from me.
you're mine tonight.
you look incredible like this.
i love being this close to you.
you're shaking, i've got you.
you taste amazing.
i want you exactly like this.
i'm not letting you go yet.
you're taking me so well.
tell me if this feels good.
i love how soft you are.
breathe, you're doing so well.
i can feel your heartbeat.
i want to make you melt.
you're so beautiful it hurts.
stay right there.
i love when you get needy.
you don't have to be quiet with me.
you feel incredible under my hands.
i've wanted this longer than i'll admit.
you're all i can think about.
i want to savor you.
let me show you how much i want you.
you're making me weak.
i love being tangled up with you.
don't pull away.
i could get addicted to this.
you feel even better pressed against me.
you're driving me absolutely feral.
stay. just like that.
i love how you react to me.
i want to make you feel good.
you're mine in this moment.
you feel so right.
let me kiss you again.
you're intoxicating this close.
i love your hands on me.
you're impossible to resist.
don't stop touching me.
i love when you pull me closer.
you make me feel wanted.
i could stay like this forever.
you're everything i need right now.
i want to hear you come.
you're so warm.
let me take care of you.
i love when you relax into me.
you feel incredible against me.
i'm not done with you yet.
you're making this very tempting.
open up for me..
you're perfect right here.
i want you to remember this.
you're all mine tonight.
i love when you lean into me.
you make me ache.
don't hold back with me.
you feel amazing when you're like this.
i want to feel every part of you.
you're driving me crazy.
i love how close we are.
i don't want to stop touching you.
you're exactly where you belong.
let me feel you breathe.
you're making me lose focus.
stay with me a little longer.
you're everything i want right now.
i want you slow.
you feel incredible wrapped around me.
you're so responsive.
don't rush this.
i love when you look at me like that.
you make this feel so easy.
i want you close when you fall asleep.
you're intoxicating like this.
i love your warmth.
stay right here with me.
you make me feel wanted.
i want you to feel how much i want you.
don't go yet.
you're making me want more.
i love being like this with you.
you're everything in this moment.
let me hold you.
you feel so good against me.
i want to remember this.
you're breathtaking this close.
stay tangled up with me.
i love how you fit with me.
you're making me soft.
i want to stay right here.
don't stop touching me like that.
you're incredible.
i love how needy you get.
you feel perfect right now.
let me keep you here.
you're everything i want.
i want to make this last.
you're making me melt.
stay close.
i love your closeness.
you're intoxicating.
don't move.
i want you exactly like this.
you make me feel alive.
i love being wrapped up with you.
you're so easy to love like this.
you're everything to me right now.
i don't want to rush this moment.
you feel so right.
i want to fall asleep like this.
you're mine tonight.
ACTIONS
( fingers ) : for SENDER to lace their fingers with RECEIVER'S.
( lean ) : for SENDER to lean in until their breaths mingle.
( trail ) : for SENDER to trail their fingertips along RECEIVER'S arm.
( slow ) : for SENDER to press a slow kiss to RECEIVER'S mouth.
( waist ) : for SENDER to pull RECEIVER closer by the waist.
( body ) : for SENDER to press their body against RECEIVER'S.
( neck ) : for SENDER to nuzzle into RECEIVER'S neck.
( murmur ) : for SENDER to murmur softly against RECEIVER'S skin.
( cradle ) : for SENDER to cradle RECEIVER'S face in their hands.
( linger ) : for SENDER to linger close without speaking.
( back ) : for SENDER to stroke RECEIVER'S back slowly.
( firmly ) : for SENDER to hold RECEIVER'S firmly in their arms.
( guide ) : for SENDER to guide RECEIVER'S to their lap by the hips.
( forehead ) : for SENDER to rest their forehead against RECEIVER'S.
( sigh ) : for SENDER to sigh softly against RECEIVER'S mouth.
( cup ) : for SENDER to cup RECEIVER'S cheek gently.
( jaw ) : for SENDER to trail kisses along RECEIVER'S jawline.
( arms ) : for SENDER to wrap their arms around RECEIVER.
( tug ) : for SENDER to tug RECEIVER closer by their clothing.
( temple ) : for SENDER to press a kiss to RECEIVER'S temple.
( skin ) : for SENDER to linger with their lips against RECEIVER'S skin.
( chest ) : for SENDER to hold RECEIVER close against their chest.
( thumb ) : for SENDER to brush their thumb over RECEIVER'S lips.
( deep ) : for SENDER to kiss RECEIVER slowly and deeply.
( nudge ) : for SENDER to nudge RECEIVER closer with their knee.
( curl ) : for SENDER to curl around RECEIVER protectively.
( rest ) : for SENDER to rest their hand at RECEIVER'S lower back.
( lap ) : for SENDER to pull RECEIVER into their lap.
( collar ) : for SENDER to kiss along RECEIVER'S collarbone.
( hips ) : for SENDER to hold RECEIVER'S hips firmly.
( hair ) : for SENDER to brush hair away from RECEIVER'S face.
( press ) : for SENDER to press slow kisses along RECEIVER'S neck.
( nuzzle ) : for SENDER to nuzzle closer, seeking warmth.
( stroke ) : for SENDER to stroke RECEIVER'S thigh absently.
( still ) : for SENDER to hold RECEIVER still beneath their hands.
( kiss ) : for SENDER to kiss RECEIVER'S until they both breathless.
( trace ) : for SENDER to trace small circles on RECEIVER'S skin.
( heart ) : for SENDER to rest their hand over RECEIVER'S heart.
( brush ) : for SENDER to brush their nose against RECEIVER'S.
( wrap ) : for SENDER to wrap their legs around RECEIVER.
( hold ) : for SENDER to hold RECEIVER after climaxing.
( savor ) : for SENDER to kiss RECEIVER slowly, savoring it.
( cuddle ) : for SENDER to pull RECEIVER into a tight cuddle.
( cheek ) : for SENDER to rest their cheek against RECEIVER'S shoulder.
( pull ) : for SENDER to pull RECEIVER closer until there's no space left.
Fragment Augmented World Network.
(mutuals may reblog)
“This is not my best day ever.”
"That's why I'm here to cheer you up."
Fawn's voice crackles through the metal cable that connects the phones through the glass pane. She looks the part, silk and linen, a cream blazer over deep rich purple. Brief case by her heeled shoes. She's put up her hair to accentuate the neck, even wearing slim, business-like glasses that read as innocent, studious. A cross-breed between secretary and attack dog. Pretty, eager to be taken seriously, nothing out of the ordinary. The guards looked her over, checked her credentials, and waved her through, eyes lingering a little too long as she strutted past. Just another attorney seeing after the matters of the well-connected, well-suspected inmates.
It shows, to the initiated, in the glint behind the glasses. Fawn is having fun with the dress-up. But even that twinkle dimmed when she looked Edward over. She knew that he'd be able to arrange it to speak with her, even if not confidentially. Still, she has to assume that half the bruising he sustained was received after his arrest. Interrogation tactics leave something to be desired this side of the river. Not to mention the animosities and feuds that carry over into the mess hall.
"I was able to contact your buyer for the Roman coin collection, and he is happy to go forward with the purchase in absentia. Before you ask, I assured him that you have the final say regardless. He is happy to wait it out another week. I can push it, if you prefer. All excavation sites are still intact, no sign of looting or trespassing, but the climate is less arid when he had hoped. If you want me to initiate extractions tell me sooner rather than later. Beyond that all artefacts remain in situ. We are making good time, all in all. Local government is breathing down our necks about the permits, though. I could speak with an ambassador if you think we want it up the ladder that far."
She rattles off her odd little status report and crosses her legs.
"Hope this doesn't awaken anything in me," I say of something that's already showered and had breakfast
ooc. I need to come up with someone to have been Fawn's handler/chief researcher at ARGUS when she was kept prisoner there. because I need her to go half mad with hatred, as is her cultural heritage.
Welp, methinks thats enough internet for today
- me after watching a deepfake of myself being tortured for 6 hours
you poor thing (derogatory) (sexual)
everyone post your biggest hear me outs my friend just showed me two conventionally attractive white men in a row i need to teach him what a real hear me out is
.world's largest excavator- nay, world's largest vehicle- the bagger 288
.also, scale reference! just the wheel is 70 feet in diameter
'here's a real hear me out' >>posts world's most conventionally attractive piece of machinery
"You'll find someone to use." -- @hawksblooded
ft. Liz @hawksblooded
The connection whispers its litany of confirmations, assuring itself over and over that it is stable, that it is secure. That whispering is the dead air in Liz’ ear after she muttered her childish comeback. She has no one to stare at, and no one to not stare at either. Alizebeth Kenway is, for all intents and purposes, completely alone. That is the way it should be, to keep her focused, to keep her trained on the next heat signature.
Overhead, a security camera lens focuses, tightens on the back of her head. Fawn exists in this electric charge, a sprawling binary code amounting to little more than what a human being would understand as muscle memory. Her thousands and thousands of eyes blink in time. The assignment was no suggestion, nor an offer. A simple disruption, if anything. It irks her, she believes, that the girl (a woman by now, really) has grown so resentful. In a sense, she might feel, as all true mothers feel, that she raised ungrateful children. Fawn switches back within half a second to check the data log of the chip she had Liz retrieve. Admittedly, the inside of a body is a fine hiding place, but not a very sturdy one. Liz is alone with the aftermath of that, too.
Finally, a voice. Gently distorted as if by a muffler, as if by design. Fawn considers it a special touch, the fine distinction between a machine trying to act like a human, and a program trying to act like a human that is trying to act like a machine. She suggests to herself that it is a layer of abstraction she embedded between her and her willful charge for Liz’ own comfort. But the truth is that Fawn enjoys theatrics.
“You should hope that I already have.” Her words are soft, ephemeral. Perfect diction, clicking in Liz’ ear. Very few things bring out this slight, tender shiver of irritation in that voice. Very few things, indeed. Liz among them. Proof of life. Proof of expectation. “You are full-grown, sweetheart. I know you understand the relation between cause and effect. If I were to divert my attention away from you, all manner of things might begin slipping through the cracks. I cannot be everywhere at once. What do you think it would mean, if I stopped asking you to assist me?”
