iblogwhatiwant

Ellina / I belong to the 99% - Needer of sunshine, chocolate and rare connections / I believe in the power of attraction and put all of my trust in the Universe / Veganism / Music is magic 

[wanderthewood]

Madeira, Portugal by OmaWetterwachs

[pacifist-stephania]

Inconnue

[paintingafterpainting]

[thunderstruck9]

Joe Brainard (American, 1942-1994), Pansies, 1968. Watercolor and collage on paper, 28 x 22 in.

via paintingafterpainting

[thunderstruck9]

Wilhelm Sasnal (Polish, b. 1972), Untitled, 2018. Oil on canvas, 40 x 30 cm.

[nobrashfestivity]

Kazuko Inoue, Untitled

acrylic on canvas

24¼ by 24¼ in. (61.6 by 61.6 cm)

[urbnite]

[nemfrog]

“Conditions for determining soil drainage class.” “White pine weevil attack.” New York State Museum and Science Service. Bulletin 389. August 1963. Internet Archive

[m-----l-deactivated20220106]

[nidakarn]

Bangkok, 2013

[spacecamp1]

Antônio Maluf, Untitled, 1970, Gouache on cardboard on wood, 47.9 x 33 cm.

[spacecamp1]

Daniel Mullen, On the Brink, 2018, Acrylic on canvas, 140 x 140 cm.

[elusive-wow]

Nenad Bacanovic

[nemfrog]

“The worlds of tomorrow.” Captain Future World of Science. Spring 1944. Colorized image.

[mauveflwrs]

Harold Ancart - Untitled (2018)

[furtho]

Eva Hesse’s untitled abstract, 1966 (via here)

[igormag]

[thunderstruck9]

Alex Katz (American, b. 1927), Set design for “Little Eyolf”, 1968. Gouache and pencil on paper, 5 3/8 x 7 ½ in.

via igormag

[jareckiworld]

[thunderstruck9]

Kendell Geers (South African, b. 1968), Ligne de Fuite 02832, 2014. Acrylic on canvas, 170 x 170 cm.

via jareckiworld